front cover of Ethics of Maimonides
Ethics of Maimonides
Hermann Cohen, Translated by Almut Sh. Bruckstein
University of Wisconsin Press, 2004

    Hermann Cohen’s essay on Maimonides’ ethics is one of the most fundamental texts of twentieth-century Jewish philosophy, correlating Platonic, prophetic, Maimonidean, and Kantian traditions. Almut Sh. Bruckstein provides the first English translation and her own extensive commentary on this landmark 1908 work, which inspired readings of medieval and rabbinic sources by Leo Strauss, Franz Rosenzweig, and Emmanuel Levinas.
    Cohen rejects the notion that we should try to understand texts of the past solely in the context of their own historical era. Subverting the historical order, he interprets the ethical meanings of texts in the light of a future yet to be realized. He commits the entire Jewish tradition to a universal socialism prophetically inspired by ideals of humanity, peace, and universal justice.
    Through her own probing commentary on Cohen’s text, like the margin notes of a medieval treatise, Bruckstein performs the hermeneutical act that lies at the core of Cohen’s argument: she reads Jewish sources from a perspective that recognizes the interpretive act of commentary itself.

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Hermann Cohen
Writings on Neo-Kantianism and Jewish Philosophy
Edited by Samuel Moyn and Robert Schine
Brandeis University Press, 2021

Hermann Cohen (1842–1918) was among the most accomplished Jewish philosophers of modern times—if not the single most significant. But his work has not yet received the attention it deserves. This newly translated collection of his writings—most of which are appearing in English for the first time—illuminates his achievements for student readers and rectifies lapses in his intellectual reception by prior generations. It presents chapters from Cohen’s Ethics of Pure Will, conflicting interpretations of Cohen by Franz Rosenzweig and Alexander Altmann, and finally the eulogy to Cohen delivered at graveside by Ernst Cassirer. Containing full annotations and selections that concentrate both on the philosophical core of Cohen’s writings and the politics of interpretation of his work at the time of his death and after, Hermann Cohen truly brings to light all of Cohen’s accomplishments.   

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Jewish Universalisms
Mendelssohn, Cohen, and Humanity’s Highest Good
Jeremy Fogel
Brandeis University Press, 2023
An original and comprehensive comparison of the universalisms of two major modern Jewish philosophers.
 
Any version of universalism relevant to a more attentive, pluralistic, and postcolonial outlook would balance the urgent current need for a universalistic perspective with the desire to maintain the richness of human diversity. The modern Jewish philosophers who sought to partake in the Enlightenment’s universalistic vision while maintaining their distinct identities as members of a religious minority within Europe offer insightful answers.

Jewish Universalisms analyzes how two major figures, Moses Mendelssohn and Hermann Cohen, dealt with the perceived tension between the universal values characteristic of the Enlightenment and aspects of Judaism often depicted as particularistic and parochial. Jeremy Fogel joins this lively debate in modern Jewish philosophy, offering a comparative examination of these thinkers and analyzing their worldviews from an innovative axiological perspective. Fogel writes that to gain a precise understanding of how Mendelssohn and Cohen argued for the concordance of Judaism and universalism, one must first seek out what they delineated as ultimately valuable. Then one can work out how that highest good, and the method of valuation it sustains, are universal.
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The Verdi-Boito Correspondence
Giuseppe Verdi and Arrigo Boito
University of Chicago Press, 1994
These 301 letters between Giuseppe Verdi and his last, most gifted librettist, Arrigo Boito, document an extraordinary chapter in musical history. Now available for the first time in English, this correspondence records both a unique friendship and its creative legacy.

This new edition of the landmark Carteggio Verdi/Boito is at once a valuable resource for all students, teachers, and scholars of opera and a fascinating glimpse of the daily life of European art and artists during the fertile last decades of the 19th century.

Embarking on a 20-year collaboration, Verdi and Boito produced a successful revision of Simon Boccanegra, and two new operas, Otello and Falstaff. They created what many consider to be Verdi's greatest operas, thanks both to Boito's poetry and to his handling of the composer. Here are the day-to-day tasks of creation: poet and composer debating problems of dramatic structure, words, phrases, and meters; altering dialogue as, at the same time, they converse about the wider worlds of art and music. The give and take of artistic creation is rendered fascinatingly.

This edition features a new introduction by Marcello Conati, improvements and updatings to the original edition, and an appendix of undated correspondence. William Weaver's translation is characteristically pitch-perfect; he also provides a short closing sketch of Boito's life after the death of his beloved maestro. Explanatory "linking texts" between the letters create a narrative.
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A Very Queer Family Indeed
Sex, Religion, and the Bensons in Victorian Britain
Simon Goldhill
University of Chicago Press, 2016
“We can begin with a kiss, though this will not turn out to be a love story, at least not a love story of anything like the usual kind.”

So begins A Very Queer Family Indeed, which introduces us to the extraordinary Benson family. Edward White Benson became Archbishop of Canterbury at the height of Queen Victoria’s reign, while his wife, Mary, was renowned for her wit and charm—the prime minister once wondered whether she was “the cleverest woman in England or in Europe.” The couple’s six precocious children included E. F. Benson, celebrated creator of the Mapp and Lucia novels, and Margaret Benson, the first published female Egyptologist.

What interests Simon Goldhill most, however, is what went on behind the scenes, which was even more unusual than anyone could imagine. Inveterate writers, the Benson family spun out novels, essays, and thousands of letters that open stunning new perspectives—including what it might mean for an adult to kiss and propose marriage to a twelve-year-old girl, how religion in a family could support or destroy relationships, or how the death of a child could be celebrated. No other family has left such detailed records about their most intimate moments, and in these remarkable accounts, we see how family life and a family’s understanding of itself took shape during a time when psychoanalysis, scientific and historical challenges to religion, and new ways of thinking about society were developing. This is the story of the Bensons, but it is also more than that—it is the story of how society transitioned from the high Victorian period into modernity.
 
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