In this updated edition of the well-established practitioner text, Stephen Mason and Daniel Seng have brought together a team of experts in the field to provide an exhaustive treatment of electronic evidence. This fourth edition continues to follow the tradition in English evidence text books by basing the text on the law of England and Wales, with appropriate citations of relevant case law and legislation from other jurisdictions. Stephen Mason (of the Middle Temple, Barrister) is a leading authority on electronic evidence and electronic signatures, having advised global corporations and governments on these topics. He is also the author of Electronic Signatures in Law and editor of International Electronic Evidence, founding the innovative international open access journal Digital Evidence and Electronic Signatures Law Review in 2004. Stephen is an IALS Associate Research Fellow and Visiting Lecturer at the School of Law, University of Tartu, Estonia. Daniel Seng (Associate Professor, National University of Singapore) teaches and researches on information technology law, infocommunications law, evidence and procedure, artificial intelligence, machine learning and legal reasoning. His research interests also include empirical legal studies and quantitative research and data analytics on big data sets. Between 2001 and 2003, he was concurrently the Director of Research, Technology Law Development Group at the Singapore Academy of Law. Daniel is also a special consultant to the World Intellectual Property Organization, where he has researched, delivered papers and published monographs on copyright exceptions for academic institutions, music copyright in the Asia Pacific and the liability of Internet intermediaries. He is also a non-residential fellow with the Centre for Legal Informatics (CodeX), Stanford University. This book is also available online at http://ials.sas.ac.uk/digital/humanities-digital-library/observing-law-ials-open-book-service-law.

In this updated edition of the well-established practitioner text, Stephen Mason and Daniel Seng have brought together a team of experts in the field to provide an exhaustive treatment of electronic evidence. This fourth edition continues to follow the tradition in English evidence text books by basing the text on the law of England and Wales, with appropriate citations of relevant case law and legislation from other jurisdictions. Stephen Mason (of the Middle Temple, Barrister) is a leading authority on electronic evidence and electronic signatures, having advised global corporations and governments on these topics. He is also the author of Electronic Signatures in Law and editor of International Electronic Evidence, founding the innovative international open access journal Digital Evidence and Electronic Signatures Law Review in 2004. Stephen is an IALS Associate Research Fellow and Visiting Lecturer at the School of Law, University of Tartu, Estonia. Daniel Seng (Associate Professor, National University of Singapore) teaches and researches on information technology law, infocommunications law, evidence and procedure, artificial intelligence, machine learning and legal reasoning. His research interests also include empirical legal studies and quantitative research and data analytics on big data sets. Between 2001 and 2003, he was concurrently the Director of Research, Technology Law Development Group at the Singapore Academy of Law. Daniel is also a special consultant to the World Intellectual Property Organization, where he has researched, delivered papers and published monographs on copyright exceptions for academic institutions, music copyright in the Asia Pacific and the liability of Internet intermediaries. He is also a non-residential fellow with the Centre for Legal Informatics (CodeX), Stanford University. This book is also available online at http://ials.sas.ac.uk/digital/humanities-digital-library/observing-law-ials-open-book-service-law.

This fourth edition of the well-established practitioner text sets out what constitutes an electronic signature, the form an electronic signature can take, and discusses the issues relating to evidence – illustrated by analysis of relevant case law and legislation from a wide range of common law and civil law jurisdictions. Stephen Mason is a leading authority on electronic signatures and electronic evidence, having advised global corporations and governments on these topics. He is also the editor of Electronic Evidence and International Electronic Evidence, and he founded the international open-source journal Digital Evidence and Electronic Signature Law Review in 2004. This book is also available online at http://ials.sas.ac.uk/digital/humanities-digital-library/observing-law-ials-open-book-service-law.

This fourth edition of the well-established practitioner text sets out what constitutes an electronic signature, the form an electronic signature can take, and discusses the issues relating to evidence – illustrated by analysis of relevant case law and legislation from a wide range of common law and civil law jurisdictions. Stephen Mason is a leading authority on electronic signatures and electronic evidence, having advised global corporations and governments on these topics. He is also the editor of Electronic Evidence and International Electronic Evidence, and he founded the international open-source journal Digital Evidence and Electronic Signature Law Review in 2004. This book is also available online at http://ials.sas.ac.uk/digital/humanities-digital-library/observing-law-ials-open-book-service-law.

German hip-hop culture is best known for its rap music and rappers’ portrayal of their life in Germany’s urban centres. Not many studies have looked at German hip-hop’s other main art forms, such as graffiti art, dance and music, in conjunction with rap, or considered their joint contribution to the creation and development of German popular culture and contemporary identity. This book breaks new ground by offering a comparative analysis of rappers, DJs, dancers, graffiti artists and their practices in the German cities of Hamburg and Oldenburg. In so doing, it reveals a variety of individual narratives on what it means to be German and to understand how German identities are managed and expressed through hip-hop’s different tools and art forms. It illustrates complex and perhaps even contradictory views of this ever-changing dynamic and the relationship of national belonging, and proposes a new form of identity – the post-hybrid, so contributing to the ongoing debate on cultural belonging and integration in Germany.

How is emptiness made and what historical purpose does it serve? What cultural, material and natural work goes into maintaining ‘nothingness’? Why have a variety of historical actors, from colonial powers to artists and urban dwellers, sought to construct, control and maintain (physically and discursively) empty space, and by which processes is emptiness discovered, visualised and reimagined? This volume draws together contributions from authors working on landscapes and rurality, along with national and imperial narratives, from Brazil to Russia and Ireland. It considers the visual, including the art of Edward Hopper and the work of the British Empire Marketing Board, while concluding with a section that examines constructions of emptiness in relation to capitalism, development and the (re)appropriation of urban space. In doing so, it foregrounds the importance of emptiness as a productive prism through which to interrogate a variety of imperial, national, cultural and urban history.

Customers based in the US and Canada, please order from: https://www.sas.ac.uk/envisionthisAmerica Envisioning Global LGBT Human Rights: (Neo)colonialism, Neoliberalism, Resistance and Hope is an outcome of a five-year international collaboration among partners that share a common legacy of British colonial laws that criminalise same-sex intimacy and gender identity/expression. The project sought to facilitate learning from each other and to create outcomes that would advance knowledge and social justice. The project was unique, combining research and writing with participatory documentary filmmaking. This visionary politics infuses the pages of the anthology. The chapters are bursting with invaluable first hand insights from leading activists at the forefront of some of the most fiercely fought battlegrounds of contemporary sexual politics in India, the Caribbean and Africa. As well, authors from Canada, Botswana and Kenya examine key turning points in the advancement of SOGI issues at the United Nations, and provide critical insights on LGBT asylum in Canada. Authors also speak to a need to reorient and decolonise queer studies, and turn a critical gaze northwards from the Global South. It is a book for activists and academics in a range of disciplines from postcolonial and sexualities studies to filmmaking, as well as for policy-makers and practitioners committed to envisioning, and working for, a better future. Customers in the USA and Canada can purchase the book from here: https://bit.ly/2KBk0V2