front cover of Pieter Geyl and Britain
Pieter Geyl and Britain
Encounters, Controversies, Impact
Stijn van Rossem
University of London Press, 2022
An examination of the work and influence of historian Pieter Geyl.
 
Pieter Geyl (1887—1966) was undoubtedly one of the most internationally renowned Dutch historians of the twentieth century, but also one of the most controversial. Having come to the United Kingdom as a journalist, he started his academic career at the University of London in the aftermath of World War I and played an important role in the early days of the Institute of Historical Research. Known in this time for his reinterpretation of the sixteenth-century Dutch Revolt against the Habsburgs that challenged existing historiographies of both Belgium and the Netherlands but was also linked to his political activism in favor of the Flemish movement in Belgium, Geyl left his stamp on the British perception of Low Countries history before moving back to his country of origin in 1935. Having spent World War II in German hostage camps, he famously coined the adage of history being “a discussion without end” and reengaged in public debates with British historians after the war, partly conducted on the airwaves of the BBC. A prolific writer and an early example of a public intellectual, Geyl remains one of the most influential thinkers on history of his time. The present volume reexamines Geyl’s relationship with Britain (and the Anglophone world at large) and sheds new light on his multifaceted work as a historian, journalist, homme de lettres, and political activist.
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Society and its Outsiders in the Novels of Jakob Wassermann
Katharina Volckmer
University of London Press, 2016
Society and its Outsiders in the Novels of Jakob Wassermann takes a fresh look at Wassermann’s depiction of society and its mechanisms of exclusion, specifically those affecting the Jew, the woman, the child and the homosexual man. Wassermann’s extensive oeuvre has not, until now, been considered as an attempt to portray German society at different historical stages, from the Biedermeier to the end of the Weimar Republic. At the same time, this analysis shows how Wassermann’s interest in outsider figures is intertwined with an interest in narrative technique and discusses how his perception of the world affects his depiction of character.
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