Herding cattle from horseback has been a tradition in northern Mexico and the American West since the Spanish colonial era. The first mounted herders were the Mexican vaqueros, expert horsemen who developed the skills to work cattle in the brush country and deserts of the Southwestern borderlands. From them, Texas cowboys learned the trade, evolving their own unique culture that spread across the Southwest and Great Plains. The buckaroos of the Great Basin west of the Rockies trace their origin to the vaqueros, with influence along the way from the cowboys, though they, too, have ways and customs distinctly their own.
In this book, three long-time students of the American West describe the history, working practices, and folk culture of vaqueros, cowboys, and buckaroos. They draw on historical records, contemporary interviews, and numerous photographs to show what makes each group of mounted herders distinctive in terms of working methods, gear, dress, customs, and speech. They also highlight the many common traits of all three groups.
This comparative look at vaqueros, cowboys, and buckaroos brings the mythical image of the American cowboy into focus and detail and honors the regional and national variations. It will be an essential resource for anyone who would know or portray the cowboy—readers, writers, songwriters, and actors among them.
In Varieties of Muslim Experience, anthropologist Lawrence Rosen explores aspects of Arab Muslim life that are, at first glance, perplexing to Westerners. He ranges over such diverse topics as why Arabs eschew portraiture, why a Muslim scientist might be attracted to fundamentalism, and why the Prophet must be protected from blasphemous cartoons. What connects these seemingly disparate features of Arab social, political, and cultural life? Rosen argues that the common thread is the importance Arabs place on the negotiation of interpersonal relationships—a link that helps to explain actions as seemingly unfathomable as suicide bombing and as elusive as Quranic interpretation.
Written with eloquence and a deep knowledge of the entire spectrum of Muslim experience, Rosen’s book will interest not only anthropologists and Islamicists but anyone invested in better understanding the Arab world.
Acclaimed short story writer Steve Yarbrough, whose works have been included in the Pushcart Prize anthology and The Best American Mystery Stories 1998, once again demonstrates his gift for vividly rendered characters and evocative themes in his latest collection of fiction.
Veneer presents a variety of characters from cultural backgrounds and settings that range from California to Mississippi to Eastern Europe. Yarbrough's sensitive portrayals of loss and longing are individual and unsettling; a disaffected college football coach, a movie star with a "substance problem," and a small-town girl coming to grips with the murder of her mother are just a few examples of the turbulent lives he portrays. In every instance, each character is "constantly searching for some way to bridge the gap, so small and yet so vast, between a right move and a wrong one."
A poignant theme running through this collection is the conflict between appearance and reality. Yarbrough presents the reader with deep narrative layers, juxtaposing the gritty present with nostalgic recollections of an idealized past or hopeful projections into a rosy future. "Veneer," the title piece, beautifully reveals the depth of this conflict. On the surface, the narrator, a married man whose family is away on vacation, enjoys a dinner with a woman who has been a longtime friend. Beneath that "veneer," however, lies a more complex, perhaps troubling, relationship between the two friends, a relationship only partially obscured by the comic recounting of a childhood Independence Day.
Yarbrough is at his best when he offers us brief glimpses into his characters' minds and imaginations, brilliantly exposing subtle vulnerabilities as cracks in the veneer. "Bohemia" follows the travels of two young lovers as they explore Europe. The woman fears that her lover will abandon her, and when she wakes to find him gone one evening, she believes her fear is confirmed. Yet his return does not alleviate her insecurity. The reality of her lover's presence and her continued anxiety emphasize the many layers that constitute the woman's world.
Diverse in locale, character, and content, the stories in Veneer present rare views into the rifts between husband and wife, parent and child, one sibling and another. Crafting these compelling, deceptively simple stories is a writer whose "true subject is the human heart."
By the second decade of the fifteenth century Venice had established an empire in Italy extending from its lagoon base to the lakes, mountains, and valleys of the northwestern part of the peninsula. The wealthiest and most populous part of this empire was the city of Brescia which, together with its surrounding territory, lay in a key frontier zone between the politically powerful Milanese and the economically important Germans. Venetian governance there involved political compromise and some sensitivity to local concerns, and Brescians forged their distinctive civic identity alongside a strong Venetian cultural presence.
Based on archival, artistic, and architectural evidence, Stephen Bowd presents an innovative microhistory of a fascinating, yet historically neglected city. He shows how Brescian loyalty to Venice was repeatedly tested by a succession of disasters: assault by Milanese forces, economic downturn, demographic collapse, and occupation by French and Spanish armies intent on dismembering the Venetian empire. In spite of all these troubles the city experienced a cultural revival and a dramatic political transformation under Venetian rule, which Bowd describes and uses to illuminate the process of state formation in one of the most powerful regions of Renaissance Italy.
Roman women were the procreators and nurturers of life, both in the domestic world of the family and in the larger sphere of the state. Although deterred from participating in most aspects of public life, women played an essential role in public religious ceremonies, taking part in rituals designed to ensure the fecundity and success of the agricultural cycle on which Roman society depended. Thus religion is a key area for understanding the contributions of women to Roman society and their importance beyond their homes and families.
In this book, Sarolta A. Takács offers a sweeping overview of Roman women's roles and functions in religion and, by extension, in Rome's history and culture from the republic through the empire. She begins with the religious calendar and the various festivals in which women played a significant role. She then examines major female deities and cults, including the Sibyl, Mater Magna, Isis, and the Vestal Virgins, to show how conservative Roman society adopted and integrated Greek culture into its mythic history, artistic expressions, and religion. Takács's discussion of the Bona Dea Festival of 62 BCE and of the Bacchantes, female worshippers of the god Bacchus or Dionysus, reveals how women could also jeopardize Rome's existence by stepping out of their assigned roles. Takács's examination of the provincial female flaminate and the Matres/Matronae demonstrates how women served to bind imperial Rome and its provinces into a cohesive society.
During his twenty-year tenure as a columnist for Việt Nam News, Hà Nội’s English-language newspaper, Hữu Ngọc charmed and invigorated an international readership hungry for straightforward but elegant entrees into understanding Vietnamese culture. The essays were originally collected in the massive Wandering through Vietnamese Culture. With Viet Nam: Tradition and Change, Ohio University Press presents a selection from these many treasures, which are perfectly suited to students of Vietnamese culture and travelers seeking an introduction to the country’s rich history, culture, and daily life.
With extraordinary linguistic ability and a prodigious memory, Hữu Ngọc is among Việt Nam’s keenest observers of and writers about traditional Vietnamese culture and recent history. The author’s central theme—that all tradition is change through acculturation—twines through each of the book’s ten sections, which contain Hữu Ngọc’s ideas on Vietnamese religion, literature, history, exemplary figures, and more. Taken on its own, each brief essay is an engaging discussion of key elements of Vietnamese culture and the history of an issue confronting Việt Nam today.
“I imagine everyone has a center of gravity,” says Ellen Bromfield Geld. “Something which binds one to the earth and gives sense and direction to what one does.” For Ellen, this center is a writing table before a window that looks out upon groves of pecan trees and mahogany-colored cattle in seas of grass. The place is Fazenda Pau D’Alho, Brazil, where she and her husband, Carson, have lived and farmed since 1961.
Healing the ravaged coffee plantation, rearing five children, exploring the outposts, the Gelds have created a dynamic yet peaceful life far from Ellen’s native Ohio. Their practice of sustainable agriculture, and Ellen’s plea for the preservation of Brazil’s remaining wilderness areas, reflect the legacy of her father, the novelist and farm visionary Louis Bromfield. Their shared vision is crystallized in her account of a cattle drive across the Pantanal, the vast flood plain on Brazil’s side of the Paraguay River. She describes a two-hundred year symbiosis between ranchers and a fragile ecosystem that is being threatened by development.
View from the Fazenda is distilled from fifty years of living in Brazil, weaving daily life on the farm into her quest to understand a nation. It portrays a true melting pot of people who—as conquerers, immigrants, or slaves, their blood and history mingled with those of native Indians—have created the character of Brazil. This huge, diverse county, living in several eras at the same time, is ever changing through its people’s amazing ability to “find a way.”
Ellen Bromfield Geld evokes the land and people of Brazil and offers readers an invigorating glimpse into a soulful life. “It seems to me that being a bit of a poet is perhaps the only way one can survive as a farmer,” she explains. “For in the end, more than anything, farming is a way of life you either love or become bitter enduring.”
Virtue That Matters is a groundbreaking exploration of the intricate dynamics of chastity culture in Chosŏn Korea from 1392 to 1910, shedding light on its political, legal, social, and cultural significance. In this book, Jungwon Kim demonstrates how an emphasis on female chastity came to pervade society as it intertwined with state ideology and elite interests. By analyzing a copious range of sources including governmental publications, legal records, and women’s own writings, Kim unveils the rich tapestry of Chosŏn society’s attitudes toward female chastity and argues that extreme chastity culture was not merely a product of Confucianization but was also shaped by diverse social forces and individual agency. Furthermore, Kim reframes the discourse on chastity by focusing on women’s experiences and perspectives, challenging the traditional portrayal of women as marginal to Chosŏn history.
Virtue That Matters illustrates the complex interplay between state-led indoctrination, socio-legal changes, and gender relations in Chosŏn Korea. Kim also shows how the discourse on women’s chastity evolved over time and continued to influence social dynamics well into the twentieth century. By highlighting the enduring legacy of chastity culture in modern Korean society, Virtue That Matters provides valuable insights into contemporary debates on gender and sexuality.
This novel is one of Dan Gerber's triumphs. From the author of American Atlas, Out of Control, and Grass Fires, Gerber's A Voice From the River followed Grass Fires to prominence on national bestseller lists. This novel once again affirms the Gerber's solid reputation for writing about the confrontation of the Spirit World and what some consider to be the Last of Days.
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