Corbett Mack (1892–1974), was a Northern Paiute of mixed ancestry, caught between Native American and white worlds. A generation before, his tribe had brought forth the prophet Wovoka, whose Ghost Dance swept the Indian world in the 1890s. Mack’s world was a harsh and bitter place after the last Native American uprisings had been brutally crushed; a life of servitude to white farmers and addiction to opium. Hittman uses Mack’s own words to retell his story, an uncompromising account of a traumatized life that typified his generation, yet nonetheless made meaningful through the perseverance of Paiute cultural traditions. 

Race and Photography studies the changing function of photography from the 1870s to the 1940s within the field of the “science of race,” what many today consider the paradigm of pseudo-science. Amos Morris-Reich looks at the ways photography enabled not just new forms of documentation but new forms of perception. Foregoing the political lens through which we usually look back at race science, he holds it up instead within the light of the history of science, using it to explore how science is defined; how evidence is produced, used, and interpreted; and how science shapes the imagination and vice versa.
           
Exploring the development of racial photography wherever it took place, including countries like France and England, Morris-Reich pays special attention to the German and Jewish contexts of scientific racism. Through careful reconstruction of individual cases, conceptual genealogies, and patterns of practice, he compares the intended roles of photography with its actual use in scientific argumentation. He examines the diverse ways it was used to establish racial ideologies—as illustrations of types, statistical data, or as self-evident record of racial signs. Altogether, Morris-Reich visits this troubling history to outline important truths about the roles of visual argumentation, imagination, perception, aesthetics, epistemology, and ideology within scientific study.