front cover of Boss Rule in South Texas
Boss Rule in South Texas
The Progressive Era
By Evan Anders
University of Texas Press, 1982

Four men played leading roles in the political drama that unfolded in South Texas during the first decades of this century:

  • James B. Wells, who ruled as boss of Cameron County and served as leading conservative spokesman of the Democratic Party in Texas;
  • Archer (Archie) Parr, whose ruthless tactics and misuse of public funds in Duval County established him as one of the most notoriously corrupt politicians in Texas history;
  • Manuel Guerra, Mexican American rancher and merchant whose domination of Starr County mirrored the rule of his Anglo counterparts in the border region;
  • John Nance Garner, who served the interests of these bosses of South Texas as he set forth on the road that would lead him to the United States vice-presidency.

Evan Anders's Boss Rule in South Texas tells the story of these men and the county rings they shaped in South Texas during the Progressive Era.

Power was the byword of the bosses of the Lower Rio Grande Valley, and Anders explores the sources of that power. These politicos did not shirk from using corrupt and even violent means to attain their goals, but Anders demonstrates that their keen sensitivity to the needs of their diverse constituency was key to their long-term success. Patronage and other political services were their lifeblood, and the allies gained by these ranged from developers and businessmen to ranchers and Mexican Americans, wealthy and poor.

Besides examining the workings of the Democratic machines of four South Texas counties, Anders explores the role of the Hispanic populace in shaping the politics of the border region, the economic development of the Lower Rio Grande Valley and its political repercussions, the emergence and nature of progressive movements at both local and state levels, and the part played by the Texas Rangers in supporting bossism in South Texas.

[more]

front cover of Butterfly, the Bride
Butterfly, the Bride
Essays on Law, Narrative, and the Family
Carol Weisbrod
University of Michigan Press, 2004
Carol Weisbrod uses a variety of stories to raise important questions about how society, through law, defines relationships in the family. Beginning with a story most familiar from the opera Madame Butterfly, Weisbrod addresses issues such as marriage, divorce, parent-child relations and abuses, and non-marital intimate contact. Each chapter works with fiction or narratives inspired by biography or myth, ranging from the Book of Esther to the stories of Kafka. Weisbrod frames the book with running commentary on variations of the Madame Butterfly story, showing the ways in which fiction better expresses the complexities of intimate lives than does the language of the law.

Butterfly, the Bride looks at law from the outside, using narrative to provide a fresh perspective on the issues of law and social structure---and individual responses to law. This book thoroughly explores relationships between inner and public lives by examining what is ordinarily classified as the sphere of private life---the world of family relationships.
Carol Weisbrod is Ellen Ash Peters Professor of Law at the University of Connecticut. Her other books include The Boundaries of Utopia and Emblems of Pluralism.
[more]

logo for University of North Texas Press
In the Days of Billy the Kid
The Lives and Times of José Chávez y Chávez, Juan Patrón, Martín Chávez, and Yginio Salazar
James B. Mills
University of North Texas Press, 2025

front cover of Torment and Tequila in Belle Epoque Mexico
Torment and Tequila in Belle Epoque Mexico
Four Short Works of Fiction by José López Portillo y Rojas
José López Portillo y Rojas, translated and edited by Terry Rugeley
University of Alabama Press, 2025

This captivating collection of translated short works by José López Portillo y Rojas, one of Mexico’s most significant literary figures, explores themes of social frustration, loss, and heartache in late-nineteenth-century Mexico.

Torment and Tequila in Belle Epoque Mexico is the first English-language collection of selected fiction by the influential Mexican author and political figure José López Portillo y Rojas (1850–1923). His distinguished career spanned the late nineteenth century to the tumultuous years of the Mexican Revolution.

López Portillo y Rojas’s prose is characterized by rich vocabulary and fluid progression, offering readers moments of deep reflection. The stories boast finely drawn characters and evocative settings, including that of the author’s native Jalisco. He adeptly addresses the grand issues of Porfirian times, seamlessly blending social and personal themes of suffering, ambition, desire, and betrayal, and anchors his stories in the realities of human experience.

Three masterfully translated short stories and one novella make up the collection, beginning with “The Lottery Ticket,” a critique of social hypocrisy that follows a dreamer whose fortunes slip through his fingers at the hands of his own family. “The Mirror” explores the eerie depths of grief and guilt, echoing the gothic brilliance of Edgar Allan Poe. “Nieves” is a gripping novella of love and power in which a young woman’s fate becomes entangled in a decaying estate and a brewing rebellion. “The Bracelet,” examines the tragic weight of the past, as a locked piece of jewelry seals the fate of an engaged couple. These translations offer an unforgettable glimpse into one of Mexico’s most brilliant minds and restore López Portillo y Rojas to his rightful place in Mexican literary history.

[more]


Send via email Share on Facebook Share on Twitter