The Sixth Volume in the Gallaudet Classics in Deaf Studies Series
George M. Teegarden (1852-1936) taught at the Western Pennsylvania School for the Deaf for 48 years, established the printing department, and also served as the first editor of the school’s magazine. Despite these significant contributions, his greatest gift to deaf people was his skill as a writer and poet who was deaf, as readers will discover in When I Am Dead: The Writings of George M. Teegarden.
Editor Raymond Luczak selected Teegarden’s prose in When I Am Dead from several books, including Raindrop, and Stories, Old and New. Noting that these stories were never written for hearing readers, Luczak marvels at Teegarden’s ability to write English prose that the ASL-familiar reader would find incredibly easy to transliterate. By employing a rich blend of original stories and revisions of fables and myths, Teegarden taught his students the importance of improving their reading and writing skills to outfit them “for the battle of life.” He produced a body of work that Luczak characterizes as “a breath of fresh air: quick, painless, and usually told with a sense of wonder.”
Luczak’s choice of poems came from Teegarden’s self-published volume Vagrant Verses, a summation of his affection for Gallaudet College, the Deaf community, and all deaf people. The eponymous poem “When I Am Dead” articulates concisely the beliefs that directed Teegarden’s life of service:
“When I am dead, I hope to be
Remembered—this is true—
Not for my wit or vanities
But what I did for you.”
An international collection of ecumenical, gender-sensitive interpretations
The latest volume in the Bible and Women series seeks to provide an ecumenical, gender-sensitive interpretation and reception history of the Writings and later wisdom traditions including Ben Sira and the Wisdom of Solomon. Articles trace the living conditions of women, examine the presentation of female figures in the Israelite wisdom tradition, discuss women and gender relations in single books, and explore narratives about great female protagonists, such as Ruth, Esther, and Susanna, who prove their wit and strength in situations of conflict.
Features:
Smitten by the modernity of Cervantes and Borges at an early age, Carlos Fuentes has written extensively on the cultures of the Americas and elsewhere. His work includes over a dozen novels, among them The Death of Artemio Cruz, Christopher Unborn, The Old Gringo, and Terra Nostra, several volumes of short stories, numerous essays on literary, cultural, and political topics, and some theater.
In this book, Raymond Leslie Williams traces the themes of history, culture, and identity in Fuentes' work, particularly in his complex, major novel Terra Nostra. He opens with a biography of Fuentes that links his works to his intellectual life. The heart of the study is Williams' extensive reading of the novel Terra Nostra, in which Fuentes explores the presence of Spanish culture and history in Latin America. Williams concludes with a look at how Fuentes' other fiction relates to Terra Nostra, including Fuentes' own division of his work into fourteen cycles that he calls "La Edad del Tiempo," and with an interview in which Fuentes discusses his concept of this cyclical division.
An erudite abbess of Port-Royal, Angélique de Saint-Jean Arnauld d’Andilly (1624 – 1684) resisted the demands of church and state to condemn the Jansenist theological doctrines which the convent had long upheld. In her autobiographical Report on Captivity, Angélique de Saint-Jean recounts her personal methods of spiritual resistance as she and her fellow nuns underwent waves of persecution resulting in exile, house arrest, interdict, and excommunication. Her voluminous theological writings present the theoretical basis for this resistance, limiting the claims of political and ecclesiastical authorities over the conscience of the individual. In particular, she defends the right of women to refuse to surrender their convictions due to specious appeals to obedience and humility.
Aelred (1110–1167), abbot of Rievaulx Abbey in Yorkshire, has always been a controversial figure. He was beloved by his monks and widely admired, but also sharply criticized for his frankness about his own sinfulness and what some considered his favoritism and excessive leniency.
Writings on Body and Soul includes a selection of the prolific abbot’s theological, historical, and devotional works. Each contains autobiographical elements, showing Aelred at turns confident and fearful, tormented and serene. In A Pastoral Prayer, he asserts his unworthiness and pleads for divine aid in leading his monks wisely and compassionately. Spiritual Friendship adapts Cicero’s dialogue on friendship for Christian purposes. A Certain Marvelous Miracle offers a riveting account of a pregnant teenage nun, the bloody vengeance wreaked on her seducer, and the miracle of her release from her fetters. Finally, Teachings for Recluses, addressed to Aelred’s sister, is a guide for women pursuing solitary religious perfection.
Freshly revised editions of the Latin texts appear here alongside new English translations.
Nicholas of Cusa (1401–1464), widely considered the most important original philosopher of the Renaissance, was born in Kues on the Moselle River. A polymath who studied canon law and became a cardinal of the Roman Catholic Church, he wrote principally on speculative theology, philosophy, and church politics. As a political thinker he is best known for De concordantia catholica, which presented a blueprint for peace in an age of ecclesiastical discord.
This volume makes most of Nicholas’s other writings on Church and reform available in English for the first time, including legal tracts arguing the case of Pope Eugenius IV against the conciliarists, theological examinations of the nature of the Church, and writings on reform of the papacy and curia. Among the works translated are an early draft of De concordantia catholica and the Letter to Rodrigo Sanchez de Arevalo, which discusses the Church in light of the Cusan idea of “learned ignorance.”
The Bolognese nun Diodata Malvasia was presumed to have authored only one work, The Arrival and the Miraculous Workings of the Glorious Image of the Virgin (1617). In her recently discovered second manuscript chronicle, A Brief Discourse on What Occurred to the Most Reverend Sisters of the Joined Convents of San Mattia and San Luca (1575), her writing demonstrates active resistance to Tridentine convent reform. Together, Malvasia’s works read as the bookends to a lifelong crusade on behalf of her convent.
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