Gabrielle-Suzanne Barbot de Villeneuve, the little-known author of Beauty and the Beast, was a successful novelist and fairytale writer in mid eighteenth-century France. While her novels are rarely read today, her compelling fairytale has become universally recognized. This edition is the first integral English translation of Villeneuve’s original tale. The introduction seeks to illuminate the publication of Beauty and the Beast in its historical and literary context, and brings to life the dynamic female characters that first populated this enchanting tale: the courageous Beauty, the Fairy Queen, the Amazon Queen, the Lady Fairy, and the powerful, but mischievous elderly fairy.

The Other Voice in Early Modern Europe: The Toronto Series volume 74

A new edition of all of de Varano's known works, several of which have never before appeared in English.

Camilla Battista da Varano (1458–1524) was a Franciscan nun and the author of profound spiritual writings in both prose and verse. Raised in the princely household of Camerino in north-central Italy, she put her thorough humanist education to use explaining her own spiritual experience and delivering advice to others. Varano composed ecstatic revelations, prayers, poems, hagiography, spiritual direction, and commentary on convent legislation. She drew on a wide variety of sources, including scripture and Church Fathers, plus popular literature and proverbs. Varano was an erudite woman of considerable complexity, defying many of the commonplace images we associate with religious women of the late fifteenth and early sixteenth centuries.
 

The extraordinary story of a seventeenth-century French midwife and her treatise on childbirth.
 
In 1671, Marie Baudoin (1625–1700), head midwife and governor of the Hôtel-Dieu of Clermont-Ferrand, sent a treatise on the art of childbirth to her powerful Parisian patron, Dr. Vallant. The story of how Baudoin’s knowledge and expertise as a midwife came to be expressed, recorded, and archived raises the question: Was Baudoin exceptional because she was herself extraordinary, or because her voice has reached us through Vallant’s careful archival practices? Either way, Baudoin’s treatise invites us to reconsider the limits of what we thought we knew midwives “could be and do” in seventeenth-century France. Grounding Marie Baudoin’s text in a microanalysis of her life, work, and the Jansenist network between Paris and Clermont-Ferrand, this book connects historiographies of midwifery, Jansenism, hospital administration, public health, knowledge and record-keeping, and women’s work, underscoring both Baudoin’s capabilities and the archival accidents and intentions behind the preservation of her treatise in a letter.
 

Near the forefront of any examination of disciplinary pursuits in the academy today, among the many important issues being addressed is the role of computing and its integration into, and perhaps revolutionizing of, central methodological approaches. The series New Technologies in Medieval and Renaissance Studies addresses this context from both broad and narrow perspectives, with anticipated discussions rooted in areas including literature, art history, musicology, and culture in the medieval and Renaissance periods.

The first volume of the series, New Technologies and Renaissance Studies, presents a collection of contributions to one ongoing forum for the dialogue which lies at the heart of the book series, the annual "conference within a conference" of the same name which takes place during the Renaissance Society of America gathering, dedicated specifically to the intersection of computational methods and Renaissance studies. Papers in this volume exemplify those fruitful and productive exchanges, from their inception at the 2001 meeting in Chicago to the 2005 meeting in Cambridge.

This volume presents all the surviving writings of the poet Anne Bradstreet (ca. 1612–1672): the poems published during her lifetime in The Tenth Muse Lately Sprung Up in America; or, Several Poems (London, 1650), poems added to the posthumous edition of Bradstreet’s Several Poems (Boston, 1678), and the material in her hand and that of her son preserved in a manuscript volume known as the Andover manuscript. Extensive footnotes illuminate Bradstreet’s broad reading in the medical, scientific, and historical literature of her day, as well as her interest in recent and current English history and politics.

Two volumes by a seventeenth-century French gentlewoman and teacher, published in English for the first time.
 
According to the few historical records that mention Marguerite Buffet, she lived her entire life in seventeenth-century Paris where she taught French to aristocratic women. Buffet’s vivid example of proper language use in New Observations on the French Language offers a rare glimpse into the life, habits, and culture of seventeenth-century France. She describes common errors in contemporary language use and gives examples of correct expressions for speaking and writing all the while encouraging women to aspire to higher levels of intellectual achievement.
 
In addition, her Praises of Illustrious Learned Women, a catalog of biographies of women who displayed exemplary intellect, wit, and conversation, includes a number of the author’s contemporaries such as Anna Maria van Schurman and Madeleine de Scudéry. Buffet’s collected praises of these women, many of whom were connected to the court of Louis XIV, show her unique position as both a participant in and historian of the intellectual and social world of the French salon.
 
This volume presents Buffet’s work in its near entirety for the first time in English, bringing to light Buffet’s unique contribution to the centuries-long debate concerning the status of women known as the querelle des femmes.
 

This volume is the first to bring together the entire extant correspondence of one of the most significant women in early modern Ireland, Elizabeth Butler, first Duchess of Ormonde. She was the wife of James Butler, twelfth Earl and first Duke of Ormonde, who, as Ireland’s only duke and three times its lord lieutenant, was a figure of considerable importance in seventeenth-century Ireland. But far from being overshadowed by her powerful husband, Butler was a person of significant power and influence in her own right. Descended from the tenth Earl of Ormonde, she brought a hefty portion of the Ormonde estate to the marriage. As Countess, Marchioness, then Duchess of Ormonde, as well as three times vicereine and a high-status courtier, she sat at the pinnacle of Irish and English society, unmatched by any other Irish woman of the period in terms of her wealth, social standing, and power. Her surviving correspondence reveals her importance within the Ormonde-Butler family and in the social, cultural, and political life of seventeenth-century Ireland.

The volume comprises more than three hundred letters written by Ormonde to her husband and family, agents and servants, and friends and clients. Spanning six decades, these letters are meticulously transcribed, edited, and annotated, and the volume includes a substantial scholarly introduction, family trees, a glossary, and other resources.