A SCHOLARLY BOOK REPOSITORY57 have author last names that start with H have author last names that start with H
“The Ebony Column is superbly researched, skillfully utilizing primary and secondary sources and the most up-to-date scholarship. I was impressed by the amount of deep archival research that was conducted in order to complete this book.” —Cedrick May, author of Evangelism and Resistance in the Black Atlantic, 1760–1835
In The Ebony Column, Eric Ashley Hairston begins a new thread in the ongoing conversation about the influence of Greek and Roman antiquity on U.S. civilization and education. The first book to appear in a new series, Classicism in American Culture, The Ebony Column passionately demonstrates how the myths, cultures, and ideals of antiquity helped African Americans reconceptualize their role in a Euro-American world determined to make them mere economic commodities and emblems of moral and intellectual decay. To figures such as Wheatley, Douglass, Cooper, and DuBois, classical literature offered striking moral, intellectual, and philosophical alternatives to a viciously exclusionary vision of humanity, Africanity, the life of the citizen, and the life of the mind.
Eric Ashley Hairston is Associate Professor of English and of Law and Humanities at Elon University. He was a contributor to New Essays on Phillis Wheatley, edited by John C. Shields.
The emergence of African American studies in the 1970s filled a critical gap in higher education. Now a prominent scholar who has helped to define the contours of that field integrates personal reflection with an analysis of its development to recount the political, cultural, and intellectual issues that helped shape the discipline.
A participant in the Black Student Movement in its early years, Perry A. Hall provides an insider's look at the struggle to persuade academia to accept the mission of Black Studies and the struggle inside the movement to define its objectives. He examines how the discipline evolved within the context of the wider social revolution changing the face of America, showing how the presence of blacks on campuses brought about the need for new perspectives in college curricula. And because African American Studies today represents a variety of approaches, he examines how they evolved and how they interact both within the field and with other areas of knowledge.
Hall critiques the popular "Afrocentric" approach in African American Studies, arguing that it is not synonymous with the discipline overall. He develops an alternative "transformationist" paradigm that builds on the idea of double-consciousness advanced by W. E. B. Du Bois and shows how it can be used to sort out conceptions of black identity that have emerged from sociology and psychology. He explores the importance of vernacular culture—especially popular music—in creating unique frames of reference for African Americans and also applies his paradigm to education and public policy analysis.
An important intellectual autobiography, Hall's work shows how insights gleaned over thirty years can be applied in the vineyards of academia today. Its message speaks clearly to scholars of his own generation and today's, and shows how African American Studies can continue to be relevant in the next century.
The Author: Perry A. Hall is associate professor of African and Afro-American Studies at the University of North Carolina–Chapel Hill and a former member of the executive board of the National Council for Black Studies. His articles have appeared in Western Journal of Black Studies, Word: A Black Culture Journal, Journal of Negro Education, and the Black Studies Handbook.
Loathed by mainstream Southern Baptists, J. Frank Norris (1877–1952) was in many ways the Southern Baptist Convention’s first fundamentalist. Twenty-five years after its first publication, this second edition of Barry Hankins’s field-defining work God’s Rascal: J. Frank Norris and the Beginnings of Southern Fundamentalism engages new scholar- ship on American fundamentalism to reassess one of the most controversial figures in the history of American Christianity. In this completely revised edition, Hankins pens an entirely new chapter on J. Frank Norris’s murder trial, examines newly uncovered details regarding his recurrent sexual improprieties, and reconsiders his views on race in order to place J. Frank Norris, a man both despicable and captivating, among the most significant Southern fundamentalists of the twentieth century.
Norris merged a southern populist tradition with militant fundamentalism, carving out a distinctly take-no-prisoners political niche within the Baptist church that often offended his allies as much as his enemies. Indeed, Norris was about as bad as a fundamentalist could be. He resided in a world of swirling conspiracies of leftists who, he argued, intended to subvert both evangelical religion and American culture. There are times when Norris’s ego looms so large in his story that he seemed less interested in the threat these alleged conspiracies posed than in their power to keep him in the limelight. Finally, his tactics foreshadowed those employed in the fundamentalists’ tenacious takeover of the Southern Baptist Convention that would occur more than twenty years after Norris’s death.
Although the Voting Rights Act of 1965 removed the last legal barriers to voting in the South, the anticipated increase in black political power has not been realized. In his analysis of black political participation in three predominantly black Georgia counties between 1960 and 1982, Lawrence J. Hanks seeks to explain why black political empowerment has not increased as expected but also why it has met with such widely varying degrees of success.
Why did blacks in come counties achieve empowerment while others sis not? Arguing that models that focus on individual voting patterns or on political barriers to empowerment fail to account for the varying rates of black participation, hanks draws instead on the literature of collective action. He finds that only in those counties where there was a successful black political organization, backed by strong leaders and sufficient resources, did blacks achieve political empowerment. Once established, such an organization gained popular support through programs of economic development and was able to overcome barriers like ignorance, poverty, and fear and thus promote effective political mobilization.
Approaching his subject historically, Hanks tells the real story of real people working for political change at the local level. He concludes that the franchise alone does not insure political effectiveness, and that blacks need to work toward greater organizational, economic, and political sophistication in order to reap the benefits of the vote.
The Author: Clarence Hardy is an assistant professor of religion at Dartmouth College. His articles have appeared in the Journal of Religion and Christianity and Crisis.
As the story goes, an itinerant preacher once visited the Bluegrass region and proclaimed heaven to be “a mere Kentucky of a place.” The Commonwealth’s first Baptists certainly thought so as they began settling the region a decade before statehood. By 1785 a group of pioneering preachers formed the Elkhorn Association, widely regarded as the oldest Baptist association west of the Alleghenies. Often portrayed in the historiography as the vanguard of a new frontier democracy, the Elkhorn Association, on closer inspection, reveals itself to be far more complex. In A Mere Kentucky of a Place, Keith Harper argues that the association’s Baptist ministers were neither full-fledged frontier egalitarians nor radical religionists but simply a people in transition. These ministers formed their identities in the crucible of the early national period, challenged by competing impulses, including their religious convictions, Jeffersonian Republicanism, and a rigid honor code—with mixed results.
With a keen eye for human interest, Harper brings familiar historical figures such as John Gano and Elijah Craig to life as he analyzes leadership in the Elkhorn Association during the early republic. Mining the wealth of documents left by the association, Harper details the self-aware struggle of these leaders to achieve economic wealth, status, and full social and cultural acceptance, demonstrating that the Elkhorn Association holds a unique place in the story of Baptists in the “New Eden” of Kentucky.
Ideal for course adoption in religious studies and students of Kentucky history, this readable work is sure to become a standard source on the history of religion on the Kentucky frontier.
The sweeping success of the conservative takeover—based on enforcing doctrinal fidelity, especially on issues like biblical inerrancy and so-called complementarianism, a rejection of modern, secular values, and advanced international missionary work—veiled a weakness at its very heart. By the turn of the twenty-first century, the conservative resurgence failed to attract new members and, even worse, the younger generation who had grown up in the SBC were fleeing the denomination—nearly half of them are leaving the church as adults and never coming back. The contributors to this volume all offer insights into the question of why. While conservatives dominate the SBC’s governance, they have failed to resolve issues that preoccupy its members and the larger society, including those related to gender, homosexuality, race, and abuse.
The essays are grouped under four broad categories: Truth and Freedom: Baptist Institutions and Contentious Issues; Defining and Defending Biblical Truth: Staking the Boundaries; Apologies, Reconciliation, and Continuing Reality; and the View from Outside. With an introduction by editor Keith Harper contextualizing the history of the movement and the issues it faces today, this collection is sure to add new insight into this influential denomination.
Born enslaved in 1861, by 1892 Margaret Murray Washington of Macon, Mississippi, married the twice-widowed race leader Booker T. Washington and joined the ranks of the rising black middle class. While one cannot discount the accomplishments of her storied husband, Washington’s own successes warrant further exploration. In this first biography of Margaret Murray Washington, author Sheena Harris discusses Washington’s importance as an active clubwoman, educational reformer, and integral partner to her husband and his success with the Tuskegee Institute.
Individual black, female leadership continues to be a blind spot in much scholarly historical literature. Washington was an important educator and clubwoman whose influence emanated from her own planning and actions. As Lady Principal, Washington was sincere and earnest in her campaign to improve Tuskegee Institute. She also transformed her community through her local club organizations. In addition, Washington cofounded the National Federation of Afro-American Women (1895) and the National Association of Colored Women (NACW) (1896). Harris illustrates how Washington improved race relations as a whole through local and national organizations such as the Tuskegee Woman’s Club, the NACW, and 1922 creation of the International Council of Women of the Darker Races (ICWDR). Harris explains clearly that Washington took her leadership positions seriously and strategically worked to expand opportunities for blacks through such organizations.
Washington’s life provides a glimpse into the inner workings of the Black Women’s Club Movement and illuminates the experiences of a race woman who came of age during the Jim Crow South. Harris’s biography is a convincing portrait of an under-studied black woman in the early civil rights movement and places Washington within the pantheon of other important women of the era.
Black women in the early fiction, responding to their elders as well as to religious influences, see their lives in terms of duty as wives, mothers, sisters, and lovers. Failure in any of these roles leads to guilt feelings and the expectation of damnation. In later works, Baldwin adopts a new point of view, acknowledging complex extenuating circumstances in lieu of pronouncing moral judgement. Female characters in works written at this stage eventually come to believe that the church affords no comfort.
Baldwin subsequently makes villains of some female churchgoers, and caring women who do not attend church become his most attractive characters. Still later in Baldwin's career, a woman who frees herself of guilt by moving completely beyond the church attains greater contentment than almost all of her counterparts in the earlier works.
In the past fifty years, the bodhrán, or traditional Irish circular frame drum, has undergone a rapid evolution in development. Traditionally, it is a shallow drum ranging from ten to twenty-six inches in diameter, covered in goatskin on the top (or drum) side and open on the other. Unlike any other instrument associated with Irish traditional music, the bodhrán has been dramatically altered by its confrontation with modern instrument design, performance techniques, and musical practice. Colin Harte’s The Bodhrán: Experimentation, Innovation, and the Traditional Irish Frame Drum presents a definitive history of the bodhrán from its early origins to its present-day resurgence in Irish American folk music.
The bodhrán has global roots and bears many characteristics of older drums from northern Africa and the Middle East. Harte picks up on these basic similarities and embarks on an engaging tour of the instrument’s historical and organological development, gradual evolution in playing styles, and more recent history of performative practice. Drawing from a host of interviews over a multi-year period with participants primarily located in Europe and North America, this work provides a platform for multiple perspectives regarding the bodhrán. Participants include bodhrán makers, professional performers, educators, amateur musicians, historians, and enthusiasts. Growing out of rich ethnographic interviews, this book serves as the definitive reference for understanding and navigating the developments in the bodhrán’s history, organology, performance practices, and repertoire.
In the 1890s, the perception of the South was inextricably tied to race, and more specifically racial strife. Leaders in Atlanta, Nashville, and Charleston all sought ways to distance themselves from traditional impressions about their respective cities, which more often than not conjured images of poverty and treason in Americans barely a generation removed from the Civil War. Local business leaders used large-scale expositions to lessen this stigma while simultaneously promoting culture, industry, and economic advancement. Atlanta’s Cotton States and International Exposition presented the city as a burgeoning economic center and used a keynote speech by Booker T. Washington to gain control of the national debate on race relations. Nashville’s Tennessee Centennial and International Exposition chose to promote culture over mainstream success and marketed Nashville as a “Centennial City” replete with neoclassical architecture, drawing on its reputation as “the Athens of the south.” Charleston’s South Carolina Inter-State and West Indian Exposition followed in the footsteps of Atlanta’s exposition. Its new class of progressive leaders saw the need to reestablish the city as a major port of commerce and designed the fair around a Caribbean theme that emphasized trade and the corresponding economics that would raise Charleston from a cotton exporter to an international port of interest.
Bruce G. Harvey studies each exposition beginning at the local and individual level of organization and moving upward to explore a broader regional context. He argues that southern urban leaders not only sought to revive their cities but also to reinvigorate the South in response to northern prosperity. Local businessmen struggled to manage all the elements that came with hosting a world’s fair, including raising funds, designing the fairs’ architectural elements, drafting overall plans, soliciting exhibits, and gaining the backing
of political leaders. However, these businessmen had defined expectations for their expositions not only in terms of economic and local growth but also considering what an international exposition had come to represent to the community and the region in which they were hosted. Harvey juxtaposes local and regional aspects of world’s fair in the South and shows that nineteenth-century expositions had grown into American institutions in their own right.
Bruce G. Harvey is an independent consultant and documentary photographer with Harvey Research and Consulting based in Syracuse, New York. He specializes in historic architectural surveys and documentation photography.
The Patina of Place offers a multidisciplinary analysis of workers’ housing as an index to social change and cultural identity in New Bedford from 1848 to 1925. Heath discusses both the city’s company-owned mill housing and the subsequent transition to a speculative building market that established the three-decker rental flat as the city’s most common housing form for industrial workers.
Using the concept of “cultural weathering” to explore the cultural imprints left by inhabitants on their built environment, Heath considers whether the three-decker is a generic “type” that could be transferred elsewhere. He concludes that the ethnic, economic, and geographic conditions of a locale serve as filters that reshape the meaning, utility, and character of a building form, thereby making it an integral part of its particular community. Specifically, he shows how the three-decker was lived in, and used by, its original inhabitants and illustrates its transformation by later generations of residents following the collapse of the textile industry in the mid-1920s.
The Patina of Place focuses on the three-decker in New Bedford, but its overarching theme concerns the cultural, economic, and social complexities of place-making and the creation of regional identity. Heath offers a broad investigation of the forces that drive the production and consumption of architecture, at the same time providing an economic and cultural context for the emergence of a particular architectural form.
The Author: Kingston Heath is associate professor in the college of architecture at the University of North Carolina at Charlotte. His articles have appeared in The Encyclopedia of Architecture and Old-Time New England, among other publications.
Throughout American history there has been an oddly close relationship between the seductive appeals of narrative fiction and those of political rhetoric and advocacy. The aim of Stories of Nation: Fictions, Politics, and the American Experience is to explore what political narratives and the cultural poetics behind them reveal about the way our personal and intimate lives are deeply connected with the public arena and the political process.
The first section of the book, “The Politics of Fictions,” contains essays focused on works of fiction consciously dramatizing the political realm. The second group of contributions, “The Fictions of Politics,” explores structures and motifs from the narrative arts in discourses of American political life, and the interactions of public institutions and policy with forms of fictional representation, from novels to popular music and TV drama.
The essays presented here broaden the conversation in American literary studies about what constitutes “the political” in literature and culture by reintroducing the dimension of institutional or representative politics. Likewise, Stories of Nation aims to repair the lines of communication between the idea that all fiction is political, and the view that political speech is a subgenre of literature all the more in need of examination in a highly polarized society.
The range of perspectives in Stories of Nation will engage students of literature, popular culture, and politics alike.
MARTIN GRIFFIN is an associate professor in the Department of English at the University of Tennessee. He is the author of Ashes of the Mind: War and Memory in Northern Literature, 1865–1900 (2009) and co-author, with Constance DeVereaux, of Narrative, Identity, and the Map of Cultural Policy: Once Upon a Time in a Globalized World (2013).
CHRISTOPHER HEBERT is an assistant professor in the Department of English at the University of Tennessee and is former senior acquisitions editor at the University of Michigan Press. He is the author of the novels Angels of Detroit (2016) and The Boiling Season (2012).
Born in early 1812 in Crawfordville, Georgia, Alexander Stephens grew up in an antebellum South that would one day inform the themes of his famous Cornerstone Speech. While Stephens made many speeches throughout his lifetime, the Cornerstone Speech is the discourse for which he is best remembered. Stephens delivered it on March 21, 1861—one month after his appointment as vice president of the Confederacy—asserting that slavery and white supremacy comprised the cornerstone of the Confederate States of America. Within a few short weeks, more than two hundred newspapers worldwide had reprinted Stephens’s words.
Following the war and the defeat of the Confederacy, Stephens claimed that his assertions in the Cornerstone Speech had been misrepresented, his meaning misunderstood, as he sought to breathe new and different life into an oration that may have otherwise been forgotten. His intentionally ambiguous rhetoric throughout the postwar years obscured his true antebellum position on slavery and its centrality to the Confederate Nation and lent itself to early constructions of Lost Cause mythology.
In Cornerstone of the Confederacy, Keith Hébert examines how Alexander Stephens originally constructed, and then reinterpreted, his well-known Cornerstone Speech. Hébert illustrates the complexity of Stephens’s legacy across eight chronological chapters, meticulously tracing how this speech, still widely cited in the age of Black Lives Matter, reverberated in the nation’s consciousness during Reconstruction, through the early twentieth century, and in debates about commemoration of the Civil War that live on in the headlines today.
Audiences both inside and outside of academia will quickly discover that the book’s implications span far beyond the memorialization of Confederate symbols, grappling with the animating ideas of the past and discovering how these ideas continue to inform the present.
Civil War historians have long noted that support for the Confederacy in the antebellum South tended to align with geography: those who lived in towns, along railroads, and on land suited for large-scale farming tended to side with the Confederacy, while those who lived a more isolated existence and made their livings by subsistence farming and bartering usually remained Unionist. Bartow County in northwest Georgia, with its distinctive terrain of valley, piedmont, and Appalachian hill country, is an ideal microcosm to examine these issues.
Keith S. Hébert examines the rise and precipitous fall of Confederate nationalism in Bartow County, a shared experience among many counties in the upland South. Hébert’s story tells us much about the war’s origins, Confederate defeat, and the enduring legacy of white supremacy in these rural areas. Although no major battles were fought in Bartow County, Sherman’s Atlanta Campaign saw Federal troops occupying the area, testing the loyalties of Bartow County soldiers serving in the Army of Tennessee and elsewhere. As the home front collapsed, they had to decide if they should remain in the army and fight or return home to protect their families and property. Locals hardly knew whom to trust as Unionists and Confederates—from both home and afar—engaged in guerilla warfare, stole resources from citizens, and made the war a confusing trap rather than a struggle for an emergent nation.
Drawing on the primary source record of newspapers, letters, diaries, and official documents from the county, Hébert compellingly works personalized vignettes into a scholarly study of developments from the advent of war through Reconstruction and the decades following. The Long Civil War in the North Georgia Mountains solidifies recent scholarship about the war in southern Appalachia and opens a window into a community deeply divided by civil war.
KEITH S. HÉBERT, assistant professor of history at Auburn University, was formerly state historian at the Georgia Department of Natural Resources, Historic Preservation Division. His writing has appeared in The Georgia Historical Quarterly and Reconstructing Appalachia: The Civil War’s Aftermath.
Roy Herron graduated with highest honors from the University of Tennessee at Martin, then studied New Testament and Ethics in Scotland before earning Divinity and Law degrees from Vanderbilt University. But he came home to West Tennessee and served the Volunteer State in both the Tennessee House and Senate. For four decades, Herron served as a legislator, attorney, teacher, and Methodist minister. In that work, he published op-ed essays and articles in Tennessee’s leading newspapers and publications from The Japan Times to The Wall Street Journal on various topics including constitutional liberties, economic justice, health care, politics, and more.
This informative volume collects the most powerful of these writings, adding helpful updates and contemporary insights. With an engaging, conversational style, Herron addresses voter ID laws, drunk-driving statutes, women’s rights and many recurring, contemporary issues. Whether describing the challenges facing his elderly mother as she attempted to exercise her right to vote, or the struggles of working women and men facing illnesses without health insurance, Herron demonstrates an earnestness and thoughtfulness all too rare in politics.
These nearly fifty essays and articles provide evidence that Herron’s Democratic Party and Christianity are not mutually exclusive. Indeed, Herron describes how faith brought him to politics and to fighting for justice, jobs, and constitutional freedoms for all citizens. Faith at Work is a veritable guidebook on how faith and spirituality should affect decision making and advocacy in public life.
ROY HERRON was a Tennessee State Representative from 1987 to 1997 and State Senator from 1997 to 2013. He wrote Things Held Dear: Soul Stories for My Sons and God and Politics: How Can a Christian Be in Politics? He coauthored, with Cotton Ivy, Tennessee Political Humor: Some of These Jokes You Voted For. He lawyers and writes in West Tennessee and Nashville.
In the fall and winter of 1863, Union General Ambrose Burnside and Confederate General James Longstreet vied for control of the city of Knoxville and with it the railroad that linked the Confederacy east and west. The generals and their men competed, too, for the hearts and minds of the people of East Tennessee. Often overshadowed by the fighting at Chickamauga and Chattanooga, this important campaign has never received a full scholarly treatment. In this landmark book, award-winning historian Earl J. Hess fills a gap in Civil War scholarship—a timely contribution that coincides with and commemorates the sesquicentennial of the Civil War
The East Tennessee campaign was an important part of the war in the West. It brought the conflict to Knoxville in a devastating way, forcing the Union defenders to endure two weeks of siege in worsening winter conditions. The besieging Confederates suffered equally from supply shortages, while the civilian population was caught in the middle and the town itself suffered widespread destruction. The campaign culminated in the famed attack on Fort Sanders early on the morning of November 29, 1863. The bloody repulse of Longstreet’s veterans that morning contributed significantly to the unraveling of Confederate hopes in the Western theater of operations.
Hess’s compelling account is filled with numerous maps and images that enhance the reader’s understanding of this vital campaign that tested the heart of East Tennessee. The author’s narrative and analysis will appeal to a broad audience, including general readers, seasoned scholars, and new students of Tennessee and Civil War history. The Knoxville Campaign will thoroughly reorient our view of the war as it played out in the mountains and valleys of East Tennessee.
EARL J. HESS is Stewart W. McClelland Distinguished Professor in Humanities and an associate professor of history at Lincoln Memorial University. He is the author of nearly twenty books, including The Civil War in the West—Victory and Defeat from the Appalachians to the Mississippi and Lincoln Memorial University and the Shaping of Appalachia.
Located near Cumberland Gap in the rugged hills of East Tennessee, Lincoln Memorial University (LMU) was founded in 1897 to help disadvantaged Appalachian youth and reward the descendents of Union loyalists in the region. Its founder was former Union General Oliver Otis Howard, a personal friend of Abraham Lincoln, who made it his mission to sustain an institution of higher learning in the mountain South that would honor the memory of the Civil War president.
In Lincoln Memorial University and the Shaping of Appalachia, LMU Professor Earl J. Hess presents a highly readable and compelling history of the school. Yet the book is much more than a chronology of past events. The author uses the institution’s history to look at wider issues in Appalachian scholarship, including race and the modernization of educational methods in Appalachia. LMU offered a work-learn program to help students pay their way, imparting the value of self-help, and it was hit by a massive student strike that nearly wrecked the institution in 1930. LMU has played an important role in shaping what higher learning could be for young people in its region of southern Appalachia.
The volume examines the involvement of O. O. Howard and his unflagging efforts to establish and fund the school; the influence of early twentieth-century industrial capitalism—
Andrew Carnegie and John D. Rockefeller were benefactors—on Appalachia and LMU in particular; and the turn-of-the-century cult of Lincoln that made the university a major repository of Lincolniana.
Meticulously researched and richly illustrated, Lincoln Memorial University and the Shaping of Appalachia is a fresh look at the creation, contributions, and enduring legacies of LMU. Students, alumni, and friends of the university, as well as scholars of Appalachian culture and East Tennessee history, will find this book both enlightening and entertaining.
Earl J. Hess holds the Stewart W. McClelland Chair in History at Lincoln Memorial University. He is the author of more than a dozen books on Civil War military history, the latest of which is Into the Crater: The Mine Attack at Petersburg.
In any age, humans wrestle with apparently inexorable forces. Today, we face the threat of global terrorism. In the aftermath of September 11, few could miss sensing that a great evil was at work in the world. In Flannery O’Connor’s time, the threats came from different sources—World War II, the Cold War, and the Korean conflict—but they were just as real. She, too, lived though a “time of terror.” The first major critical volume on Flannery O’Connor’s work in more than a decade, Flannery O’Connor in the Age of Terrorism explores issues of violence, evil, and terror—themes that were never far from O’Connor’s reach and that seem particularly relevant to our present-day setting.
The fifteen essays collected here offer a wide range of perspectives that explore our changing views of violence in a post-9/11 world and inform our understanding of a writer whose fiction abounds in violence. Written by both established and emerging scholars, the pieces that editors Avis Hewitt and Robert Donahoo have selected offer a compelling and varied picture of this iconic author and her work. Included are comparisons of O’Connor to 1950s writers of noir literature and to the contemporary American novelist Cormac McCarthy; cultural studies that draw on horror comics of the Cold War and on Fordism and the American mythos of the automobile; and pieces that shed new light on O’Connor’s complex religious sensibility and its role in her work.
While continuing to speak fresh truths about her own time, O’Connor’s fiction also resonates deeply with the postmodern sensibilities of audiences increasingly distant from her era—readers absorbed in their own terrors and sense of looming, ineffable threats. This provocative new collection presents O’Connor’s work as a touchstone for understanding where our culture has been and where we are now. With its diverse approaches, Flannery O’Connor in the Age of Terrorism will prove useful not only to scholars and students of literature but to anyone interested in history, popular culture, theology, and reflective writing.
As part of a new series, The Western Theater in the Civil War, this volume reflects the premise that truly understanding the outcome of the war can only be gained through greater knowledge of the western campaigns and the generals who waged them. The essays gathered here—such as Roland’s reassessment of Albert Sidney Johnston, Williams’s examination of P. G. T. Beauregard’s role at Shiloh, Bearss’s look at Bedford Forrest’s great tactical victory at Brice’s Cross Roads, and Vandiver’s analysis of John Bell Hood’s use of logistics—are admirable contributions to this goal. Significantly, in addition to highlighting the Western Theater’s best-known generals, this volume also includes essays on two of its less familiar ones, Patton Anderson and Daniel C. Govan, thus rescuing these fascinating figures from undeserved oblivion.
Future volumes of Confederate Generals in the Western Theater will showcase the latest scholarship with new essays written expressly for the series. By gathering classic earlier work between one set of covers, this opening foray sets a high standard indeed.
Many students of the Civil War have concluded that the overstudied conflict in the Eastern Theater resulted only in an unwinnable stalemate. For that reason they are now looking to the West for more precise explanations of the Confederates’ failure to win independence. To editors Lawrence Hewitt and Arthur Bergeron, the answers lie with the generals who waged a calamitous war that stretched across nine states and left a long trail of bloody battlefields, surrendered fortresses, burned cities, wrecked infrastructure, and, ultimately, a lost cause.
For this book, which follows an earlier volume of previously published essays, Hewitt and Bergeron have enlisted ten gifted historians—among them James M. Prichard, Terrence J. Winschel, Craig Symonds, and Stephen Davis—to produce original essays, based on the latest scholarship, that examine the careers and missteps of several of the Western Theater’s key Rebel commanders. Among the important topics covered are George B. Crittenden’s declining fortunes in the Confederate ranks, Earl Van Dorn’s limited prewar military experience and its effect on his performance in the Baton Rouge Campaign of 1862, Joseph Johnston’s role in the fall of Vicksburg, and how James Longstreet and Braxton Bragg’s failure to secure Chattanooga paved the way for the Federals’ push into Georgia.
Confederate Generals in the Western Theater will ultimately comprise several volumes that promise a host of provocative new insights into not only the South’s ill-fated campaigns in the West but also the eventual outcome of the larger conflict.
Lawrence Lee Hewitt is professor of history emeritus at Southeastern Louisiana University. A recipient of SLU’s President’s Award for Excellence in Research and the Charles L. Dufour Award for outstanding achievements in preserving the heritage of the American Civil War, he is a former managing editor of North & South. His publications include Port Hudson: Confederate Bastion on the Mississippi.
Arthur W. Bergeron Jr. is a reference historian with the United States Army Military History Institute and a past president of the Louisiana Historical Association. Among his earlier books are Confederate Mobile and A Thrilling Narrative: The Memoir of a Southern Unionist.
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The American Civil War was won and lost on its western battlefields, but accounts of triumphant Union generals such as Grant and Sherman leave half of the story untold. In the third volume of Confederate Generals in the Western Theater, editors Lawrence Hewitt and Arthur Bergeron bring together ten more never-before-published essays filled with new, penetrating insights into the key question of why the Rebel high command in the West could not match the performance of Robert E. Lee in the East.
Showcasing the work of such gifted historians as Wiley Sword, Timothy B. Smith, Rory T. Cornish, and M. Jane Johansson, this book is a compelling addition to an ongoing, collective portrait of generals who occasionally displayed brilliance but were more often handicapped by both geography and their own shortcomings. While the vast, varied terrain of the Western Theater slowed communications and troop transfers and led to the creation of too many military departments that hampered cooperation among commands, even more damaging were the personal qualities of many of the generals. All too frequently, incompetence, egotism, and insubordination were the rule rather than the exception. Some of these men were undone by alcoholism and womanizing, others by politics and nepotism. A few outlived their usefulness; others were killed before they could demonstrate their potential. Together, they destroyed what chance the Confederacy had of winning its independence.
Whether adding fresh fuel to the debate over the respective roles of Albert Sidney Johnston and P. G. T. Beauregard at Shiloh or bringing to light such lesser known figures as Joseph Finegan and Hiram Bronson Granbury, this volume, like the ones preceding it, is an exemplary contribution to Civil War scholarship.
Lawrence Lee Hewitt is professor of history emeritus at Southeastern Louisiana University. A recipient of SLU’s President’s Award for Excellence in Research and the Charles L. Dufour Award for “outstanding achievements in preserving the heritage of the American Civil War,” he is a former managing editor of North & South. His publications include Port Hudson: Confederate Bastion on the Mississippi.
The late Arthur W. Bergeron Jr. was a reference historian with the United States Army Military History Institute and a past president of the Louisiana Historical Association. Among his earlier books were Confederate Mobile and A Thrilling Narrative: The Memoir of a Southern Unionist.
Although the Trans-Mississippi has long been considered a dumping ground for failed generals from other regions, the essays presented here demolish that myth, showing instead that, with a few notable exceptions, Confederate commanders west of the Mississippi were homegrown, not imported, and compared well with their more celebrated peers elsewhere. With its virtually nonexistent infrastructure, wildly unpredictable weather, and few opportunities for scavenging, the Trans-Mississippi proved a challenge for commanders on both sides of the conflict. As the contributors to this volume demonstrate, only the most creative minds could operate successfully in such an unforgiving environment.
While some of these generals have been the subjects of larger studies, others, including Generals Holmes, Parsons, and Churchill, receive their first serious scholarly attention in these pages. Clearly demonstrating the independence of the Trans-Mississippi and the nuances of the military struggle there, while placing both the generals and the theater in the wider scope of the war, these eight essays offer valuable new insight into Confederate military leadership and the ever-vexing questions of how and why the South lost this most defining of American conflicts.
In 1978, Lawrence Lee Hewitt became the first manager of the Port Hudson State Historic Site. There, he began collecting photographs related to the Civil War battle. Carefully analyzing a vast and remarkable photographic record of Port Hudson, Hewitt has now brought his four decades of research and collecting together in this book. The quantity, diversity, and in some cases uniqueness of these photos help widen our perspective not only on Port Hudson and the Civil War’s impact on its people and environment, but also on the history of photography.
Together the six cameramen claimed many “firsts,” including the first-ever photograph of soldiers engaged in battle, first exterior shots at night, and first “composition print.” The collection—arranged chronologically—allows readers to follow the changes in the landscape during and after the siege. The sheer range of subjects represented is impressive. A cotton gin, a grist mill, and a Methodist church—all showing signs of damage—caught the eyes of photographers. At the request of a Union soldier’s mother, there was a photograph taken of his burial site. There is even the only known photograph of a Confederate army surrendering. Biographies of the photographers and the captions in this volume also brim with fresh information about both the photographs and the campaign, attesting to the author’s meticulous scholarship and skilled analysis.
Though Port Hudson may never receive the level of attention of Gettysburg or Vicksburg, this well-conceived collection of photographs will make those with a serious interest in the conflict or photography not only reexamine Port Hudson but also the importance of the Civil War’s photographic record.
Contrary to popular belief, the Trans-Mississippi did not serve as a dumping ground for generals who had failed in Virginia. Instead, the majority of generals who served in the region were homegrown and faced challenges unknown to their counterparts in the East—expansive territory, few men, and limited transportation for the meager supplies available. Superior Union numbers in the West, however, did not guarantee Union victory. As these essays show, southern generals often beat themselves because of personal failings or an inability to work together. Sterling Price and Ben McCulloch refused to cooperate, Henry Sibley combined alcoholism with cowardice, and the able French-born Prince de Polignac faced language barriers. The war ended before Joseph Brent, a visionary regarding tank warfare, could make his name as a brigadier, and “Prince John” Magruder’s achievements in Texas remain overshadowed by his earlier career in Virginia. The Cajun Alfred Mouton, a superior leader, died on a battlefield in his native Louisiana, while Mosby Parsons survived the war only to be murdered by Mexican cavalry. While some of these generals breathed life into the Confederacy, others hastened its downfall.
By chronicling the lives and careers of these eight generals, this welcome volume integrates the Trans-Mississippi more fully with the Western Theater and illuminates critical issues vital to understanding the South’s ultimate defeat.
Thomas E. Schott worked as a historian for the Department of Defense. He is the author of Alexander H. Stephens of Georgia: A Biography, winner of the Jefferson Davis Award, and coeditor with Lawrence Hewitt of Lee and His Generals: Essays in Honor of T. Harry Williams.
Like its predecessors, the fourth and final volume of Confederate Generals in the Western Theater makes a generous contribution to the historiography of a poorly understood theater of war, presenting new interpretations of major figures while bringing to light both the triumphs and failures of lesser-known generals. Its cutting-edge scholarship offers further grounding for the editors’ contention that the South’s bid for independence was lost on its western battlefields and that the responsibility for those defeats lay more with the Confederate generals than with their opponents.
Among the ten chapters, this collection includes C. David Dalton on the death of Felix Zollicoffer at the Battle of Mill Springs in Kentucky; Roger Durham on Robert E. Lee’s leadership early in the war of the Department of South Carolina, Georgia, and East Florida; Brian S. Wills on Abraham Buford’s behind-the-scenes contributions to Nathan Bedford Forrest’s famous exploits; the late Nathaniel Cheairs Hughes Jr. on the achievements and failings of Gideon J. Pillow; James M. Prichard on John Hunt Morgan and his “last Kentucky raid”; and Keith S. Bohannon on Edward C. Walthall, a Virginia lawyer who overcame his lack of prior military experience to become one of the ablest generals in any of the war’s theaters. Some essays offer full biographies of their subjects; others focus on a single campaign. Along with the previous volumes, this exemplary collection encourages an important rethinking of the course of the Civil War and its ultimate outcome.
Scrupulously edited by Charles Maland, this volume stands as the definitive collection of Agee’s film writing. Not only does it include all of his bylined Nation reviews (December 1942–September 1948), but it also brings together for the first time the entirety of his unsigned reviews and cover stories for Time (September 1942–November 1948), as identified by the magazine’s archivist, Bill Hooper. Also included are various essays Agee produced for other publications—ranging from a prep school appreciation of F. W. Murnau’s The Last Laugh to his celebrated Life magazine pieces on director John Huston and the great comedians of the silent era—as well as several previously unpublished manuscripts found in the Agee collections at the Universities of Tennessee and Texas, which offer additional insight into Agee’s thoughts on movies and on film reviewing.
A constant moviegoer since childhood, Agee wrote about film with wit, keen perception, and high standards, always quick to express disappointment when a movie failed, in his eyes, to live up to what it might have been. But when a movie truly worked for him—William Wellman’s The Story of G. I. Joe, Charles Chaplin’s Monsieur Verdoux, and Huston’s The Treasure of the Sierra Madre are key examples—Agee could be both generous with praise and brimming with insight about the precise features he found so laudable.
Including an extensive introduction that details Agee’s years as a film reviewer, significant characteristics of his style and aesthetic, and his broad influence on later critics, this volume will encourage a fresh understanding of both a remarkable writer and the medium he loved so much.
A legendary professor at Louisiana State University, T. Harry Williams not only produced such acclaimed works as Lincoln and the Radicals, Lincoln and His Generals, and a biography of Huey Long that won both the Pulitzer Prize and the National Book Award, but he also mentored generations of students who became distinguished historians in their own right. In this collection, ten of those former students, along with one author greatly inspired by Williams’s example, offer incisive essays that honor both Williams and his career-long dedication to sound, imaginative scholarship and broad historical inquiry.
The opening and closing essays, fittingly enough, deal with Williams himself: a biographical sketch by Frank J. Wetta and a piece by Roger Spiller that place Williams in larger historical perspective among writers on Civil War generalship. The bulk of the book focuses on Robert E. Lee and a number of the commanders who served under him, starting with Charles Roland’s seminal article “The Generalship of Robert E. Lee,” the only one in the collection that has been previously published. Among the essays that follow Roland’s are contributions by Brian Holden Reid on the ebb and flow of Lee’s reputation, George C. Rable on Stonewall Jackson’s deep religious commitment, A. Wilson Greene on P. G. T. Beauregard’s role in the Petersburg Campaign, and William L. Richter on James Longstreet as postwar pariah.
Together these gifted historians raise a host of penetrating and original questions about how we are to understand America’s defining conflict in our own time—just as T. Harry Williams did in his. And by encompassing such varied subjects as military history, religion, and historiography, Lee and His Generals demonstrates once more what a fertile field Civil War scholarship remains.
Lawrence Lee Hewitt is professor of history emeritus at Southeastern Louisiana University. Most recently, he and Arthur W. Bergeron, now deceased, coedited three volumes of essays under the collective title Confederate Generals in the Western Theater.
Thomas E. Schott served for many years as a historian for the U.S. Air Force and U.S. Special Operations Command. He is the author of Alexander H. Stephens of Georgia: A Biography, which won both the Society of American Historians Award and the Jefferson Davis Award.
Baptist leaders like Isaac Backus, Noah Alden, Samuel Stillman, John Leland, Jonathan Going, and Luther Rice exploited their church-based ministerial training in public speaking, conflict resolution, and intra-denominational networking to become political organizers. With significant gains in the formation of the Warren Association (1767), the Backus-led Grievance Committee (1769), and Leland’s formative experience in the campaign to disestablish Virginia (1780s), the Baptists allied themselves with the rising Democratic-Republican Party, touching off a coalition of anti-Federalist politics and evangelical religion that, while not directly disestablishing Massachusetts, would bear significant fruit in the Religious Freedom Act of 1811.
To Contest with All the Powers of Darkness brings a unique movement into focus that had at its inception the communal values and ministry preparation practices of a loose network of New England Baptist churches. This movement drove a significant first wedge in the church-state fusion of the Early Republic and, simultaneously, left memorable lessons in successful collective action for a New England Baptist community on the verge of an institutional explosion on the western frontier.
These two volumes constitute the most comprehensive anthology of writings on Appalachia ever assembled. Representing the work of approximately two hundred authors—fiction writers, poets, scholars in disciplines such as history, literary criticism, and sociology—Appalachia Inside Out reveals the fascinating diversity of the region and lays to rest many of the reductive stereotypes long associated with it.
Intended as a sequel to the widely respected collection Voices of the Hills, edited by Robert Higgs and Ambrose Manning and published twenty years ago, these volumes reflect the recent proliferation of imaginative and critical writing about Appalachia—a proliferation that suggests nothing less than a renaissance of collective self-assessment. The selections are organized around a variety of themes (including "War and Revolution," "Feuds and Violence," "Nature and Progress," "Dialect and Language," "Exile, Return, and Sense of Place," and "Majority and Minority") and reveal both the radical changes the region has undergone as well as the persistence of certain defining features.
The title Appalachia Inside Out refers in part to the fact that Appalachia has never existed in timeless isolation from the rest of country and the world; rather, it has both absorbed outside influences and exerted influence of its own. The title also indicates the editors' effort to look not only at the visible Appalachia but at the forces that underlie its history and culture. What emerges in these pages is an Appalachia both familiar and strange: a mirror of lived life on the one hand and, on the other, a haunted realm of unimaginable loss and bewitching possibility.
The Editors: Robert J. Higgs is professor of English, emeritus, at East Tennessee State University and the author of Laurel and Thorn: The Athlete in American Literature.
Ambrose N. Manning is professor of English, emeritus, at East Tennessee State University and a noted collector of folk songs and folklore.
Jim Wayne Miller, a poet, novelist, and essayist, is a professor in the Department of Modern Languages and Intercultural Studies at Western Kentucky University.
Every story has a hero, every hero has a superpower, and when used with intentionality, sport is an incredible superpower in the fight for gender equality. Strong Women, Better World celebrates the global superheroes who use the potent mix of sport and education to kick down social, cultural, or political barriers and build stronger, more equitable communities. The book highlights nine members and alumnae of the Global Sports Mentoring Program (GSMP) Sisterhood, an award- winning sports diplomacy and mentorship exchange program implemented by the University of Tennessee’s Center for Sport, Peace, and Society (CSPS) in partnership with the U.S. Department of State and espnW. The stories of these nine superheroes are captivating examples of Title IX’s global ripple effect and illustrate how helping empower women and girls worldwide to achieve their own Title IX moments provides multidimensional wins for us all.
The Center for Sport, Peace, and Society at the University of Tennessee, Knoxville helps global leaders develop innovative solutions to socio-political challenges via sport, working to create a more peaceful, equitable, and inclusive world. Founded in 2012, the center works globally through higher education—and in partnership with the U.S. Department of State—to administer the Global Sports Mentoring Program, one of the Department’s flagship exchange programs.
Businessman, politician, broadcasting personality, and newspaper publisher, Cas Walker (1902–1998) was, by his own estimation, a “living legend” in Knoxville for much of the twentieth century. Renowned for his gravelly voice and country-boy persona, he rose from blue-collar beginnings to make a fortune as a grocer whose chain of supermarkets extended from East Tennessee into Virginia and Kentucky. To promote his stores, he hosted a local variety show, first on radio and then TV, that advanced the careers of many famed country music artists from a young Dolly Parton to Roy Acuff, Chet Atkins, and Bill Monroe. As a member of the Knoxville city council, he championed the “little man” while ceaselessly irritating the people he called the “silk-stocking crowd.”
This wonderfully entertaining book brings together selections from interviews with a score of Knoxvillians, various newspaper accounts, Walker’s own autobiography, and other sources to present a colorful mosaic of Walker’s life. The stories range from his flamboyant advertising schemes—as when he buried a man alive outside one of his stores—to memories of his inimitable managerial style—as when he infamously canned the Everly Brothers because he didn’t like it when they began performing rock ’n’ roll. Further recollections call to mind Walker’s peculiar brand of bare-knuckle politics, his generosity to people in need, his stance on civil rights, and his lifelong love of coon hunting (and coon dogs). The book also traces his decline, hastened in part by a successful libel suit brought against his muckraking weekly newspaper, the Watchdog.
It’s said that any Knoxvillian born before 1980 has a Cas Walker story. In relating many of those stories in the voices of those who still remember him, this book not only offers an engaging portrait of the man himself and his checkered legacy, but also opens a new window into the history and culture of the city in which he lived and thrived.
Hodges has structured the book as a series of brief but revealing vignettes grouped into two main sections. In part 1, “Learning,” he introduces us to the town of Greenwood and to his parents, sister, and myriad aunts, uncles, cousins, teachers, and schoolmates. He tells stories of growing up on a plantation, dancing in smoky juke joints, playing sandlot football and baseball, journeying to the West Coast as a nineteen-year-old to meet the biological father he never knew while growing up, and leaving family and friends to attend Morehouse College in Atlanta. In part 2, “Reflecting,” he connects his firsthand experience with broader themes: the civil rights movement, Delta blues, black folkways, gambling in Mississippi, the vital role of religion in the African American community, and the perplexing problems of poverty, crime, and an underfunded educational system that still challenge black and white citizens of the Delta.
Whether recalling the assassination of Medgar Evers (whom he knew personally), the dynamism of an African American church service, or the joys of reconnecting with old friends at a biennial class reunion, Hodges writes with a rare combination of humor, compassion, and—when describing the injustices that were all too frequently inflicted on him and his contemporaries—righteous anger. But his ultimate goal, he contends, is not to close doors but to open them: to inspire dialogue, to start a conversation, “to be provocative without being insistent or definitive.”
A growing number of cultural anthropologists and others in allied disciplines are doing ethnographic fieldwork in the communities where they live and work. Essays in Reinventing and Reinvesting in the Local for Our Common Good describe an engaged local anthropology that contributes to the common good by informing social change and public policy.
The volume includes examples of citizen or student involvement in ethnographic research: Residents of a rural community were both subjects and collaborators on a study of cultural attachment to land. A group of American university students on an international travel course and their South African peer mentors explored racism and cultural differences in an immersive fieldwork experience.
One essay traces the discipline’s evolving understanding of the ethnographer’s relationship to the community being studied—from dispassionate observer to critically self-conscious participant-observer. Another heralds the success of an unconventional local initiative: a popular radio drama shows great promise for raising HIV awareness among young women in Botswana. A final essay makes a plea for broad public engagement in improving the lives of people with Autism Spectrum Disorder.
These papers were presented at the April 2016 annual meeting of the Southern Anthropological Society (SAS) in Huntington, West Virginia.
BRIAN A. HOEY is associate dean of the Honors College and a professor of anthropology at Marshall University.
In Ulster to America: The Scots-Irish Migration Experience, 1680–1830, editor Warren R. Hofstra has gathered contributions from pioneering scholars who are rewriting the history of the Scots-Irish. In addition to presenting fresh information based on thorough and detailed research, they offer cutting-edge interpretations that help explain the Scots-Irish experience in the United States. In place of implacable Scots-Irish individualism, the writers stress the urge to build communities among Ulster immigrants. In place of rootlessness and isolation, the authors point to the trans-Atlantic continuity of Scots-Irish settlement and the presence of Germans and Anglo-Americans in so-called Scots-Irish areas. In a variety of ways, the book asserts, the Scots-Irish actually modified or abandoned some of their own cultural traits as a result of interacting with people of other backgrounds and in response to many of the main themes defining American history.
While the Scots-Irish myth has proved useful over time to various groups with their own agendas—including modern-day conservatives and fundamentalist Christians—this book, by clearing away long-standing but erroneous ideas about the Scots-Irish, represents a major advance in our understanding of these immigrants. It also places Scots-Irish migration within the broader context of the historiographical construct of the Atlantic world.
Organized in chronological and migratory order, this volume includes contributions on specific U.S. centers for Ulster immigrants: New Castle, Delaware; Donegal Springs, Pennsylvania; Carlisle, Pennsylvania; Opequon, Virginia; the Virginia frontier; the Carolina backcountry; southwestern Pennsylvania, and Kentucky. Ulster to America is essential reading for scholars and students of American history, immigration history, local history, and the colonial era, as well as all those who seek a fuller understanding of the Scots-Irish immigrant story.
Editors Melissa Homestead and Pamela Washington have gathered twelve original essays from both established and emerging scholars that set a new agenda for the study of E. D. E. N. Southworth’s works. Following an introduction by the editors, these articles are divided into four thematic clusters. The first, “Serial Southworth,” treats her fiction in periodical publication contexts. “Southworth’s Genres,” the second grouping, considers her use of a range of genres beyond the sentimental novel and the domestic novel. In the third part, “Intertextual Southworth,” the essays present intensive case studies of Southworth’s engagement with literary traditions such as Greek and Restoration drama and with her contemporaries such as Harriet Beecher Stowe and French novelist George Sand. Southworth’s focus on social issues and reform figures prominently throughout the volume, but the pieces in the fourth section, “Southworth, Marriage, and the Law,” present a sustained inquiry into the ways in which marriage law and the status of women in the nineteenth century engaged her literary imagination.
The collection concludes with the first chronological bibliography of Southworth’s fiction organized by serialization date rather than book publication. For the first time, scholars will be able to trace the publication history of each novel and will be able to access citations for lesser-known and previously unknown works.
With its fresh approach, this volume will be of great value to students and scholars of American literature, women’s studies, and popular culture studies.
MELISSA J. HOMESTEAD is the Susan J. Rosowski Associate Professor of English at the University of Nebraska–Lincoln. Her book American Women Authors and Literary Property, 1822–1869 includes Southworth, and her articles on American women’s writing have been published in a variety of academic journals.
PAMELA T. WASHINGTON is Professor of English and former dean of the College of Liberal Arts at the University of Central Oklahoma. She is the co-author of Fresh Takes: Explorations in Reading and Writing: A Freshman Composition Text.
In Off Whiteness: Place, Blood, and Tradition in Post-Reconstruction Southern Literature, Izabela Hopkins explores the remaking of whiteness in the Post-Reconstruction South as represented in literary fiction. To focus her study, she discusses the writings of four prominent figures: Thomas Nelson Page, Ellen Glasgow, Charles Waddell Chesnutt, and Alice Dunbar-Nelson, who contributed to discussions of racial and social identity during the post–Civil War South through poetry, journalism, essays, novels, and more.
Off Whiteness draws from both sides of the color line—as well as from both the male and female experience—to examine the ambivalence of Southern whiteness from three particular vantage points: place, ideality, and repeatability. Hopkins develops her analysis across nine chapters divided into three parts. In her exploration of these four writers with differing backgrounds and experiences, she utilizes both their well-known and lesser-known texts to argue against the superficial oversimplification that “whiteness requires blackness to define itself.”
Hopkins’s analysis not only successfully grapples with a wide range of post-structural theories; it also approaches the significance of language and religion with intention and sensitivity, thereby addressing areas that are typically ignored in whiteness studies scholarship. The interdisciplinary nature of Off Whiteness positions it as an engaging text relevant to the work and interests of scholars drawn to American and Southern history, cultural and social studies, literary studies, etymology, and critical race theory.
This book presents a well-balanced historical background of the civil rights era even while serving as a tribute to Maxine Smith and her work. A panoramic view of Maxine's life, Maxine Smith's Unwilling Pupils, presents one woman's struggle as a prism for understanding the human dimensions of the fight for equality.
The biography portrays Smith's lifelong focus on education as she tried to enlighten both blacks and whites about equality and the inalienable rights of all races. Along the way she became the face of the civil rights movement in Memphis during a critical time in the movement's history. Maxine's unwilling pupils often hated her for her outspoken and tenacious advocacy for those rights; her followers loved her for her unwavering commitment to ensure the rights of African Americans.
Smith's selfless struggles as chronicled in this biography will leave no doubt that her influence on the progress of civil rights in Memphis was profound. Moreover, her example of tireless commitment should inspire the efforts of new generations of equal rights activists to come.
Sherry L. Hoppe is president of Austin Peay State University. She has coedited a number of volumes with Bruce W. Speck in the New Directions for Teaching and Learning series. She is coeditor, with Dr. Speck, of Service-Learning: History, Theory, and Issues.
Bruce W. Speck is provost and vice president for academic and student affairs at Austin Peay State University. He is the co-author, with Jordy Rocheleau, of Rights and Wrongs in the College Classroom: Ethical Issues in Postsecondary Teaching. He has written numerous articles and contributed to edited volumes.
The editor: Dale Jacobs is assistant professor of English and director of composition at the University of Windsor in Ontario, Canada. His work has appeared in Composition Studies, Journal of the Assembly for Expanded Perspectives on Learning, National Writing Project Quarterly, and other publications.
Visitors to the Big South Fork National River and Recreation Area will find this a useful introduction t the area’s rich history and culture, while genealogists will discover a wealth of information about the region’s historic settlements. Social scientists will recover valuable insights into the cultural dimensions of environmental impact assessment, along with a counter to conventional wisdom that tends to explain Appalachian culture in terms of either psychocultural or environmental determinism.
The Author: Benita J. Howell is professor of anthropology and chair of the America Studies Program at the University of Tennessee, Knoxville. She is the editor of Culture, Environment, and conservation in the Appalachian South and author of book chapters on cultural heritage conservation and articles that have appeared in the Journal of East Tennessee History and the Journal of Appalachian Studies.
"As the first examination of the topic since King Cotton Diplomacy (1931), this work deserves widespread attention. Hubbard offers a convincingly bleak portrayal of the limited skills and myopic vision of Rebel diplomacy at home and abroad."—Virginia Magazine of History and Biography
Of the many factors that contributed to the South’s loss of the Civil War, one of the most decisive was the failure of Southern diplomacy. In this penetrating work, Charles M. Hubbard reassesses the diplomatic efforts made by the Confederacy in its struggle to become an independent nation. Hubbard focuses both on the Confederacy’s attempts to negotiate a peaceful separation from the Union and Southern diplomats’ increasingly desperate pursuit of state recognition from the major European powers.
Drawing on a large body of sources, Hubbard offers an important reinterpretation of the problems facing Confederate diplomats. He demonstrates how the strategies and objectives of the South’s diplomatic program—themselves often poorly conceived—were then placed in the hands of inexperienced envoys who were ill-equipped to succeed in their roles as negotiators.
The Author: Charles M. Hubbard is associate professor of history at Lincoln Memorial University and executive director of the Abraham Lincoln Memorial Museum in Harrogate, Tennessee.
This volume brings together contributions from a variety of anthropologists working in a variety of fields, including archaeology, cultural anthropology, linguistics, and ethnohistory, in order to reflect on the importance of memory and its public presentation. The intense interest surrounding the 400th anniversary of Jamestown in 2007 was the immediate occasion for this theme, and the volume has several chapters on issues devoted to memory in the U.S. South. While museums often present themselves as neutral settings for the interpretation of artifacts, they are deeply embedded in cultural, political, and social situations that anthropologists are in a unique position to evaluate. Moreover, the volume is noteworthy for including analyses of more informal sites of memory, including oral history, that connect local pasts and futures. A sophisticated, multilayered examination of a now trendy topic in anthropology, this work seeks to question widely held notions about collective memory, always reminding us that museums and monuments inform each of us of the past in some particular way and insist that we add it to our consciousness—that we remember it.
Margaret Williamson Huber is Professor Emerita of Anthropology at the University of Mary Washington. She is the author of Powhatan Lord of Life and Death: Command and Consent in Seventeenth-Century Virginia.
Southern Anthropological Society Proceedings, no. 39
One of nineteenth-century America’s most controversial military figures, Gideon Johnson Pillow gained notoriety early in the Civil War for turning an apparent Confederate victory at Fort Donelson into an ignominious defeat. Dismissed by contemporaries and historians alike as a political general with dangerous aspirations, his famous failures have overshadowed the tremendous energy, rare talent, and great organizational skills that also marked his career. In this exhaustive biography, Nathaniel Cheairs Hughes Jr. and Roy P. Stonesifer Jr. look beyond conventional historical interpretations to provide a full and nuanced portrait of this provocative and maligned man.
While noting his arrogance, ambition, and very public mistakes, Hughes and Stonesifer give Pillow his due as a gifted attorney, first-rate farmer, innovator, and man of considerable political influence. One of Tennessee’s wealthiest planters, Pillow promoted scientific methods to improve the soil, preached crop diversification to reduce the South’s dependence on cotton, and endorsed railroad construction as a means to develop the southern economy. He helped secure the 1844 Democratic nomination for his friend and fellow Tennessean James K. Polk and was rewarded after Polk’s victory with an appointment as brigadier general. While his role in the Mexican War earned him a reputation for recklessness and self-promotion, his organization of what would become the Army of Tennessee put him at the forefront of the Confederate war effort. After the disaster at Donelson, he spent the rest of the war directing Confederate conscription in the West and leading Rebel cavalry forces—a role of continuing service which, the authors show, has been insufficiently acknowledged.
Updated with a new foreword by noted Civil War scholar Timothy D. Johnson, The Life and Wars of Gideon J. Pillow portrays a colorful, enigmatic general who moved just outside the world of greatness he longed to enter.
Nathaniel Cheairs Hughes Jr. is the author or editor of twenty books relating to the American Civil War, including Refugitta of Richmond; Brigadier General Tyree H. Bell, C.S.A.: Forrest’s Fighting Lieutenant; and Yale’s Confederates. The late Roy P. Stonesifer Jr. was a professor of history at Edinboro University of Pennsylvania.
Using Bell’s unpublished autobiography and other primary materials, including Confederate letters, diaries, and official correspondence, author Nathaniel Cheairs Hughes, Jr., worked with Connie Walton Moretti and Jim Browne, two of Bell’s great-great-great grandchildren, to augment Bell’s manuscript and to write the first full-length biography of this significant Confederate soldier.
Born in Kentucky, Bell grew up on a Tennessee plantation and became a farmer and stock raiser. At the outbreak of war, his neighbors asked him to be captain of a company of volunteers they were raising for the Provisional Army of Tennessee. In 1861, he entered service with the Twelfth Tennessee Infantry and quickly became its lieutenant colonel. He distinguished himself in the battle of Belmont, where he commanded the regiment, and continued his steady performance at Shiloh.
By the following year he was promoted to colonel and led the Twelfth Tennessee in the Kentucky campaign, rejoining Kirby Smith’s army for battles at Cumberland Gap, Richmond, and Perryville. After obtaining permission to leave the Army of Tennessee, he became a brigade commander under Forrest. Bell lad half of Forrest’s forces in the attack at Fort Pillow as well as in numerous other battles and expeditions. After the war, Bell returned to Sumner County to resume farming and eventually moved his family to California.
In addition to giving insight into the man whose courage and leadership earned him the nickname “Forrest’s Right Arm,” the authors explore Bell’s early years in Tennessee and his adventurous postwar career in business and land speculation. This portrait of Bell is one of an unsung leader who risked much to fight for the Confederacy.
Nathaniel Cheairs Hughes, Jr., is the author of a number of books, including The Pride of the Confederate Artillery: The Washington Artillery in the Army of Tennessee, and General William J. Hardee, C.S.A He is also coauthor of Theodore O’Hara: Poet-Soldier of the Old South and coeditor of Military Memoirs of Brigadier General William Passmore Carlin, U.S.A. He lives in Chattanooga, Tennessee.
In the expansive canon of Civil War memoirs, relatively few accounts from women exist. Among the most engaging and informative of these rare female perspectives is Constance Cary Harrison’s Recollections Grave and Gay, a lively, first-person account of the collapse of the Confederacy by the wife of President Jefferson Davis’s private secretary. Although equal in literary merit to the well-known and widely available diaries of Mary Boykin Chesnut and Eliza Frances Andrews, Harrison’s memoir failed to remain in print after its original publication in 1916 and, as a result, has been lost to all but the most diligent researcher. In Refugitta of Richmond, Nathaniel Cheairs Hughes Jr. and S. Kittrell Rushing resurrect Harrison’s work, reintroducing an especially insightful perspective on the Southern high command, the home front, and the Confederate elite.
Born into an old, aristocratic Virginia family in 1843, Constance Cary fled with her family from their estate near Alexandria, Virginia, to Richmond in 1862. There, the nineteen-year-old met Burton Norvell Harrison, a young math professor from the University of Mississippi who had come to the Confederate capital to work for Davis. The pair soon became engaged and joined the inner circle of military, political, and social leaders at the Confederate White House. Under the pen name “Refugitta,” Constance also wrote newspaper columns about the war and became a respected member of Richmond’s literary community.
Fifty years later, Constance used her wartime diaries and letters to pen her recollections of her years in Richmond and of the confusing months immediately after the war. She offers lucid, insightful, and detailed observations of the Confederate home front even as she reflects on the racial and class biases characteristic of her time and station. With an informative introduction and thorough annotations by Hughes and Rushing, Refugitta of Richmond provides a highly readable, often amusing, occasionally troubling insider’s look at the Confederate nerve center and its ultimate demise.
Nathaniel Cheairs Hughes Jr. is the author or editor of twenty books relating to the American Civil War, including The Life and Wars of Gideon J. Pillow; Brigadier General Tyree H. Bell, C.S.A.: Forrest’s Fighting Lieutenant; and Yale’s Confederates.
S. Kittrell Rushing, Frank McDonald Professor of History at the University of Tennessee at Chattanooga, is the editor of Eliza Frances Andrews’s A Family Secret and Journal of a Georgia Woman, 1870–1872. Rushing also edited and annotated Judge Garnett Andrews’s Reminiscences of an Old Georgia Lawyer.
Hughes and many other "old boys" carried these values into their post-school lives in Victorian England. Thomas Hughes became an advocate for Britain's first labor unions and workingmen's colleges. He went on to serve in Parliament, and eventually planted his Christian Socialist ideals in the backwoods of Tennessee, where he established the utopian community named Rugby after his beloved alma mater.
In Rugby, Tennessee, Hughes describes the then-new community and his motivations in founding it. As Benita J. Howell points out in her lucid and informative new introduction, the book represents an important moment in late-Victorian English thought.
Hughes recounts the plight of England's "Will Wimbles," the underemployed second sons of the gentry, to whom he hoped to give a fresh start in Tennessee. Hughes also offers readers a vivid description of Tennessee's northern Cumberland Plateau, including natural landmarks that can still be seen. And his impressions of "Life in Tennessee," "The Natives," and "The Negro Natives" reveal much about the Upland South on the eve of industrialization. Written in part to convince British investors that their project in America was making great progress, Rugby, Tennessee, depicts a unique Utopian moment in this remote area of Appalachian Tennessee-a moment whose legacy is justly celebrated to this day.
Benita J. Howell is Professor of Anthropology Emerita at the University of
Tennessee. She is the author of Folklife along the Big South Fork of the
Cumberland River and is editor of Culture, Environment, and Conservation in the Appalachian South.
In Building a Protestant Left, Mark Hulsether uses the history of C&C as a case study to explore changing ideas about religion and society in the latter half of the twentieth century. He follows the twists and turns of this story from Niebuhr's Christian realist positions of the 1940s, through Protestant participation in the complex social movements of the 1950s and 1960s, to the emergence of various liberation theologies—African American, feminist, Latin American, and others—that used C&C as a central arena of debate in the 1970s and 1980s. Throughout, Hulsether places these changes in the context of postwar cultural and social history, relating C&C's theological and ethical positions to the broader social and political issues the journal addressed. Included, for example, is an illuminating discussion of C&C's positions in relation to one of the major developments of recent decades: the rise of neoconservatism and the religious right.
Engagingly written, Building a Protestant Left bridges the gap between secularized history and cultural studies on the one hand and traditional religious studies and religious ethics on the other. It also bridges an important generational gap within public-minded religious thought—it is as well informed on the issues that engaged the magazine during Niebuhr's heyday (from the 1940 to the 1960s) as on the liberation theologies and other radical positions that came afterward.
The Author: Mark Hulsether is assistant professor of religious studies and American studies at the University of Tennessee, Knoxville.
Bearing the Torch stands as a comprehensive history of the University of Tennessee, replete with anecdotes and vignettes of interest to anyone interested in UT, from the administrators and chancellors to students and alums, and even to the Vols fans whose familiarity with the school comes mainly from the sports page. It is also a biography of a school whose history reflects that of its state and its nation. The institution that began as Blount College in 1794 in a frontier village called Knoxville exemplifies the relationship between education and American history.
This is the first scholarly history of UT since 1984. T. R. C. Hutton not only provides a much-needed update, but also seeks to present a social history of the university, fully integrating historical context and showing how the volume’s central “character”—the university itself—reflects historical themes and concerns. For example, Hutton shows how the school’s development was hampered in the early nineteenth century by stingy state funding (a theme that also appears in subsequent decades) and Jacksonian fears that publicly funded higher education equaled elite privilege. The institution nearly disappeared as the Civil War raged in a divided region, but then it flourished thanks to policies that never could have happened without the war. In the twentieth century, students embraced dramatic social changes as the university wrestled with race, gender, and other important issues. In the Cold War era, UT became a successful research institution and entered into a deep partnership with Oak Ridge National Laboratories that persists to this day. All the while UT athletics experienced the highs of national championships and the lows of lawsuits and losing seasons. UT is a university with a universe of historical experiences.
The University of Tennessee’s story has always been defined by inclusion and exclusion, and the school has triumphed when it practiced the former and failed when it took part in the latter. Bearing the Torch traces that ongoing process, richly detailing the University’s contributions to what one president, Joseph Estabrook, called the “diffusion of knowledge among the people.”
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