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The X Catalogue
Notes on Madrid's LatinX Flora and Fauna
Claudia Milian
University of Minnesota Press, 2026

A transatlantic, more-than-human exploration of LatinX presence, memory, and empire in the heart of Madrid

How does LatinXness begin in the Kingdom of Spain? In The X Catalogue, Claudia Milian offers a vade mecum of Madrid, exploring it as an ecological archive and former imperial metropolis. Approaching the “X” as metaphor, method, and philosophical practice, she extends inquiry beyond the human. Milian traces the “X” through transplanted life from the Americas: the roots of the ahuehuete tree (the Montezuma cypress), the engineering and renaming of the acocoxochitl (the dahlia), the “invasion” of the cotorras argentinas (Monk parakeets), and the exhibition of the caimán (the alligator) as a conquered object.

Critical theory and historical cultural studies meet to remap the Atlantic world through the “Xs” of arrival, circulation, and transformation. By examining how LatinXness inhabits the Spanish capital, Milian breaks open LatinX Spain and global LatinX studies. The X Catalogue resists containment, mirroring its objects of study and challenging categories such as native, foreign, or authentic. It advances a more-than-human, transatlantic understanding of LatinXness within empire studies, environmental humanities, and the critical study of tourism.

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front cover of A Xicana Codex of Changing Consciousness
A Xicana Codex of Changing Consciousness
Writings, 2000-2010
Cherríe L. Moraga
Duke University Press, 2011
A Xicana Codex of Changing Consciousness features essays and poems by Cherríe L. Moraga, one of the most influential figures in Chicana/o, feminist, queer, and indigenous activism and scholarship. Combining moving personal stories with trenchant political and cultural critique, the writer, activist, teacher, dramatist, mother, daughter, comadre, and lesbian lover looks back on the first ten years of the twenty-first century. She considers decade-defining public events such as 9/11 and the campaign and election of Barack Obama, and she explores socioeconomic, cultural, and political phenomena closer to home, sharing her fears about raising her son amid increasing urban violence and the many forms of dehumanization faced by young men of color. Moraga describes her deepening grief as she loses her mother to Alzheimer’s; pays poignant tribute to friends who passed away, including the sculptor Marsha Gómez and the poets Alfred Arteaga, Pat Parker, and Audre Lorde; and offers a heartfelt essay about her personal and political relationship with Gloria Anzaldúa.

Thirty years after the publication of Anzaldúa and Moraga’s collection This Bridge Called My Back, a landmark of women-of-color feminism, Moraga’s literary and political praxis remains motivated by and intertwined with indigenous spirituality and her identity as Chicana lesbian. Yet aspects of her thinking have changed over time. A Xicana Codex of Changing Consciousness reveals key transformations in Moraga’s thought; the breadth, rigor, and philosophical depth of her work; her views on contemporary debates about citizenship, immigration, and gay marriage; and her deepening involvement in transnational feminist and indigenous activism. It is a major statement from one of our most important public intellectuals.

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