front cover of Anna May Wong
Anna May Wong
Performing the Modern
Shirley Jennifer Lim
Temple University Press, 2019

Finalist for the 2020 Organization of American Historians Mary Nickliss Prize

Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. 

In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist by mining an historical archive of her efforts outside of Hollywood cinema. From her pan-European films and her self-made My China Film to her encounters with artists such as Josephine Baker, Carl Van Vechten, and Walter Benjamin, Lim scrutinizes Wong’s cultural production and self-fashioning. Byconsidering the salient moments of Wong’s career and cultural output, Lim’s analysis explores the deeper meanings, and positions the actress as an historical and cultural entrepreneur who rewrote categories of representation.  

Anna May Wong provides a new understanding of the actress’s career as an ingenious creative artist.

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Death in the Congo
Murdering Patrice Lumumba
Emmanuel Gerard and Bruce Kuklick
Harvard University Press, 2015

Death in the Congo is a gripping account of a murder that became one of the defining events in postcolonial African history. It is no less the story of the untimely death of a national dream, a hope-filled vision very different from what the war-ravaged Democratic Republic of the Congo became in the second half of the twentieth century.

When Belgium relinquished colonial control in June 1960, a charismatic thirty-five-year-old African nationalist, Patrice Lumumba, became prime minister of the new republic. Yet stability immediately broke down. A mutinous Congolese Army spread havoc, while Katanga Province in southeast Congo seceded altogether. Belgium dispatched its military to protect its citizens, and the United Nations soon intervened with its own peacekeeping troops. Meanwhile, behind the scenes, both the Soviet Union and the United States maneuvered to turn the crisis to their Cold War advantage. A coup in September, secretly aided by the UN, toppled Lumumba’s government. In January 1961, armed men drove Lumumba to a secluded corner of the Katanga bush, stood him up beside a hastily dug grave, and shot him. His rule as Africa’s first democratically elected leader had lasted ten weeks.

More than fifty years later, the murky circumstances and tragic symbolism of Lumumba’s assassination still trouble many people around the world. Emmanuel Gerard and Bruce Kuklick pursue events through a web of international politics, revealing a tangled history in which many people—black and white, well-meaning and ruthless, African, European, and American—bear responsibility for this crime.

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Hammarskjöld
A Life
Roger Lipsey
University of Michigan Press, 2015

After his mysterious death, Dag Hammarskjöld was described by John F. Kennedy as the "greatest statesman of our century." Second secretary-general of the United Nations (1953 - 61), he is the only person to have been awarded the Nobel Peace Prize posthumously. Through extensive research in little explored archives and personal correspondence, Roger Lipsey has produced the definitive biography of Dag Hammarskjöld. Hammarskjöld: A Life provides vivid new insights into the life and mind of a truly great individual. Hammarskjöld the statesman and Hammarskjöld the author of the classic spiritual journal Markings meet in this new biography - and the reader will meet them both in these pages. A towering mid-twentieth-century figure, Hammarskjöld speaks directly to our time.

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