Marcelo Gleiser refutes the notion that science and spirituality are irreconcilable. In The Dancing Universe, he traces mystical, philosophical, and scientific ideas about the cosmos through the past twenty-five centuries, from the ancient creation myths of numerous cultures to contemporary theories about an ever-expanding universe. He also explores the lives and ideas of history’s greatest scientists, including Copernicus, Galileo, Kepler, Newton, and Einstein. By exploring how scientists have unlocked the secrets of gravity, matter, time, and space, Gleiser offers fresh perspective on the debate between science and faith.

Marcelo Gleiser has had a passion for science and fishing since he was a boy growing up on the beaches of Rio de Janeiro. Now a world-famous theoretical physicist with hundreds of scientific articles and several books of popular science to his credit, he felt it was time to connect with nature in less theoretical ways. After seeing a fly-fishing class on the Dartmouth College green, he decided to learn to fly-fish, a hobby, he says, that teaches humility. In The Simple Beauty of the Unexpected, Gleiser travels the world to scientific conferences, fishing wherever he goes. At each stop, he ponders how in the myriad ways physics informs the act of fishing; how, in its turn, fishing serves as a lens into nature’s inner workings; and how science engages with questions of meaning and spirituality, inspiring a sense of mystery and awe of the not yet known. Personal and engaging, The Simple Beauty of the Unexpected is a scientist’s tribute to nature, an affirmation of humanity’s deep connection with and debt to Earth, and an exploration of the meaning of existence, from atom to trout to cosmos.

Shreds of Matter: Cormac McCarthy and the Concept of Nature offers a nuanced and innovative take on McCarthy’s ostensible localism and, along with it, the ecocentric perspective on the world that is assumed by most critics. In opposing the standard interpretations of McCarthy’s novels as critical either of persisting American ideologies—such as manifest destiny and imperialism—or of the ways in which humanity has laid waste to planet Earth, Greve instead emphasizes the author’s interest both in the history of science and in the mythographical developments of religious discourse. Greve aims to counter traditional interpretations of McCarthy’s work and at the same time acknowledge their partial truth, taking into account the work of Friedrich W. J. Schelling and Lorenz Oken, contemporary speculative realism, and Bertrand Westphal’s geocriticism. Further, newly discovered archival material sheds light on McCarthy’s immersion in the metaphysical question par excellence: What is nature?