A SCHOLARLY BOOK REPOSITORY6 start with U start with U
Unbalancing Act is a haunting collection of poems about the particular physics of loving and losing—about the way grief, desire, memory, and awe can tip a life off its axis, and right it again. The speaker moves through fire and water, childhood, intimacy and abandonment, always with one eye on the natural world: bears, whales, rivers, storms, animals sleeping in impossible ways. The poems are lyric but narrative-driven, often darkly funny, and fascinated—bordering on obsessed—with the strange facts and small surrealities that make ordinary life feel mythic.
At its heart, the book is about imbalance as a kind of truth: the way trauma warps time, the way love can feel like weather, the way the body keeps trying to survive even when the mind wants to disappear. It's a collection for readers who like their beauty a little feral—poems that are tender but not precious, intelligent but not academic, and emotionally sharp without ever losing their sense of wonder.
In Undertones of War, one of the finest autobiographies to come out of World War I, the acclaimed poet Edmund Blunden records his devastating experiences in combat. After enlisting at the age of twenty, he took part in the disastrous battles at the Somme, Ypres, and Passchendaele, describing them as “murder, not only to the troops but to their singing faiths and hopes.”
All the horrors of trench warfare, all the absurdity and feeble attempts to make sense of the fighting, all the strangeness of observing war as a writer—of being simultaneously soldier and poet—pervade Blunden’s memoir. In steely-eyed prose as richly allusive as any poetry, he tells of the endurance and despair found among the men of his battalion, including the harrowing acts of bravery that won him the Military Cross.
Now back in print for American readers, the volume includes a selection of Blunden’s war poems that unflinchingly juxtapose death in the trenches with the beauty of Flanders’s fields. Undertones of War deserves a place on anyone’s bookshelf between Siegfried Sassoon’s poetry and Robert Graves’s Goodbye to All That.
Doris Marie Provine’s engaging analysis traces the history of race in anti-drug efforts from the temperance movement of the early 1900s to the crack scare of the late twentieth century, showing how campaigns to criminalize drug use have always conjured images of feared minorities. Explaining how alarm over a threatening black drug trade fueled support in the 1980s for a mandatory minimum sentencing scheme of unprecedented severity, Provine contends that while our drug laws may no longer be racist by design, they remain racist in design. Moreover, their racial origins have long been ignored by every branch of government. This dangerous denial threatens our constitutional guarantee of equal protection of law and mutes a much-needed national discussion about institutionalized racism—a discussion that Unequal under Law promises to initiate.
The Maoist guerrilla group Shining Path launched its violent campaign against the government in Peru’s Ayacucho region in 1980. When the military and counterinsurgency police forces were dispatched to oppose the insurrection, the violence quickly escalated. The peasant community of Sarhua was at the epicenter of the conflict, and this small village is the focus of Unveiling Secrets of War in the Peruvian Andes. There, nearly a decade after the event, Olga M. González follows the tangled thread of a public secret: the disappearance of Narciso Huicho, the man blamed for plunging Sarhua into a conflict that would sunder the community for years.
Drawing on extensive fieldwork and a novel use of a cycle of paintings, González examines the relationship between secrecy and memory. Her attention to the gaps and silences within both the Sarhuinos’ oral histories and the paintings reveals the pervasive reality of secrecy for people who have endured episodes of intense violence. González conveys how public secrets turn the process of unmasking into a complex mode of truth telling. Ultimately, public secrecy is an intricate way of “remembering to forget” that establishes a normative truth that makes life livable in the aftermath of a civil war.
This two-volume work by historian Robert Quimby presents a comprehensive and detailed analysis of military strategy, operations, and management during one of America’s most neglected and least understood military campaigns, the War of 1812. With causes that can be traced to the epic contest against Napoleon in Europe beginning in 1803, the war itself was the first conducted by the young Constitutional government of the United States. Quimby demonstrates that failed American initiatives at the beginning of hostilities shattered the unrealistic optimism of the war’s staunchest advocates; and while initial failures were followed by military success in 1813, whatever advantage might have been gained was soon lost to incompetent leadership. Major exceptions occurred in the Old Northwest, and in what was then the Southwest, where U.S. forces finally broke the strength of the long-successful Indian-British alliance.
In retrospect, what occurred during the War of 1812 demonstrated the necessity for gaining citizen support before committing the nation to armed conflict; it also provided a series of object lessons on how not to conduct a military campaign. Finally Quimby argues that, notwithstanding several victories at war’s end, including the fabled Battle of New Orleans, American perceptions that the United States "won" the war are erroneous; at best the struggle ended in a draw. The United States Army in the War of 1812 is an up-to-date and long overdue reassessment of military actions conducted during a pivotal conflict in American history, one that shaped U.S. military doctrine for a half century.
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