In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of textiles in Mexico, Guatemala, Ecuador, Peru, and Bolivia from Precolumbian times to the present. Originally published in 1991 by Garland Publishing, the book grew out of a 1987 symposium held in conjunction with the exhibit "Costume as Communication: Ethnographic Costumes and Textiles from Middle America and the Central Andes of South America" at the Haffenreffer Museum of Anthropology, Brown University.

From boreal Alaska to subtropical Florida, from the chaparral of California to the pitch pine of New Jersey, America boasts nearly a billion burnable acres. In nine previous volumes, Stephen J. Pyne has explored the fascinating variety of flame region by region. In To the Last Smoke: An Anthology, he selects a sampling of the best from each.

To the Last Smoke offers a unique and sweeping view of the nation’s fire scene by distilling observations on Florida, California, the Northern Rockies, the Great Plains, the Southwest, the Interior West, the Northeast, Alaska, the oak woodlands, and the Pacific Northwest into a single, readable volume. The anthology functions as a color-commentary companion to the play-by-play narrative offered in Pyne’s Between Two Fires: A Fire History of Contemporary America. The series is Pyne’s way of “keeping with it to the end,” encompassing the directive from his rookie season to stay with every fire “to the last smoke.”

The late Perry Miller once stated, “I have been compelled to insist that the mind of man is the basic factor in human history,” and his study of the mind in America has shaped the thought of three decades of scholars. The fifteen essays here collected—several of them previously unpublished—address themselves to the facets of the American consciousness and to their expression in literature from the time of the Cambridge Agreement to the Nobel Prize acceptance speeches of Hemingway and Faulkner. A companion volume to Errand into the Wilderness, its general theme is one adumbrated in Miller’s two-volume masterpiece, The New England Mind—the thrust of civilization into the vast, empty continent and its effect upon Americans’ concept of themselves as “nature’s nation.”

The essays first concentrate on Puritan covenant theology and its gradual adaptation to changing condition in America: the decline in zeal for a “Bible commonwealth,” the growth of trade and industry, and the necessity for coexisting with large masses of unchurched people. As the book progresses, the emphasis shifts from religion to the philosophy of nature to the development of an original literature, although Miller is usually analyzing simultaneously all three aspects of the American quest for self-identity. In the final essays, he shows how the forces that molded the self-conscious articulateness of the early New Englanders still operate in the work of contemporary American writers.