front cover of Damsels and Divas
Damsels and Divas
European Stardom in Silent Hollywood
Agata Frymus
Rutgers University Press, 2020
2020 Best Early Career Research Monograph, Monash University Malaysia

Damsels and Divas investigates the meanings of Europeanness in Hollywood during the 1920s by charting professional trajectories of three movie stars: Pola Negri, Vilma Bánky and Jetta Goudal. It combines the investigation of American fan magazines with the analysis of studio documents, and the examination of the narratives of their films, to develop a thorough understanding of the ways in which Negri, Bánky and Goudal were understood within the realm of their contemporary American culture. This discussion places their star personae in the context of whiteness, femininity and Americanization. Every age has its heroines, and they reveal a lot about prevailing attitudes towards women in their respective eras. In the United States, where the stories of rags-to-riches were especially potent, stars could offer models of successful cultural integration.
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front cover of The World of Kate Roberts
The World of Kate Roberts
Selected Stories, 1925-1981
Joseph Clancy
Temple University Press, 1991
Publishers Weekly Best Book of 1991, 1991 Kate Roberts (1891-1985) was the foremost twentieth-century prose writer in the Welsh language. She produced a considerable body of fiction, seven novels and novellas and nine collections of short stories, and was active in the Welsh Nationalist Party as a publisher and a literary and political journalist. A contemporary of D. H. Lawrence, Katherine Mansfield, and Sherwood Anderson, she created the modern form of the short story in Welsh, and through six decades of writing earned a place with this century's masters of the genre. The World of Kate Roberts offers in English a large selection of stories, many previously, untranslated, that span her long writing career. Joseph P. Clancy's translations convey the intensity, the insight, and the distinctive prose style with which this Welsh-language writer illuminates her characters' often heroic ordinary lives. This book contains twenty-seven short stories, two short novels, and "Tea in the Heather," eight linked stories of childhood in North Wales at the turn of the century. Excerpts from her autobiography provide background for the non-Welsh reader and an Introduction presents Kate Roberts' life and work largely through her own words. The experience of poverty is the vital center of Kate Roberts' fiction: material poverty in the slate-quarrying villages of North Wales and the coal-mining communities in the south at the turn of the century and during the Depression; and the cultural, moral, and spiritual poverty of contemporary life in a small town. This poverty defines the experiences and tests the resources of her characters. Her concern was to record, to examine, and to celebrate without sentimentality the life of the close-knit society in which she had grown up. What is most characteristically Welsh in Roberts' vision is that fellowship, membership in a community, is essential to the realization of the human self. "We never saw riches," observed Kate Roberts, "but we had riches that no one can take away from us, the riches of a language and a culture."
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