Gales, cyclones, blizzards, tornados, and hurricanes—few things demonstrate the awesome power of nature like a good storm. Devastating, diverse, and sometimes appearing completely out of nowhere, storms are also a source of both scientific and aesthetic wonder. In this book, John Withington takes an in-depth and unique look at the nature of storms and the impact that they have—both physical and cultural—on our lives.
            Withington shows how storms have changed the course of human history. From Roman times to the modern day, he shows how their devastating effects have wiped out entire communities, changed the fates of battle, and even reset the entire planet. He also shows how beneficial they have been to us: as an important feature of our atmosphere and climate, but also as a source of inspiration for nearly every artist who has ever lived, from Homer to Rembrandt, in works from the Old Testament to Robinson Crusoe. Beautifully illustrated, this book offers a fascinating look at Earth’s most fearsome events.
 

As a color, black comes in no other shades: it is a single hue with no variation, one half of a dichotomy. But what it symbolizes envelops the entire spectrum of meaning—good and bad. The Story of Black travels back to the biblical and classical eras to explore the ambiguous relationship the world’s cultures have had with this sometimes accursed color, examining how black has been used as a tool and a metaphor in a plethora of startling ways.

 

John Harvey delves into the color’s problematic association with race, observing how white Europeans exploited the negative associations people had with the color to enslave millions of black Africans. He then looks at the many figurative meanings of black—for instance, the Greek word melancholia, or black bile, which defines our dark moods, and the ancient Egyptians’ use of black as the color of death, which led to it becoming the standard hue for funereal garb and the clothing of priests, churches, and cults. Considering the innate austerity and gravity of black, Harvey reveals how it also became the color of choice for the robes of merchants, lawyers, and monarchs before gaining popularity with eighteenth- and nineteenth-century dandies and with Goths and other subcultures today. Finally, he looks at how artists and designers have applied the color to their work, from the earliest cave paintings to Caravaggio, Rembrandt, and Rothko.

 

This richly illustrated book examines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. The story of ruins in China is different from but connected to “ruin culture” in the West. This book explores indigenous Chinese concepts of ruins and their visual manifestations, as well as the complex historical interactions between China and the West since the eighteenth century.

Wu Hung leads us through an array of traditional and contemporary visual materials, including painting, architecture, photography, prints, and cinema. A Story of Ruins shows how ruins are integral to traditional Chinese culture in both architecture and pictorial forms. It traces the changes in their representation over time, from indigenous methods of recording damage and decay in ancient China, to realistic images of architectural ruins in the nineteenth and twentieth centuries, to the strong interest in urban ruins in contemporary China, as shown in the many artworks that depict demolished houses and decaying industrial sites. The result is an original interpretation of the development of Chinese art, as well as a unique contribution to global art history.

Many of the world’s major cities sprang up on the banks of rivers. Used for water, food, irrigation, transportation, and power, rivers sustain life and connect the world together, but most of us think of them simply as waterways that must be crossed on the way to another place. Using four European and two North American rivers as examples, A Story of Six Rivers considers the place of rivers in our world and emphasizes the inextricable links between history, culture, and ecology.

 

Peter Coates explores six rivers, chosen as examples of the types of rivers found on the planet: the Danube, the second-longest river in Europe; the Spree, which flows through Berlin; the Po, which cuts eastward across northern Italy; the Mersey in northwest England; the Yukon, which runs through Canada and Alaska; and the Los Angeles in California. Creating a series of river biographies, Coates gives voice to each of these bodies of water, exploring how rivers nurture us, provide cultural and economic opportunities, and pose threats to our everyday lives. He challenges recent narratives that paint rivers as the victims of abuse, pollution, and damage at the hands of humans, focusing on change rather than devastation. Describing how humans and rivers form a symbiotic—and sometimes mutually destructive—relationship, Coates argues that rivers illustrate the limits of human authority and that their capacity to inspire us is as strong as our ability to pollute them.

 

An intimate portrait of the way these bodies of water inform our lives, A Story of Six Rivers will make us reconsider the streams and tributaries we traverse each day.

The humble soybean is the world’s most widely grown and most traded oilseed. And though found in everything from veggie burgers to cosmetics, breakfast cereals to plastics, soy is also a poorly understood crop often viewed in extreme terms—either as a superfood or a deadly poison. In this illuminating book, Christine M. Du Bois reveals soy’s hugely significant role in human history as she traces the story of soy from its domestication in ancient Asia to the promise and peril ascribed to it in the twenty-first century.

Traveling across the globe and through millennia, The Story of Soy includes a cast of fascinating characters as vast as the soy fields themselves—entities who’ve applauded, experimented with, or despised soy. From Neolithic villagers to Buddhist missionaries, European colonialists, Japanese soldiers, and Nazi strategists; from George Washington Carver to Henry Ford, Monsanto, and Greenpeace; from landless peasants to petroleum refiners, Du Bois explores soy subjects as diverse as its impact on international conflicts, its role in large-scale meat production and disaster relief, its troubling ecological impacts, and the nutritional controversies swirling around soy today. She also describes its genetic modification, the scandals and pirates involved in the international trade in soybeans, and the potential of soy as an intriguing renewable fuel. Featuring compelling historical and contemporary photographs, The Story of Soy is a potent reminder never to underestimate the importance of even the most unprepossesing sprout.

Street art and graffiti are a familiar sight in all our cities. Giant murals commemorate historical events or proclaim the culture of a neighborhood, while tagged walls can function simultaneously as a claim to territory and a backdrop for an urban fashion shoot. Street Art World examines these divergent forms and functions of street art. This strikingly illustrated book explores every aspect of street art, from those who spray it into being to those who revel in it on Instagram, from its place under highway overpasses to one on the austere walls of high art museums.
            What exactly is street art? Is it the same as graffiti, or do they have different histories, meanings, and practitioners? Who makes it? Who buys it? Can it be exhibited at all, or does it always have to appear unsanctioned?  Talking with artists, collectors, sellers, and buyers, author Alison Young reveals an energetic world of self-made artists who are simultaneously passionate about an authentic form of expression and ambivalent about the prospects of selling it to make a living—even a fabulously good one.
Drawing on over twenty years of research, she juxtaposes the rise and fall of art markets against the vibrancy of the street and urban life, providing a rich history and new ways of contextualizing the words and images—some breathtakingly beautiful—that seem to appear overnight in cities around the world.
 

What could be better than diving into cool water on a hot day? In this enormously enjoyable and informative history of swimming, Eric Chaline sums up this most summery of moments with one phrase: pleasure beckons at the water’s edge.
Strokes of Genius traces the history of swimming from the first civilizations to its current worldwide popularity as a sport, fitness pastime, and leisure activity. Chaline explores swimming’s role in ritual, early trade and manufacturing, warfare, and medicine, before describing its transformation in the early modern period into a leisure activity and a competitive sport—the necessary precursors that have made it the most common physical pastime in the developed world.

The book celebrates the physicality and sensuality of swimming—attributes that Chaline argues could have contributed to the evolution of the human species. Swimming, like other disciplines that use repetitive movements to train the body and quiet the mind, is also a means of spiritual awakening—a personal journey of discovery. Swimming has attained the status of a cultural marker, denoting eroticism, leisure, endurance, adventure, exploration, and excellence.

Strokes of Genius shows that there is not a single story of human swimming, but many currents that merge, diverge, and remerge. Chaline argues that swimming will become particularly important as we look toward a warmer future in which our survival may depend on our ability to adapt to life in an aquatic world.

Today, many fortified wines are flourishing again, revived by discerning drinkers and modern mixologists all over the world. Once popularly savored before or after dinner, fortified wines—vermouth, sherry, port, madeira, and the like—had fallen out of favor until recent times. But now, in pubs and wine bars, high-end restaurants and homes, these wines are finding their way into innovative cocktails, and they are being appreciated anew for their fine qualities and strong, complex tastes.

Strong, Sweet and Dry is the ultimate guide to these freshly rediscovered palate pleasers. In lively style, Becky Sue Epstein explores the latest fortified wine innovations and trends, along with their colorful history, including the merchants, warriors, and kings who helped bring these beverages into being. Featuring a plethora of enticing images, along with anecdotes, facts, and recipes, this is a superb tour through the long history of fortified wines and their global resurgence today.

This concise biography of Stéphane Mallarmé (1842–98) blends an account of the poet’s life with a detailed analysis of his evolving poetic theory and practice. “A poet on this earth must be uniquely a poet,” he declared at the age of twenty-two—but what is a poet’s life and what isa poet’s function? In his poems and prose statements and by the example of his life, Mallarmé provided answers to these questions.

            In Stéphane Mallarmé, Roger Pearson explores the relationship among Mallarmé’s life, his philosophy, and his writing. To Mallarmé, being a poet consists of a continuous, lifelong investigation of language and its expressive potential. It represents, argues Pearson, a fundamental response to the metaphysical mystery of the human condition and the desire to make sense of it for others. A poet turns everyday banality into prospects of mystery; and a poet, in Mallarmé’s conception, is able to bring all human beings together in heightened awareness and understanding of the “magnificent act of living.”

This concise and engaging biography tells the story of a fascinating and utterly unique voice in French poetry, one that was often overshadowed by other Symbolist writers. It is an essential read for students of literature and nineteenth-century France.

It’s no surprise that sugar has been on our minds for millennia. First cultivated in New Guinea around 8,000 B.C.E., this addictive sweetener has since come to dominate our appetites—whether in candy, desserts, soft drinks, or even pasta sauces—for better and for worse. In this book, Andrew F. Smith offers a fascinating history of this simultaneously beloved and reviled ingredient, holding its incredible value as a global commodity up against its darker legacies of slavery and widespread obesity.
           
As Smith demonstrates, sugar’s past is chockfull of determined adventurers: relentless sugar barons and plantation owners who worked alongside plant breeders, food processors, distributors, and politicians to build a business based on our cravings. Exploring both the sugarcane and sugar beet industries, he tells story after story of those who have made fortunes and those who have met demise all because of sugar’s simple but profound hold on our palates. Delightful and surprisingly action-packed, this book offers a layered and definitive tale of sugar and the many people who have been caught in its spell—from barons to slaves, from chefs to the countless among us born with that insatiable devil, the sweet tooth.     

It’s a good story: we are made of matter like that we also find in the stars. Essential to our planet’s existence, the Sun—our nearest star––is also the most fascinating object humans have ever adored, literally the difference between day and night. But getting beyond these basic perceptions requires scientific understanding. What, for instance, is the sun made of? Why does it burn so brightly? How long will it last? This book not only answers these questions but also tells the story of how we came to know—not merely behold—the grandest entity in our sky.
           
Leon Golub and Jay M. Pasachoff offer an engaging and informative account of solar science and its history, drawing on centuries of study by solar astronomers who have looked to the Sun not only to learn about our own solar system but also about what lies in the distant wilderness of faintly glimmering stars. They skim along the surface of the Sun, which is decorated with sunspots, discussing these fascinating magnetic aberrations and the roughly eleven-year cycles they abide. They follow seismic waves into the interior of the Sun and its unending nuclear fusion. They show us what is unveiled in solar eclipses and what new views and knowledge our space exploration has afforded us. They brave solar weather, and they trace the arcs of radiation and particles whose effects we can see on earth in phenomena such as the northern and southern lights.
           
Glowing with a wide assortment of astonishing images, this beautifully illustrated guide will delight everyone, from those who know what a coronagraph is to those who simply like to step out on a bright day, close their eyes, and feel the Sun’s warmth upon their skin.
 

From iconic paintings by Vincent van Gogh to their much-spat seeds at baseball games, the massive, golden blossoms of sunflowers have become a part of our literary and visual cultures and daily lives, inspiring artists and poets and used by advertisers to promote countless products. But sunflowers are only the most recognizable members of the world’s largest family of plants, Asteraceae, which includes lettuce, chrysanthemums, asters, dahlias, and weeds. And in this book, Stephen A. Harris unearths the extraordinary history of this entire sunflower bouquet.

Unraveling the interplay between human cultures and the biology of these spectacular blooms over the last six thousand years, Sunflowers explores our persistent fascination with this family and how our uses of the plants have changed over millennia. Found in almost all habitats, from the driest deserts and tallest mountains to grasslands and urban wastelands, the sunflower family includes more than 32,000 species. It produces hugely popular and economically valuable ornamental flowers, as well as familiar flavorings such as tarragon and artemesia, and its members are also used in the production of antimalarial drugs, artificial sweeteners, insecticide, and fish poisons. Illustrated with many rarely seen images of the sunflower family, this beautiful volume sheds surprising new light on these familiar, sunniest of flowers.

“My idea of a writer: someone interested in ‘everything.’” This declaration by Susan Sontag (1933–2004) seemed to reflect her own life as an essayist, diarist, filmmaker, playwright, and novelist writing on a startling range of topics—from literature, dance, film, and painting to cancer, AIDS, and the ethics of war reportage. For many critics, her work captures the twentieth-century world better than almost any other. In this new biography, Jerome Boyd Maunsell draws on Sontag’s extensive diaries to offer a far more intimate portrait than ever before of her struggles in love, marriage, motherhood, and writing.
 
Exploring the astonishing scope of Sontag’s life and work, Maunsell traces her growth during her intellectual career at Chicago, Oxford, and the Sorbonne. He discusses her short-lived marriage to Philip Rieff at seventeen, the birth of her son, and her subsequent relationships with women. As Maunsell follows the extraordinary arc of her life, he delves into her literary life in New York in the 1960s; travels with her to Hanoi, Cuba, and China; and surveys her work in Sweden and France in the 1970s, where she turned to filmmaking. Maunsell concludes by examining her miraculous rebirth as a novelist and critic in the 1980s and ’90s after her diagnosis with cancer in the mid-1970s.
 
Providing a full picture of Sontag as a private person and public figure, this concise biography casts new light on this pivotal figure in literary and cultural history.

When Marsellus in the film PulpFiction asserts, "I'm gonna git medieval on your ass," we know that he is about to bring down a fierce and exacting punishment. Yet is the violence of the Middle Ages that far removed from our modern society? Suspended Animation argues that not only is the stereotype of uncontrolled violence in the Middle Ages historically misleading, the gulf between modern society and the medieval era is not as immense as we might think. In fact, both medievals and moderns live within a social tension of "suspended animation" engendered by images and acts of violence.

Just as in medieval times, Robert Mills argues, it is the threat of violence—not the reality—that continues to structure our lives. To illustrate this "aesthetics of suspense," Mills draws on extensive and disturbing examples from medieval iconography, contemporary philosophy, and even pornography, ranging from the vivid depictions of Hell in Tuscan frescoes to Billie Holiday's famously wrenching song "Strange Fruit". Mills reveals how these uncomfortable images and texts expose a modern self-deception, and he further explores how medieval images evoked a pleasure revealingly close to that found in modern depictions of sexuality. Suspended Animation also makes a fresh contribution to theoretical debates on pre-modern gender and sexuality. Mills's comprehensive analysis demonstrates that—as wartime prisoner abuse incidents at Abu Ghraib and Guantánamo Bay have recently indicated—our notions of ourselves as not-medieval (that is, civilized) not only fail to prepare us for modern torture and warfare but also lead us into complicity with self-proclaimed moral and civic leaders.
 
Whether considering a medieval painting of a Christian martyr or the immense popularity of grotesque historical tourist attractions such as the London Dungeons, Suspended Animation argues that images of death and violence are as pervasive today as they were in the Middle Ages, serving as potent reminders of the link between the modern and the medieval era.

Known as heralds of spring and beautiful, elegant flyers, swallows are among the most beloved of familiar birds. Because they return with the spring, swallows, as Angela Turner explains, have long been associated with the renewal of life, love, fidelity, and fertility, while their ability to travel incredible distances has given them associations with freedom and speed. That freedom, however, hasn’t kept them from becoming familiar figures in towns and cities. They often seem to even seek out human company—for example, barn swallows are known for nesting in our buildings and purple martins in our back yards.

Destruction of their natural habitat, however, has proved dangerous to some species of swallow, and recent years have seen some populations dwindling to the point of near-extinction. Turner outlines the reasons for these declines as part of her engaging account of the natural and cultural history of this beloved bird.

Throughout history, swamps have been idealized and demonized, purged and protected. Today, they are simultaneously considered metaphorical places of evil, pestilence, and death, and treasured as diverse biological ecosystems teeming with life.

Covering not only swamps and bogs but also marshes and wetlands, Swamp ventures into the cultural and ecological histories of these mysterious, mythologized, and misunderstood landscapes. Anthony Wilson takes readers into swamps across the globe, from the freshwater marshes of Botswana’s tremendous Okavango delta, to the notable swamps between the Tigris and Euphrates rivers, to the peat bogs in Russia, the British Isles, and Scandinavia, which have been used as energy sources for centuries. It explores ideas and representations of wetlands across centuries, cultures, and continents, considering legend and folklore, mythology, literature, film, and natural and cultural history. As it plumbs the murky depths of swamps from the distant past to an uncertain future, Swamps provides an engaging, accessible, informative, and lavishly illustrated journey into these fascinating landscapes.
 

With eye-popping colors and shapes, intense flavors, and curious textures, sweets and candy are beloved by people of all ages worldwide. They provide minor treats, lessons in economics for children, and colorful giveaways to mark festivities. They can be admired for beauty and novelty, make ideal gifts, and can even be used to woo. But these seemingly inconsequential indulgences are freighted with centuries of changing cultural attitudes, social and economic history, emotional attachments, and divergent views on the salubriousness of sugar. How did confectionary become so popular? Why do we value concentrated sweetness in such varied, gooey forms? And in the face of ongoing health debates, why persist in eating sweets?

From marzipan pigs and nutty nougat to bubblegum and bonbons, Sweets and Candy looks beneath the glamour and sparkle to explore the sticky history of confectionary. Methods for making sweets can be traced back to the importance of sugar in Arabic medicine and the probable origin of this practice in ancient India—a place where sweetness is still important for both humans and gods. Gorging on gobstoppers from these early candy antecedents to modern-day delectables, Laura Mason describes the bewildering and fascinating ways in which different cultures have made, consumed, valued, and adored sweets throughout history. Featuring a selection of mouthwatering illustrations and scrumptious recipes to try at home, this global candy trail will delight sweet-toothed foodies and history buffs everywhere.

For a woman in the Western world, there is no escaping beauty. Either she possesses it, or she lacks it. If she lacks it, she may hope to gain it. If she already has it, she will certainly lose it. But what is "it"? Not an objective thing, Francette Pacteau tells us, but a generic term for an unspecifiable number of psychological experiences in the mind of the observer. What these experiences are, what causes them, and how they manifest themselves as a notion of beauty is the subject of this book.

Less interested in the contingent object of desire than the fantasy that frames it, Pacteau considers the staging of the aesthetic emotion. Her analysis extends from the Classical ideals of beauty, through Renaissance poetry to the recent formulations of Hollywood. Her book is an ambitious attempt to describe the mise-en-scène of beauty within a particular field of representations – that of the beauty of a woman.

This revealing study considers the remarkable alliance between chemistry and art from the late eighteenth century to the period immediately following the Second World War. Synthetic Worlds offers fascinating new insights into the place of the material object and the significance of the natural, the organic, and the inorganic in Western aesthetics.

Esther Leslie considers how radical innovations in chemistry confounded earlier alchemical and Romantic philosophies of science and nature while profoundly influencing the theories that developed in their wake. She also explores how advances in chemical engineering provided visual artists with new colors, surfaces, coatings, and textures, thus dramatically recasting the way painters approached their work. Ranging from Goethe to Hegel, Blake to the Bauhaus, Synthetic Worlds ultimately considers the astonishing affinities between chemistry and aesthetics more generally. As in science, progress in the arts is always assured, because the impulse to discover is as immutable and timeless as the drive to create.

The Danish philosopher, theologian, and author Søren Kierkegaard is widely considered to be one of the most important and wide-ranging religious thinkers of the modern age. He is known as the father of existentialism, but his work was also influential on theories of modernism, theology, Western culture, church politics, and the Christian faith. His wit, imagination and humor have inspired a generation of followers, from Woody Allen to Franz Kafka. But how did this inattentive schoolboy rise to critique the work of great thinkers such as Hegel and the German romantics? Who was the real (and unusual) person writing behind so many pseudonyms? And in what way are Kierkegaard’s concepts still relevant today?

In this absorbing new biography, Alastair Hannay unravels the mystery of Søren Kierkegaard’s short but momentous career. Looking at both Kierkegaard the thinker and the person, Hannay describes this controversial figure’s key concepts and major works alongside the major incidents in his private and public life. From Kierkegaard’s longing for selfhood as expressed at the age of twenty-two, to a self-provoked spat with a satirical weekly that has caused him to be caricatured to this day, to a verbal assault on the Church in the months prior to his early death at the age of forty-two, Søren Kierkegaard is the fascinating story of a man destined to become a thorn in the side of society.