The pronouncements of Sabbatai Tsevi (1626–76) gave rise to Sabbatianism, a key messianic movement in Judaism that spread across Jewish communities in Europe, Asia, and North Africa. The movement, which featured a set of theological doctrines in which Jewish Kabbalistic tradition merged with Muslim and later Christian elements, suffered a setback with Tsevi’s conversion to Islam in 1666. Nonetheless, for another hundred and fifty years, Sabbatianism continued to exist as a heretical underground movement. It provoked intense opposition from rabbinic authorities for another century and had a significant impact on central developments of later Judaism, such as the Haskalah, the Reform movement, Hasidism, and the secularization of Jewish society. This volume provides a selection of the most original and influential texts composed by Sabbatai Tsevi and his followers, complemented by fragments of the works of their rabbinic opponents and contemporary observers and some literary works inspired by Sabbatianism. An introduction and annotations by Pawel Maciejko provide historical, political, and social context for the documents.

Scholars praised the 1992 edition of The Search for God’s Law as a groundbreaking intellectual treatment of Islamic jurisprudence. Bernard Weiss’s revised edition brings to life Sayf al-Din al Amidi’s classic exposition of the methodologies through which Muslim scholars have constructed their understandings of the divine law.

Weiss’s new introduction provides an overview of Amidi’s jurisprudence that facilitates deeper comprehension of the challenging dialectic of the text. This edition includes an in-depth analysis of the nature of language and the ways in which it mediates the law, while shaping it at the same time. An updated index has been added.

 

This collection of essays, fiction, poetry and discussions, derived from the cult Internet magazine HumanitiesUnderground, provides entry into some of the most burning issues in the humanities in contemporary South Asia.  The anthology brings together select pieces on such diverse issues as aesthetics and artistic craft, ethics and criticism, movements and institutions, and ideologies and reflections. Working at the cusps of the artistic and the political spheres, the anthology, like the magazine, argues that since our concerns for art and philosophy must be understood through the political, social and economic conditions that birth them, our writing and our reading must be attentive to the intricacies of these relationships and the contexts they create. This anthology of engaging essays will be of interest to scholars in the humanities both within South Asia and beyond.

Lee Hays (1914-1981) was the bass singer of the popular folk singing quartet, The Weavers, and a talented writer of prose. Robert S. Koppelman has brought together a selection of Hays' literary output which places the author and his work in a historical context.

Arguably, no historical thinker has had as varied and fractious a reception within modern Judaism as Baruch (Benedict) Spinoza (1632–77), the seventeenth-century philosopher, pioneering biblical critic, and Jewish heretic from Amsterdam. Revered in many circles as the patron saint of secular Jewishness, he has also been branded as the worst traitor to the Jewish people in modern times. Jewish philosophy has cast Spinoza as marking a turning point between the old and the new, as a radicalizer of the medieval tradition and table setter for the modern. He has served as a perennial landmark and point of reference in the construction of modern Jewish identity. This volume brings together excerpts from central works in the Jewish response to Spinoza. True to the diversity of Spinoza’s Jewish reception, it features a mix of genres, from philosophical criticism to historical fiction, from tributes to diary entries, providing the reader with a sense of the overall historical development of Spinoza’s posthumous legacy.