This book is made up of a collection of papers from the 'Revisiting the livery companies of early modern London' conference held in April 2000 by the CMH, exploring the history of London livery companies from a variety of perspectives. Employing historical and interdisciplinary approaches, it examines print culture and early histories, civic myths, charity, the family, artisans, mercantile elites, and the control and regulation of guild and economy. Contributions by Ian W. Archer, Matthew Davies, John Forbes, Ian Anders Gadd, Perry Gauci, Ronald F. Homer, Mark Jenner, Derek Keene, Giorgio Riello, James Robertson, Patrick Wallis, Joseph P. Ward.

The lands bordering the tidal river Thames and the Thames Estuary have historically been highly vulnerable to marine flooding. The most severe of these floods derive from North Sea storm surges, when wind and tide combine to drive huge quantities of water against the coast, as happened to devastating effect in 1953. This project seeks to understand the occurrence of storm flooding in the past, and to explore the ways in which people have responded to the threat. The project draws upon rich surviving documentary sources to study the impact of storm flooding upon the reclaimed marshlands bordering the tidal Thames and its estuary during the period c.1250-1550. Year-by-year accounts of the management of riverside properties have been examined and the degree to which reclaimed land was lost to the sea during the later Middle Ages assessed. The impact of population decline and agrarian recession upon the economics of coastal and river-side defence has been considered. The flood threat to medieval London’s low-lying suburbs has been investigated and the possibility that the long-term flooding of lands down-river spared the city the worst effects of North Sea storm surges explored. Parallels have also been sought in the modern policy of managed retreat or realignment. The volume concludes with an overview of the multi-faceted work of the Thames Discovery Programme, which is increasing our knowledge of many aspects of the Thames’s past, from medieval fish traps, through nineteenth-century shipbuilding, to the Blitz, which posed a new and very real flood threat to the mid-twentieth century metropolis.

Creative Spaces: Urban Culture and Marginality is an interdisciplinary exploration of the different ways in which marginal urban spaces have become privileged locations for creativity in Latin America. The essays within the collection reassess dominant theoretical notions of ‘marginality’ in the region and argue that, in contemporary society, it invariably allows for (if not leads to) the production of the new. While Latin American cities have, since their foundation, always included marginal spaces (due, for example, to the segregation of indigenous groups), the massive expansion of informal housing constructed on occupied land in the second half of the twentieth century have brought them into the collective imaginary like never before. Originally viewed as spaces of deprivation, violence, and dangerous alterity, the urban margins were later romanticized as spaces of opportunity and popular empowerment. Instead, this volume analyses the production of new art forms, political organizations and subjectivities emerging from the urban margins in Latin America, neither condemning nor idealizing the effects they produce. To account for the complex nature of contemporary urban marginality, the volume draws on research from a wide spectrum of disciplines, ranging from cultural and urban studies to architecture and sociology. Thus the collection analyzes how these different conceptions of marginal spaces work together and contribute to the imagined and material reality of the wider city.

The legacy of Italy's experience of political violence and terrorism in the anni di piombo ("years of lead," c. 1969-83) continues to exercise the Italian imagination to an extraordinary degree. Cinema has played a particularly prominent role in articulating the ongoing impact of the anni di piombo and in defining the ways in which Italians remember and work through the atrocities and traumas of those years. Terrorism, Italian Style brings together some of the most important scholars contributing to the study of cinematic representations of the anni di piombo. Drawing on a comparative approach and a broad range of critical perspectives (including genre theory, family and gender issues, trauma theory and ethics), the book addresses an extensive range of films produced between the 1970s and the present and articulates their significance and relevance to contemporary Italian society and culture.

This book examines the history and influence of Magna Carta in British and American history. In a series of essays written by notable British specialists, it considers the origins of the document in the political and religious contexts of the thirteenth century, the relevance of its principles to the seventeenth century disputes that led to the Civil War, the uses made of Magna Carta to justify the American Revolution, and its inspiration of the radical-democratic movement in Britain in the early nineteenth century. The introductory essay considers the celebration of Magna Carta's 800th anniversary in 2015 in relation to ceremonials and remembrance in Britain in general. Given as papers to a joint conference of British and Chinese historians in Beijing in 2015, these essays provide a clear and insightful overview of the origins and impact of a medieval document that has shaped the history of the world.   The open access edition of this book can be found at http://humanities-digital-library.org/index.php/hdl/catalog/book/goldman.

Constance Pascal’s career in French psychiatry from 1908 to 1937 exemplifies the opportunities open to women in the French Third Republic as well as the prejudices they encountered. As the first woman psychiatrist in France, Pascal, of Romanian origin, attained professional success at the cost of suppressing her personal life. Best known for her work on dementia praecox, she founded one of the first schools in France for children with severe learning difficulties, and made remarkable contributions in the reform of asylum practices and, influenced by Freudian psychoanalysis, in psychotherapeutic intervention. Her feminism is demonstrated by her distinguished, often contentious, career in a hitherto all male profession and by her support for other women in their professional roles. Her unjustly neglected life story illuminates many of the conflicts experienced by women entering the professions during the belle époque and the inter-war years. The study’s scholarly authority and ambitious theoretical range do not detract from its lively sense of the person and life struggles of the subject making this a fine demonstration of life history research enthralling for the general reader and expert alike.