DiNoia approaches the debate in the theology of religions with a fresh, lucid, critical and informed mind. . . . This book is timely, provocative and explores new territories and recasts old debates in a fresh and intelligent manner. It will appeal to philosophers, theologians, indologists and those concerned with the meeting of Christianity and the world religions.--Gavin D'Costa, University of Bristol

In two sets of intertwined biographical portraits, spanning two generations, Divided Friends dramatizes the theological issues of the modernist crisis, highlighting their personal dimensions and extensively reinterpreting their long-range effects. The four protagonists are Bishop Denis J. O?Connell, Josephite founder John R. Slattery, together with the Paulists William L. Sullivan and Joseph McSorley. Their lives span the decades from the Americanist crisis of the 1890s right up to the eve of Vatican II. In each set, one leaves the church and one stays. The two who leave come to see their former companions as fundamentally dishonest. Divided Friends entails a reinterpretation of the intellectual fallout from the modernist crisis and a reframing of the 20th century debate about Catholic intellectual life.

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Is the portrait of God revealed in Scripture fundamentally intelligible? The biblical accounts of God reveal seemingly contradictory themes: God’s holiness and narratives telling of his anger; the Divine Omnipotence faced with the Impossible; the suffering Christ upon the Cross and the transcendent Trinity of Persons in God; the unique Savior and the universality of God’s salvific will; and so forth. How are we to hold together all of this data without denying any aspect of the mystery of God? Must we give into our ambient culture’s sense that the biblical God cannot be taken seriously by truly discerning and rational minds when they try to understand “the Divine”? Or, in the midst of this apparent contradiction, can we find the lines of harmony in the revealed mysteries? In Divine Speech in Human Words, Fr. Emmanuel Durand unties some of the knots that face us when we reflect on the God of biblical Revelation. In each of the essays gathered here, Fr. Durand sympathetically articulates the tensions and apparent contradictions experienced by contemporary minds as they strive to understand the revealed truth of God. A whole host of topics are covered in this volume: the Cross and the revelation of the Trinity; God’s holiness and transcendence; divine immutability and the sorrow of a loving God; Divine Providence and human prayer; the fatherhood of God and eschatology; Christ’s way of life; and many others. Drawing philosophical insights from the Thomistic tradition as his intellectual tools, Fr. Durand nonetheless emphasizes the importance of a properly theological mode of reflection, allowing these issues to be illuminated by the revealed truth of Sacred Scripture. Thus, for each of these difficult topics, he shows that a vital theological response must not limit itself to mere logical rigor but, rather, requires metaphysical insight and, above all, sapiential appreciation of God’s revealed word. With such instruments in hand, each essay approaches the tensions of biblical revelation with an eager readiness to show how a thoughtful Thomistic practice of biblical theology can guide faith as it seeks an understanding of both contemporary and perennial theological problems.

In this book, Michael D. Torre makes Marín-Sola's articles available in English for the first time. The articles are preceded by an introduction on Marín-Sola and followed by a conclusion that traces the reception of his thought within the Catholic theological community. In Torre's afterword, he defends Marín-Sola's position as substantively the same as that of Aquinas.

The conversation of this book is structured around five major documents from the Second Vatican Council, each of which Barth commented upon in his short but penetrating response to the Council, published as Ad Limina Apostolorum. In the two opening essays, Thomas Joseph White reflects upon the contribution that this book seeks to make to contemporary ecumenism rooted in awareness of the value of dogmatic theology; and Matthew Levering explores the way in which Barth’s Ad Limina Apostolorum flows from his preconciliar dialogues with Catholic representatives of the nouvelle théologie and remain relevant to the issues facing Catholic theology today. The next two essays turn to Dei Verbum, the Dogmatic Constitution on Divine Revelation; here Katherine Sonderegger (Protestant) reflects on scripture and Lewis Ayres (Catholic) reflects on tradition. The next two essays address the Dogmatic Constitution on the Church, Lumen Gentium, which touches upon central differences of Catholic and Protestant self-understanding. Christoph Schwöbel (Protestant) analyzes visible ecclesial identity as conceived in a Protestant context, while Thomas Joseph White (Catholic) engages Barth’s Reformed criticisms of the Catholic notion of the Church. The next two essays take up Nostra Aetate: Bruce Lindley McCormack (Protestant) asks whether it is true to say that Muslims worship the same God as Christians, and Bruce D. Marshall (Catholic) explores the implications of the Council’s reflections on the Jewish people. The next two essays take up the Pastoral Constitution on the Church in the Modern World, Gaudium et Spes: John Bowlin (Protestant) makes use of the thought of Aquinas to consider the promise and perils of the document, while Francesca Aran Murphy (Catholic) engages critically with George Lindbeck’s analysis of the document. The next two essays explore Unitatis Redintegratio: Hans Boersma (Protestant) asks whether the ecumenical intention of the document is impaired by its insistence that the unity of the Church is already present in the Catholic Church, and Reinhard Hütter (Catholic) systematically addresses Barth’s questions regarding the document. The noted ecumenist and Catholic theologian Richard Schenk brings the volume to a close by reflecting on “true and false ecumenism” in the post-conciliar period.

St. Jerome's reputation rests primarily on his achievements as a translator and as a scriptural exegete. The important service that he rendered to the Church in his doctrinal works is often overlooked or minimized by those who look for originality and independence of thought

In this English edition designed for either classroom use or performance, Robert Fedorchek presents a readable translation faithful to the tone and spirit of the original.

At a time when good editions of drama in English are prohibitively expensive and online texts are unedited and lack the apparatus necessary for students to understand and contextualize the plays, this anthology affordably illustrates every significant genre of drama in the English language from the late fourteenth century to the early twentieth century, with plays from England, Ireland, and the United States of America. The mystery and morality plays of the Middle Ages, Renaissance comedy, tragedy and meta-theater, Restoration and eighteenth-century comedy, tragedy, and ballad opera, nineteenth-century melodrama, and early twentieth century realism and naturalism are all presented with the introductions glossaries and notes suitable for a college level reader by an editor with a quarter of a century of experience teaching courses on the history of drama in English. The plays both reflect their times and critique them, while remaining stageable today. The Wakefield Master, The York Realist, Marlowe, Jonson, Dryden, Wycherley, Gay, Boucicault, Synge, and Shaw are some of the playwrights in this representative collection of plays that reveal both the popular appeal of the English-language theater and the dazzling dramatic artistry it embodied over a period of six centuries. Further the collection is in "old spelling" and is thus a useful sourcebook for those interested in the history of the English language.

In the English-speaking world, the Catholic Literary Revival is typically associated with the work of G. K. Chesterton/Hilaire Belloc, Evelyn Waugh and Graham Greene. But in fact the Revival’s most numerous members were women. While some of these women remain well known⎯Muriel Spark, Antonia White, Flannery O’Connor, Dorothy Day - many have been almost entirely forgotten. They include: Enid Dinnis, Anna Hanson Dorsey, Alice Thomas Ellis, Eleanor Farjeon, Rumer Godden, Caroline Gordon, Clotilde Graves, Caryll Houselander, Sheila Kaye-Smith, Jane Lane, Marie Belloc Lowndes, Alice Meynell, Kathleen Raine, Pearl Mary Teresa Richards, Edith Sitwell, Gladys Bronwyn Stern, Josephine Ward, and Maisie Ward. There are various reasons why each of these writers fell out of print: changes in the commercial publishing world after World War II, changes within the Church itself and in the English-speaking universities that redefined the literary canon in the last decades of the 20th century. Yet it remains puzzling that a body of writing so creative, so attuned to its historical moment, and so unique in its perspective on the human condition, should have fallen into obscurity for so long. The Catholic Women Writers series brings together the English-language prose works of Catholic women from the 19th and 20th centuries; work that is of interest to a broad range of readers. Each volume is printed with an accessible but scholarly introduction by theologians and literary specialists. The first volume in the series is Caryll Houselander’s The Dry Wood. Houselander is known primarily for her spiritual writings but she also wrote one novel, set in a post-war London Docklands parish. There a motley group of lost souls are mourning the death of their saintly priest and hoping for the miraculous healing of a vulnerable child whose gentleness in the face of suffering brings conversion to them all in surprising and unexpected ways. The Dry Wood offers a vital contribution to the modern literary canon and a profound meditation on the purpose of human suffering.

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An English translation of John Duns Scotus's The Questions on Aristotle's "De Interpretatione" including an extensive commentary on some of Scotus's more difficult ideas.

Addressing contemporary interest in the relationship between metaphysics and ethics, as well as the significance of beauty for ethics, Alice Ramos presents an accessible study of the transcendentals and provides a dynamic rather than static view of truth, goodness, and beauty.