front cover of Defeat Is the Only Bad News
Defeat Is the Only Bad News
Rwanda under Musinga, 1896–1931
Alison Des Forges
University of Wisconsin Press, 2011

A Rwandan proverb says “Defeat is the only bad news.” For Rwandans living under colonial rule, winning called not only for armed confrontation, but also for a battle of wits—and not only with foreigners, but also with each other. In Defeat Is the Only Bad News Alison Des Forges recounts the ambitions, strategies, and intrigues of an African royal court under Yuhi Musinga, the Rwandan ruler from 1896 to 1931. These were turbulent years for Rwanda, when first Germany and then Belgium pursued an aggressive plan of colonization there. At the time of the Europeans’ arrival, Rwanda was also engaged in a succession dispute after the death of one of its most famous kings. Against this backdrop, the Rwandan court became the stage for a drama of Shakespearean proportions, filled with deceit, shrewd calculation, ruthless betrayal, and sometimes murder.

            Historians who study European expansion typically focus on interactions between colonizers and colonized; they rarely attend to relations among the different factions inhabiting occupied lands. Des Forges, drawing on oral histories and extensive archival research, reveals how divisions among different groups in Rwanda shaped their responses to colonial governments, missionaries, and traders. Rwandans, she shows, used European resources to extend their power, even as they sought to preserve the autonomy of the royal court. Europeans, for their part, seized on internal divisions to advance their own goals. Des Forges’s vividly narrated history, meticulously edited and introduced by David Newbury, provides a deep context for understanding the Rwandan civil war a century later.
 
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The Peace Conspiracy
Wang Ching-wei and the China War, 1937-1941
Gerald E. Bunker
Harvard University Press, 1972

front cover of Poetry, History, Memory
Poetry, History, Memory
Wang Jingwei and China in Dark Times
Zhiyi Yang
University of Michigan Press, 2023

Wang Jingwei, poet and politician, patriot and traitor, has always been a figure of major academic and popular interest. Until now, his story has never been properly told, let alone critically investigated. The significance of his biography is evident from an ongoing war on cultural memory: modern mainland China prohibits serious academic research on wartime collaboration in general, and on Wang Jingwei in particular. At this critical juncture, when the recollection of World War II is fading from living memory and transforming into historical memory, this knowledge embargo will undoubtedly affect how China remembers its anti-fascist role in WWII. In Poetry, History, Memory: Wang Jingwei and China in Dark Times, Zhiyi Yang brings us a long overdue  reexamination of Wang’s impact on cultural memory of WWII in China.

In this book, Yang brings disparate methodologies into a fruitful dialogue, including sophisticated methods of poetic interpretation. The author argues that Wang’s lyric poetry, as the public performance of a private voice, played a central role in constructing his political identity and heavily influenced the public’s posthumous memory of him. Drawing on archives (in the PRC, Taiwan, Japan, the USA, France, and Germany), memoires, historical journals, newspapers, interviews, and other scholarly works, this book offers the first biography of Wang that addresses his political, literary, and personal life in a critical light and with sympathetic impartiality.


 
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