This book features eleven first-person stories of men from diverse class and racial backgrounds who have made a long-term commitment to end their physical and emotional abuse and controlling behaviors. These men speak frankly about the abuse they inflicted on their families, what it took to get them to face themselves, and how they feel about the damage they have caused. All participated in violence intervention programs, some for as long as ten years. To put a face on violence and to encourage activism for reform, most of the eleven have allowed their photos and real names to be used in the book.

Surrounding this material are chapters that provide context about the disputes among researchers about whether batterer intervention programs work (only a small number of batterers renounce their abuse) and chapters that address the reactions of partners to these stories. "When the Man You Love is Abusive" is designed to caution women not to be manipulated by accounts of change and to outline the stages men need to pass through in the long process of becoming accountable. "The Last Word: Voices of Survivors" ends the book with a focus group discussion in which former abuse victims and advocates respond candidly to the men's stories.

Surprisingly, there are few book-length studies available that approach the poems in Charles Baudelaireís collection on an individual basis. Understanding "Les Fleurs du Mal" fills this gap by providing students and serious readers with clear, scholarly "explications" to many of the most widely read of Baudelaire's poems.

The story of Afro-Caribbean poet Norberto James Rawlings is one of migration, loss, adaptation, and reinvention that goes back for generations. Most well-known for “The Immigrants,” a poem about a Black minority community of Anglophone sugar plantation workers, Rawlings’s poetry has been performed, muralized, and celebrated in the Dominican Republic and beyond. While the principal themes in Norberto James’s early work is a concern for political justice and collective well-being, over time his work transcended the notoriety of his most famous poem. Bringing this selection of his work into English for the first time, this volume will expand the entry points into one of the most important Caribbean writers yet to punctuate the mainstream.

Wesley Cooper opposes the traditional view of William Jamesís philosophy which dismissed it as fragmented or merely popular, arguing instead that there is a systematic philosophy to be found in James's writings. His doctrine of pure experience is the binding thread that links his earlier psychological theorizing to his later epistemological, religious, and pragmatic concerns.

Violence has only increased in Mexico since 2000: 23,000 murders were recorded in 2016, and 29,168 in 2017.

The abundance of laws and constitutional amendments that have cropped up in response are mirrored in Mexico's fragmented cultural production of the same period. Contemporary Mexican literature grapples with this splintered reality through non-linear stories from multiple perspectives, often told through shifts in time. The novels, such as Jorge Volpi's Una novela criminal [A Novel Crime] (2018) and Julián Herbert's La casa del dolor ajeno [The House of the Pain of Others] (2015) take multiple perspectives and follow non-linear plotlines; other examples, such as the very short stories in ¡Basta! 100 mujeres contra la violencia de género [Enough! 100 Women against Gender-Based Violence] (2013), present perspectives from multiple authors.

Few scholars compare cultural production and legal texts in situations like Mexico, where extreme violence coexists with a high number of human rights laws. Unlawful Violence measures fictional accounts of human rights against new laws that include constitutional amendments to reform legal proceedings, laws that protect children, laws that condemn violence against women, and laws that protect migrants and Indigenous peoples. It also explores debates about these laws in the Mexican house of representatives and senate, as well as interactions between the law and the Mexican public.

Honorable Mention, Davis Center Book Prize in Political and Social Studies, Association for Slavic, East European, and Eurasian Studies, 2025

As the predominant form of birth control in Soviet society, abortion reflected key paradoxes of state socialism: women held formal equality but lacked basic needs such as contraceptives. With market reforms, Russians enjoyed new access to Western contraceptives and new pressures to postpone childbearing until economically self-sufficient. But habits of family planning did not emerge automatically—they required extensive physician retraining, public education, and cultural transformation. In Unmaking Russia’s Abortion Culture, author Michele Rivkin-Fish examines the creative strategies of Russians who promoted family planning in place of routine abortion. Rather than emphasizing individual rights, they explained family planning’s benefits to the nation—its potential to strengthen families and prevent the secondary sterility that resulted when women underwent repeat, poor-quality abortions. Still, fierce debates about abortion and contraceptives erupted as declining fertility was framed as threatening Russia’s demographic sovereignty.

Although Russian family planners embraced a culturally meaningful liberalism that would rationalize public policy and reenchant relations, nationalist opponents cast family planning as suspicious for its association with the individualistic, “child-free” West. This book tells the story of how Russian family planners developed culturally salient frameworks to promote the acceptability of contraceptives and help end routine abortion. It also documents how nationalist campaigns for higher fertility denounced family planning and ultimately dismantled its institutions. By tracing these processes, Unmaking Russia’s Abortion Culture demonstrates the central importance of reproductive politics in the struggle for liberalizing social change that preceded Russia’s 2022 descent into war, repression, and global marginalization.

Unmasked is the story of what happened in Okoboji, a small Iowan tourist town, when a collective turn from the coronavirus to the economy occurred in the COVID summer of 2020. State political failures, local negotiations among political and public health leaders, and community (dis)belief about the virus resulted in Okoboji being declared a hotspot just before the Independence Day weekend, when an influx of half a million people visit the town.

The story is both personal and political. Author Emily Mendenhall, an anthropologist at Georgetown University, grew up in Okoboji, and her family still lives there. As the events unfolded, Mendenhall was in Okoboji, where she spoke formally with over 100 people and observed a community that rejected public health guidance, revealing deep-seated mistrust in outsiders and strong commitments to local thinking. Unmasked is a fascinating and heartbreaking account of where people put their trust, and how isolationist popular beliefs can be in America's small communities.

This book is the recipient of the 2022 Norman L. and Roselea J. Goldberg Prize from Vanderbilt University Press for the best book in the area of art or medicine.

Unmasked is the story of what happened in Okoboji, a small Iowan tourist town, when a collective turn from the coronavirus to the economy occurred in the COVID summer of 2020. State political failures, local negotiations among political and public health leaders, and community (dis)belief about the virus resulted in Okoboji being declared a hotspot just before the Independence Day weekend, when an influx of half a million people visit the town.

The story is both personal and political. Author Emily Mendenhall, an anthropologist at Georgetown University, grew up in Okoboji, and her family still lives there. As the events unfolded, Mendenhall was in Okoboji, where she spoke formally with over 100 people and observed a community that rejected public health guidance, revealing deep-seated mistrust in outsiders and strong commitments to local thinking. Unmasked is a fascinating and heartbreaking account of where people put their trust, and how isolationist popular beliefs can be in America's small communities.

This book is the recipient of the 2022 Norman L. and Roselea J. Goldberg Prize from Vanderbilt University Press for the best book in the area of art or medicine.

There are two prevailing myths about Japanese society: first, that it has a successful elderly welfare system and second, that it has a successful criminal justice system. Both of these myths reinforce a social imaginary where cultural values of family and community harmony make extensive state intervention unnecessary. Yet not only are both of these myths and their arguments deeply flawed, but they also obscure the more troubling reality that institutions of welfare and punishment in Japan are co-extensive, both keeping Japan’s growing population of “excess” older people contained and controlled rather than providing ways for them to integrate and flourish.

Elderly ex-offenders are some of the most vulnerable and marginalized groups in Japan today, with high levels of poverty and homelessness, disability, mental health problems, and social isolation. Those with a history of incarceration and, by extension, their family, face stigma and discrimination that further erodes their ability to reintegrate and puts them at greater risk of reoffending. Unlike in any other country in the world, older people in Japan have a higher rate of reoffending than other age groups. In Unsettled Futures, author Jason Danely argues that we cannot dismiss these individuals merely as deviants; rather, their circumstances reveal deep contradictions in the overlapping terrain of welfare and punishment, and the precarity that forecloses on possibilities for older people to build a good life.

Over the past two decades, Latin American politicians and activists have reckoned with their nations’ histories of racism, forced displacement of native peoples, and inequality by acknowledging Indigenous communities as peoples preexisting the modern states. In Argentina—a nation long fixated on presenting itself as “white” and “European”—this shift has been dramatic. After decades of erasure and racism toward Indigenous peoples, Argentinian civil society is identifying Indigenous groups as not just an element from the past, but as nations central to the country’s culturally plural and multiracial identity.

In Urban Indigenous Assemblages, Ana Vivaldi considers how Argentina’s urban Indigenous population fits into this recent political and social movement. To do this, she focuses on how the Qom Indigenous people—whose traditional territories are in northern Argentina—have moved to Buenos Aires, made homes in shantytowns alongside other migrants, and remade urban space by building Indigenous lives in the city. Starting from a Qom barrio in Greater Buenos Aires, Vivaldi traces how Qom peoples’ travels to rural communities and movement across the city create complex networks and produce an urban life always in connection to other places. She argues that urban racialized indigeneities represent sites of contradictory relations visible and invisible to state actors and hypervisible to development agencies, as the Qom are expected to prove their authenticity and remove themselves from important relationships with nonwhite neighbors to access rights and recognition.

Based on eighteen months of fieldwork, this book analyzes the historical process that created the barrio: the constant remaking of this Indigenous space in interaction with state institutions and NGOs, the links between the barrio and northern Argentina through travels “far out” to rural communities in the Chaco, and the expansion of “Indigenous territories” beyond bounded location.

Jehenson and Dunn explore the mythic utopian desires that drive Don Quixote and Sancho Panza in Don Quixote. By tracing the discourses surrounding what they identify as a myth of abundance and a myth of "simple wants" throughout Spain and the rest of Europe at the time, Jehenson and Dunn are able to contextualize some of the stranger incidents in Don Quixote, including Camacho's wedding. They bring to the forefront three aspects of the novel: the cultural and juridical background of Don Quixote's utopian program for reviving the original property-less condition of the Age of Gold; the importance for Sancho Panza of the myths of Cockaigne and Jauja; and the author's progressive skepticism about utopian programs.