front cover of The Devonshire Manuscript
The Devonshire Manuscript
A Women's Book of Courtly Poetry
Lady Margaret Douglas and Others
Iter Press, 2012
This is an essential volume, and there’s no scholar better equipped to edit it than Elizabeth Heale, whose expertise on early women’s writing in manuscript is unsurpassed. The Devonshire Manuscript is a vital source of Tudor literary history, illustrating the circulation of lyrics by Tudor poets such as Sir Thomas Wyatt, and offering evidence of collaborative forms of production and circulation that challenge prior assumptions about early forms of authorship, readership, and literary culture more broadly. Yet despite its importance, the Devonshire Manuscript has been all but inaccessible until now. With its extensive notes, thoughtful introduction, and carefully edited text, Heale’s edition will be a valuable reference work for scholars as well as an important textbook for students encountering the Devonshire Manuscript for the first time.
—Jennifer Summit
Professor of English, Stanford University
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front cover of Digital Pedagogy in Early Modern Studies
Digital Pedagogy in Early Modern Studies
Method and Praxis
Edited by Andie Silva and Scott Schofield
Iter Press, 2023
A collection of essays on early modern digital humanities by leading scholars in the field.
 
This collection of essays focuses on teaching at the intersection of early modern literature, book history, and digital media. It considers how teaching different fields and methods of study can be enhanced and facilitated by digital technologies. The volume provides a snapshot of current thinking on digital pedagogy as practiced by leading scholars in the field and offers a series of models that may be adapted, personalized, and repurposed by future teachers seeking to bring digital methodologies to their classrooms. Supplementary materials for this title are available on the Iter Press website (iterpress.org): see under Books/Supplementary Materials.
 
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front cover of Dramatizing Dido, Circe, and Griselda
Dramatizing Dido, Circe, and Griselda
Louise-Geneviève Gillot de Sainctonge
Iter Press, 2010
One of the most acclaimed French poets from the turn of the eighteenth century and one of the rare women of the time to achieve recognition at court, Louise-Geneviève Gillot de Sainctonge was France’s first female librettist. The current volume provides not only the most in-depth biography of her ever published, but also the first appearance of any of her work in English. It features her two tragic opera libretti, both of which were set to music and staged at the Opéra, a spoken play that constitutes an important precursor of tearful comedy, and a small sampling of her poetry. The three dramatic works give thoughtful portrayals of women of high rank who exemplify traits such as fidelity, integrity and forthrightness, only to find themselves powerless in a misogynist society, where the male heroes turn out to be inglorious.
—Perry Gethner
Norris Professor of French, Oklahoma State University
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front cover of Duchess and Hostage in Renaissance Naples
Duchess and Hostage in Renaissance Naples
Letters and Orations
Ippolita Maria Sforza
Iter Press, 2017
This volume presents in translation 100 previously unknown letters of Ippolita Maria Sforza (1445–1488), daughter of the Duke of Milan, who was sent at age twenty to marry the son of the infamously brutal King Ferrante of Naples. Sforza’s letters display the adroit diplomacy she used to strengthen the alliance between Milan and Naples, then the two most powerful states in Italy, amid such grave crises as her brother’s assassination in Milan and the Turkish invasion of Otranto. Still, Ippolita lived as a hostage at the Neapolitan court, subject not only to the threat of foreign invasion but also to her husband’s well-known sexual adventures and her father-in-law’s ruthlessness. Soon after Ippolita’s mysterious death in 1488, the fraught Naples-Milan alliance collapsed.
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