front cover of A Raft of Grief
A Raft of Grief
Chelsea Rathburn
Autumn House Press, 2013
Winner of the 2012 Autumn House Press Poetry Contest, selected by Stephen Dunn, Chelsea Rathburn's second collection continues to amaze with her ability to direct a clear poet's gaze on every aspect of life. Working in both free-verse and form, this book solidfies Rathburn as an essential voice for contemporary poetry.
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front cover of Ghost Man on Second
Ghost Man on Second
Erica Reid
Autumn House Press, 2024
A debut poetry collection centered on strained family relationships and the search for new homes.
 
Erica Reid’s debut collection, Ghost Man on Second, traces a daughter’s search for her place in the world after estrangement from her parents. Reid writes, “It’s hard to feel at home unless I’m aching.” Growing from this sense of isolation, Reid’s poems create new homes in nature, in mythology, and in poetic forms—including sestinas, sonnets, and golden shovels—containers that create and hold new realizations and vantage points. Reid stands up to members of her family, asking for healing amid dissolving bonds. These poems move through emotional registers, embodying nostalgia, hurt, and hope. Throughout Ghost Man on Second, the poems portray Reid’s active grappling with home and confrontation with the ghosts she finds there.
 
Ghost Man on Second 
is the winner of the 2023 Donald Justice Poetry Prize, selected by Mark Jarman.
 
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front cover of Origami Dogs
Origami Dogs
Stories
Noley Reid
Autumn House Press, 2023
Stories of characters who face tragedies alongside their canine companions.
 
Noley Reid’s fourth book, Origami Dogs, is a testament to her mastery of the form. Here, dogs rove the grounds of their companions’ emotions. The creatures in this short story collection often act subtly, serving as witnesses without language, exacerbating tension and providing relief to the human characters. Sometimes they are central to the stories’ plots, such as in the lead story, “Origami Dogs,” which focuses on Iris Garr, a dog breeder’s teenage daughter, as she begins noticing odd birth defects in new litters and realizes she must confront her mother, whom she loves yet cannot help but resent. In some stories, teens struggle toward womanhood or wrestle with sexuality and queerness, confronting parents who are unable to provide the care or support they need. In other stories, Reid’s characters are adults striving to be better spouses, parents, or both, and are often grappling with life-changing events—like a new disability or the loss of a child. Despite the gravitas of these tragedies, with Reid’s touch, they feel alive, present, and painfully close. Reid brings us to her characters in the fierce damp aftermath of calamity and asks us to dwell with them until new possibilities arrive.

At these tipping points, the characters of Origami Dogs stand ready with their dogs (or memories of them), to take the next step. By turns tender, moving, and devastating, this story collection is a celebration of the bond of devotion possible between humans and dogs, and it presents an intimate rendering of the lives we share.
 
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front cover of The Beds
The Beds
Martha Rhodes
Autumn House Press, 2012
In The Beds, award-winning poet Martha Rhodes skillfully navigates a tonally complex terrain. Rhodes’ fourth collection mixes form and free-verse, specifically using the rondelet’s tight, obsessive repetition as a means to harness and modulate frenetic content.
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