BiblioVault

Charles IV

Portrait of a Medieval Ruler

Václav Žurek

Karolinum Press, 2023

A critical examination of the life and legacy of Charles IV.

Charles IV, King of Bohemia and Holy Roman Emperor, has been called “one of the most learned and diplomatically skillful sovereigns” of the fourteenth century. Having moved the seat of the Holy Roman Empire to Prague and founding the first university in Central Europe, Charles IV is a towering figure in Czech history and a crucial character in the story of medieval Europe.

Recent research, especially in art history, has tended to present Charles IV in a purely positive, unblemished light: viewing him and his imperial court as the engine behind a flourishing of culture in the region. This book views Charles IV through a more critical lens, examining the careful construction that went into the way he presented himself and the characteristic manifestations of Charles’ execution of royal power. The first part of the book offers a chronological description of Charles’ life within the broader context of the times and the House of Luxembourg. The second part provides a close look into Charles IV’s style of rule while focusing on phenomena that reveal his personal conception of power and how it was wielded.

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The Chattertooth Eleven

Eduard Bass

Karolinum Press, 2009

In 1922, the same year that saw the establishment of the Czechoslovak Football Association, a former singer and cabaret director from Prague published a novel about soccer. Eighty-six years later, that novel, Eduard Bass’s The Chattertooth Eleven, has been reprinted more than thirty times, has been made into a film, and has become one of the most popular works of Czech fiction.

The novel tells the extraordinary adventures of an ordinary father, Chattertooth, and his eleven sons—whom he has raised as an unbeatable soccer team. This humorous tale—set in the aftermath of World War I—celebrates fair play and perseverance while simultaneously taking a gently ironic stance towards the Czech infatuation with soccer. This edition, in a new graphic layout by Zdenek Ziegler, is accompanied by charming illustrations by Jirí Grus.

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Complex Words, Causatives, Verbal Periphrases and the Gerund

Romance Languages versus Czech (A Parallel Corpus-Based Study)

Edited by Petr Cermák, Dana Kratochvílová, Olga Nadvornikova, and Pavel Štichauer

Karolinum Press, 2020

This book focuses on the typological differences among the four most widely spoken Romance languages--French, Italian, Portuguese, and Spanish--and Czech. Utilizing findings from the Czech National Corpus’ massive language database, the authors analyze a range of linguistic categories to discover the differences and similarities between Czech and the Romance languages. Due to the massive amount of data mined, as well as the high number of languages examined, this book presents general and individual typological features of the four Romance languages and Czech that often exceed what has previously been accepted in the field of comparative linguistics.

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A Condensed Course of Quantum Mechanics

Pavel Cejnar

Karolinum Press, 2014

This book represents a concise summary of nonrelativistic quantum mechanics for physics students at the university level. The text covers essential topics, from general mathematical formalism to specific applications. The formulation of quantum theory is explained and supported with illustrations of the general concepts of elementary quantum systems. In addition to traditional topics of nonrelativistic quantum mechanics—including single-particle dynamics, symmetries, semiclassical and perturbative approximations, density-matrix formalism, scattering theory, and the theory of angular momentum—the book also covers modern issues, among them quantum entanglement, decoherence, measurement, nonlocality, and quantum information. Historical context and chronology of basic achievements is also outlined in explanatory notes. Ideal as a supplement to classroom lectures, the book can also serve as a compact and comprehensible refresher of elementary quantum theory for more advanced students.

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Confronting Totalitarian Minds

Jan Patocka on Politics and Dissidence

Aspen Brinton

Karolinum Press, 2020

Jan Patočka was a Czech philosopher who not only lived through the turbulent politics of twentieth-century Central Europe, but he shaped his intellectual contributions in response to that tumult. One of the last students of Edmund Husserl and Martin Heidegger, he was a philosophical inspiration to Václav Havel and other dissidents who confronted the Soviet regimes before 1989, as well as being actively involved in authoring and enacting Charter 77 in Czechoslovakia. He died in 1977 from medical complications resulting from interrogations of the secret police, his political involvement cut short by an untimely death.

Confronting Totalitarian Minds examines his legacy along with several contemporary applications of his ideas about dissidence, solidarity, and the human being’s existential confrontation with unjust politics. Aspen Briton puts Patočka’s ideas about dissidence, citizen mobilization, and civic responsibility in conversation with those of notable world historical figures like Mohandas Gandhi, expanding the current possibilities of comparative political theory. In adding a fresh voice to contemporary conversations on transcending injustice, Confronting Totalitarian Minds seeks to educate a wider audience about this philosopher’s continued relevance to political dissidents across the world.

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Contemporary Funeral Rituals of Sa'dan Toraja

From Aluk Todolo to "New" Religions

Michaela Budiman

Karolinum Press, 2013

The Sa’dan Toraja are an ethnic group who live primarily on the Indonesian island of Sulawesi. This rigorous academic study by noted expert Michaela Budiman examines the deep cultural shifts among the Toraja during the last century through the lens of their most important ritual— funerals. This book specifically addresses the conversion of the Toraja from their indigenous religion, Aluk Todolo, to Christianity and how this shift is reflected in their contemporary funeral practices and understanding of both death and grief.

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The Country House Revisited

Variations on a Theme from Forster to Hollinghurst

Tereza Topolovská

Karolinum Press, 2017

From Howard’s End to Brideshead Revisited, this book explores the leitmotif of the English country house in twentieth- and twenty-first-century fiction, with a focus on the works of E. M. Forster, Evelyn Waugh, Iris Murdoch, Alan Hollinghurst, and Sarah Waters. Integrating wider social and cultural contexts with contemporary architectural developments, Tereza Topolovská reveals that the variety of literary depictions of the country house reflects the physical diversification of buildings that can be classified as such, from smaller variants to formerly grand residences on the brink of physical collapse. Within the scope of contemporary fiction, architecture, and poetics of space, the country house—with its uniquely integrating and exceptionally evocative qualities—accentuates different conceptions of dwelling. Consequently, literary portrayals of the country house can be seen as both prefiguring and reflecting the contemporary practice of living.

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The Cremator

Ladislav Fuks

Karolinum Press, 2016

“The devil’s neatest trick is to persuade us that he doesn’t exist.”—Giovanni Papini

It is a maxim that both rings true in our contemporary world and pervades this tragicomic novel of anxiety and evil set amid the horrors of World War II. As a gay man living in a totalitarian, patriarchal society, noted Czech writer Ladislav Fuks identified with the tragic fate of his Jewish countrymen during the Holocaust. The Cremator arises from that shared experience. Fuks presents a grotesque, dystopian world in which a dutiful father, following the strict logic of his time, liberates the souls of his loved ones by destroying their bodies—first the dead, then the living. As we watch this very human character—a character who never ceases to believe that he is doing good—become possessed by an inhuman ideology, the evil that initially permeates the novel’s atmosphere concretizes in this familiar family man. A study of the totalitarian mindset with stunning resonance for today, The Cremator is a disturbing, powerful work of literary horror.

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Crossing between Tradition and Modernity

Essays in Commemoriation of Milena Doležalová-Velingerová (1932–2012)

Edited by Kirk A. Denton

Karolinum Press, 2017

Crossing Between Tradition and Modernity presents thirteen essays written in honor of Milena Doleželová-Velingerová (1932–2012), a member of the Prague School of Sinology and an important scholar of Chinese literature who was at the forefront in introducing literary theory into sinology. Doleželová-Velingerová was that rare scholar who wrote with equal knowledge and skill about both modern and premodern Chinese literature. The essays emulate Doleželová-Velingerová’s scholarship in terms of treating a broad range of historical periods, literary genres, and topics—from Tang travel essays to cultural identity in postcolonial Hong Kong. Organized into two parts, “Language, Structure, and Genre,” and “Identities and Self-Representations,” the essays are motivated by an abiding concern with issues of language, narrative structure, and the complex nature of literary meaning that were at the heart of Doleželová-Velingerová’s work.

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The Culture of Neural Networks

Synthetic Literature and Art in (Not Only) the Czech and Slovak Context

Zuzana Husárová and Karel Piorecký

Karolinum Press, 2024

Contextualizes literary texts and other cultural artifacts generated using the latest technological techniques.

The possibilities of generated cultural production have undergone fundamental changes in recent years, leading to a rethinking of existing approaches to the text and the artwork as such. To grasp this process, Zuzana Husárová and Karel Piorecký propose the term “neural network culture,” which captures a wide range of generative practices and reception mechanisms. The Culture of Neural Networks contextualizes the phenomenon of literary texts and other artifacts generated using the latest technological techniques. The generation of literary texts using neural networks is part of a broader cultural process, to which this publication formulates a position through the lens of literary science, media theory, and art theory.

The scholarly debate over this topic has been inconsistent—on the one hand, it underestimates the diachronic connections between generated texts and the tradition of experimental and conceptual literature; on the other hand, it does not sufficiently clarify the new-generation procedures and the contribution of human and technological actors in them. Therefore, Husárová and Piorecký propose the notion of synthetic textual art, which reflects the specific roles of the different actors involved in generative practice and its intermedial nature. In doing so, they approach the topic from both historical and theoretical perspectives, analyzing the current state of generative practice in all three basic literary types and in the intermedial space using selected foreign and Czech-Slovak projects. This state of affairs is often distorted in media discourse and even mythicized in terms of the capabilities of “artificial intelligence”; therefore, a critical analysis of this media discourse is essential. Finally, the authors summarize the implications of this stage in the development of generative practice on creativity theory and literary theory.

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Cur homo?

A History of the Thesis of Man as a Replacement for Fallen Angels

Vojtech Novotný

Karolinum Press, 2014

Examining, outlining, elucidating, and supplementing the existing body of scholarship concerning the medieval theological supposition that man was created as a replacement for fallen angels, Cur Homo? traces the implications of the question from the first century of the common era to the present day.

First introduced by St. Augustine and developed by other church fathers, the concept truly flourished in the twelfth century, when it was decided that man is an “original” being, created for its own sake, for whom God created the world. Vojtech Novotný goes on to trace the idea as it gradually faded over the centuries and, more recently, has been revived in the fields of modern philosophical thought.

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Czech Action Art

Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain

Pavlína Morganová

Karolinum Press, 2014

Czech action art—a medium similar to performance art that does not require an audience—emerged out of the political and social turmoil of the 1960s. This movement has received little critical attention, however, as the Iron Curtain prevented its dissemination to an international audience. Here theorist and art historian Pavlína Morganová gives this art scene its due, chronicling its inception and tracing its evolution through to the present.

Morganová explains the various forms of action art, from the “actions” and “happenings” of the 1960s; to the actions of land art that encompass stones, trees, water, or fire; to recent displays of body art; to the actions of the latest generation of artists, who are using the principles of action art in contemporary postconceptual and participative art. Along the way, she introduces the most prominent Czech artists of each specific niche, including Milan Knížák, Zorka Ságlová, Ivan Kafka, Petr Štembera, Karel Miler, Jirí Kovanda, and Katerina Šedá, and demonstrates not only the changes in the art forms themselves but also the shifting roles of artists and spectators after World War II.

With over one hundred illustrations, Czech Action Art introduces this heretofore overlooked but fascinating art form to a global readership.

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A Czech Dreambook

Ludvík Vaculík

Karolinum Press, 2018

It’s 1979 in Communist Czechoslovakia, ten years into the crushing period known as normalization, and Ludvík Vaculík has writer’s block. It has been nearly a decade since he wrote his powerful novel, The Guinea Pigs, and it was in 1968 that he wrote his anti-regime manifesto, Two Thousand Words, which the Soviet Union used as a pretext for invading Czechoslovakia. On the advice of his friend, the poet and surrealist painter Jiří Kolář, Vaculík begins to keep a diary, “a book about things, people, and events.” This marks the beginning of A Czech Dreambook.

Fifty-four weeks later, what Vaculík turns out to have written is a unique mixture of diary, dream journal, and outright fiction—an inverted roman à clef in which the author, his family, his mistresses, and the real leaders of the Czech underground play major roles. Undisputedly the most debated novel among the Prague dissident community of the 1980s, it is a work that Vaculík himself described as an amalgam of “hard-boiled documentary” and “magic fiction,” while Václav Havel called it “a truly profound and perceptive account. . . . A great novel about modern life and the crisis of contemporary humanity.”

A Czech Dreambook has been hailed as the most important work of Czech literature in the past forty years. And yet it has never before been available in English. Flawlessly translated by Gerald Turner, Vaculík’s masterpiece is a brilliant exercise in style, dry humor, and irony—an important portrait of the lives and longings of the dissidents and post-Communist elites.

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Czech Law in Historical Contexts

Jan Kuklík

Karolinum Press, 2015

The legal system of the present-day Czech Republic cannot be understood without sufficient knowledge of its historical roots and evolution. Kuklík traces the development of Czech law from its origins as a form of Slavic law to its current position, reflecting the influence of both Roman law and the legal systems of neighboring countries. The twentieth century is of particular importance due to the establishment of an independent Czechoslovakia in 1918 and its split in 1993 into the Czech Republic and the Slovak Republic. It was a century encompassing periods of democratic as well as totalitarian regimes, and major political, ideological, economic, and social changes, making Czech Law in Historical Context an ideal case study for researchers interested in the transition of democratic legal systems into totalitarian regimes, and vice versa.

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Czechs and Germans 1848-2004

The Sudeten Question and the Transformation of Central Europe

Václav Houzvicka

Karolinum Press, 2013

Václav Houžvicka describes the development of the Czech-German national controversies from the mid-nineteenth century, through the establishing of the Czechoslovak Republic in 1918, to the beginning of the twenty-first century. He focuses primarily on the tragic end of the nations’ coexistence in 1938–1945 and the differing Czech and German understandings of the reasons for the removal of Germans from the Czechoslovak Republic after 1945 in the latter part of the twentieth century. Houžvicka clarifies the relationships between Czech, German, and Sudeten-German identities within the international and social-economic context of the twentieth century.

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