Now in paperback, this award-winning history tells the story of the author’s great-great grandfather, John Murray Murdoch, who came to America from Scotland to gather with other members of the Church of Jesus Christ of Latter-day Saints during the nineteenth century.
Murdoch embraced Mormonism and set out for the Utah Territory in 1852 with his wife, Ann, and their family. En route they suffered the deaths of their two young children. Two years later, John’s mother, Wee Granny, and Ann’s brother, James Steele, both perished, along with many others of the ill-fated Martin handcart company, as they attempted to immigrate to Salt Lake City.

Murdoch was a respected member of the community and participated in the military preparations and maneuvers against the U.S. Army in the 1857 Utah War. Eventually the family moved to the Heber valley as early settlers there. Murdoch later became one of Wasatch county’s first elected officials and helped establish the sheep-ranching industry in Utah. The 'everyman' aspect of John Murdoch’s life makes his a compelling story. It will fascinate anyone interested in the individuals who helped create Utah's history. 

Winner of the Evans Handcart Award. 

If Victorian women writers yearned for authorial forebears, or, in Elizabeth Barrett Browning’s words, for “grandmothers,” there were, Gail Turley Houston argues, grandmothers who in the late eighteenth and early nineteenth centuries envisioned powerful female divinities that would reconfigure society. Like many Victorian women writers, they experienced a sense of what Barrett Browning termed “mother-want” inextricably connected to “mother-god-want.” These millenarian and socialist feminist grandmothers believed the time had come for women to initiate the earthly paradise that patriarchal institutions had failed to establish.

 

Recuperating a symbolic divine in the form of the Great Mother—a pagan Virgin Mary, a female messiah, and a titanic Eve—Joanna Southcott, Eliza Sharples, Frances Wright, and others set the stage for Victorian women writers to envision and impart emanations of puissant Christian and pagan goddesses, enabling them to acquire the authorial legitimacy patriarchal culture denied them. Though the Victorian authors studied by Houston—Barrett Browning, Charlotte Brontë, Florence Nightingale, Anna Jameson, and George Eliot—often masked progressive rhetoric, even in some cases seeming to reject these foremothers, their radical genealogy reappeared in mystic, metaphysical revisions of divinity that insisted that deity be understood, at least in part, as substantively female.