What is an epaulette? What is a keffiyeh? These clothing items—and hundreds more—are entertainingly explained and vividly illustrated in this accessible guide.

Whether in art or life, fashion makes a statement. It gives form to the temper of the times and the motives of the moment, charting shifts in society, status, technology, and economy. Fashion is shaped by both high and popular culture and reveals the influence of individuals from diverse socioeconomic backgrounds.

Spanning the centuries and representing a global point of view, Looking at Fashion is a guide to the elements that make clothing practical, wearable, stylish, and distinctive. Created for scholars, students, fashionistas, and anyone who wants to expand their understanding of world culture through the history of dress, this book provides a rich and varied lexicon of the vocabulary that describes and explains the most essential components of garments and techniques of clothing construction. Ranging from basic pieces and their individual parts to structure, embellishments, and innovations, Looking at Fashion offers insights into the evolution of dress in terms of style, fit, and design. Gorgeous color illustrations, including paintings, photographs, historical garments, and custom drawings, reveal the interrelationship of fashion and art from antiquity to now.

Winner of the 2023 Leo Gershoy Award

2023 Winner of The David H. Pinkney Prize 

Honorable Mention for The Mediterranean Seminar Best Book Prize 2023

Winner of the 2022 Kenshur Prize 

Shortlisted for Apollo Magazine's 2022 Book of the Year

This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV.

Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France.

With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.

This open-access publication provides essential guidance on digital inventories and surveys for the identification, conservation, and management of heritage places.

A critical first step in the conservation of cultural heritage is to identify and understand the places we want to protect. Inventories and surveys are essential tools in this effort, and their use in managing national, regional, and local heritage is mandated in heritage-related legislation across the globe. Despite the widespread understanding of the importance of inventories and surveys, however, practical, up-to-date guidance on how they should be created, implemented, and maintained has been substantially lacking—until now.
 
This publication draws from the Getty Conservation Institute’s ongoing work with heritage inventories and on the Los Angeles Office of Historic Resources’ experience with SurveyLA. It provides technical advice, guidance, and lessons learned for employing inventories and surveys as tools for heritage conservation and management.

The free online edition of this open-access publication will be available at www.getty.edu/publications/inventories-and-surveys. Also available are free PDF and EPUB downloads of the book.

This authoritative compendium of newly translated primary sources reveals ancient Roman attitudes on every aspect of villas, from selection of place and construction activities to day-to-day management and lived experiences.

While the term villa is generic today, its meaning extended across the entirety of ancient Roman life: villas supplied food, oil, and wine to towns and cities and produced raw materials for craft industries and building construction. Villas were also venues for pleasure, relaxation, and the cultivation of friendships and the mind. Many were known for their spectacular sites, architecture, decoration, and furnishings. They came to be ubiquitous throughout ancient Rome's European and Mediterranean rural hegemony.

This volume compiles a wealth of newly translated Latin and ancient Greek sources—treatises, letters, poems, histories, biographies, and other works of literary art—to vividly convey the architectural, economic, social, political, and cultural significance of ancient Roman villas, from their Greek antecedents through the early Christian period. Thematic chapters reveal ancient Roman attitudes on villa architecture, agricultural operations, and the practices of buying, building, and decorating villas as well as entertaining and pursuing leisure there. References to family, gender relations, and the lives of enslaved persons aim to situate, if only indirectly, a broad range of experiences within villas. Supplemented by generous commentaries, copious annotation, a comprehensive bibliography, and a glossary, this definitive sourcebook equips scholars and students alike for further research and makes for fascinating reading.