Newcomers to Iowa are always amazed at the yearly changes in the heights of fields. The landscape expands from ground level to ten feet tall and back again every year: from frozen bare ground in winter to light green sprouts in late spring to dark green corn in late summer to acre upon acre of dry cornstalks at harvest time. Slow and unwieldy machines take up more than their share of the roads, clouds of black or yellow dust cover the fields in spring and fall, pigs (or are they hogs?) in various colors look out from fences, huge tractors with complicated add-ons lumber through the fields, shiny silos linked with tentacles tower above tidy white farmhouses dwarfed by huge red barns. What are the names of all these animals and crops and buildings and machines? As an introduction to the practical magic of Iowa farmscapes, Iowa Farm in Your Pocket won’t tell you everything you should know to be a true Iowan, but it will tell you enough that you can survive a day at the state fair without embarrassing yourself.
Iowa ranks first in the U.S. in the number of hogs, egg layers, and pullets and in the production of corn and soybeans. Yes, the number of farms is shrinking, and their size is increasing. Yes, most Iowans now live in towns, compared to a hundred years ago, when the majority lived on farms. But despite urbanization and the rise of corporate farming, the family farm—more than 77,000 of them at last count—is still a vital part of Iowa’s identity. Fly over the state in summertime or drive across it in fall, when the headlights of tractors shine from the fields at night and golden mountains of corn are stacked around elevators, and it’s easy to see that an enormous percentage is farmland—more than 85 percent, in fact.
Kirk Murray’s loving and endearing photographs make this guide the perfect companion for drives in the countryside in all seasons. They celebrate the rich activities and varied beauties of each season on the farm, from the starkness of winter whites to the pale and rich greens of spring and summer to the rust-reds and golds of fall. Murray’s photos of sprouting corn at dawn, a summer sun shining on a farm pond, and a full moon over a silver silo echo Grant Wood and Vincent Van Gogh; his photos of tilling, planting, and harvesting are bright and energizing; his scenes of barnyards and fields and farmsteads are colorful and luminous; and his photos of farm animals are just plain fun.
With eighty full-color photographs of the most common animals, activities, crops, and buildings that you can expect to see whenever you pass a family farmstead, Iowa Farm in Your Pocket will be a treat for all newcomers to a state where corn and beans and hogs rule, for both urban and rural children and their parents, and for all those who want to revisit memories of growing up on a farm.
In June 2008, the rivers of eastern Iowa rose above their banks to create floods of epic proportions; their amazing size—flowing in places at a rate nearly double that of the previous record flood—and the rapidity of their rise ruined farmlands and displaced thousands of residents and hundreds of businesses. In Cedar Rapids, the waters inundated more than nine square miles of the downtown area; in Iowa City, where the flood was also the most destructive in history, the University of Iowa’s arts campus was destroyed. By providing a solid base of scientific and technical information presented with unusual clarity and a wealth of supporting illustrations, the contributors to this far-reaching book, many of whom dealt firsthand with the 2008 floods, provide a detailed roadmap of the causes and effects of future devastating floods.
The twenty-five essays fall naturally into four sections. “Rising Rivers, Spreading Waters” begins by comparing the 2008 floods with the midwestern floods of 1993, moves on to trace community responses to the 2008 floods, and ends by illuminating techniques for forecasting floods and determining their size and frequency. “Why Here, Why Now?” searches for possible causes of the 2008 floods and of flooding in general: annual crops and urban landscapes, inflows into and releases from reservoirs, and climate change. “Flood Damages, Flood Costs, Flood Benefits” considers the complex mix of flood costs and effects, emphasizing damages to cities and farmlands as well as potential benefits to natural communities and archaeological sites. “Looking Back, Looking Forward” lays out approaches to managing the floods of the future that are sure to come.
While the book draws most of its examples from one particular region, it explains flooding throughout a much larger region—the midwestern Corn Belt—and thus its sobering yet energizing lessons apply well beyond eastern Iowa. By examining the relationships among rivers, floodplains, weather, and modern society; by stressing matters of science and fact rather than social or policy issues; and by addressing multiple environmental problems and benefits, A Watershed Year informs and educates all those who experienced the 2008 floods and all those concerned with the larger causes of flooding.
Few American writers were as concerned with their public image as was Walt Whitman. He praised his own work in unsigned reviews; he included engravings or photographs of himself in numerous editions of his work; and he assisted in the writing of two biographies of himself. Whitman was also written about extensively by others throughout his lifetime. Whitman in His Own Time is a collection of these contemporary accounts of the "good gray poet."
The interviews with and recollections of Whitman collected by Joel Myerson represent a wide spectrum of accounts—visitors from America and abroad; newspaper interviewers; Whitman's doctor and nurse during his final illness; his literary executors; a student from his early schoolteaching days; and such well-known authors as Bronson Alcott, John Burroughs, and Henry David Thoreau. The selections also paint a well-rounded picture of Whitman, from his early days as a schoolteacher to the moment of his death, and demonstrate a varying range of attitudes toward the poet. Yet throughout the entire collection, Whitman himself holds center stage, and he is seen as vividly today as he was over one hundred years ago. Myerson's introduction to this expanded edition places these accounts of Whitman within the context of the time and discusses new scholarship on Whitman's life.
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