front cover of Benton, Pollock, and the Politics of Modernism
Benton, Pollock, and the Politics of Modernism
From Regionalism to Abstract Expressionism
Erika Doss
University of Chicago Press, 1991
In this acclaimed revisionist study, Erika Doss chronicles an historic cultural change in American art from the dominance of regionalism in the 1930s to abstract expressionism in the 1940s. She centers her study on Thomas Hart Benton and Jackson Pollock, Benton's foremost student in the early thirties, charting Pollock's early imitation of Benton's style before his radical move to abstraction. By situating painting within the evolving sociopolitical and cultural context of the Depression and the Cold War, Doss explains the reasons for this change and casts light on its significance for contemporary culture.

"A welcome addition to the growing body of literature that deals with the art and culture of the depression and cold war eras. It is a pioneering work that makes a valuable contribution to our understanding of a puzzling conundrum of American art—the shift from regionalism to abstract expressionism."—M. Sue Kendall, Winterthur Portfolio

"An important scholarly contribution. . . . This book will stand as a step along the way to a better understanding of the most amazing transition in the art of our tumultuous century."—James G. Rogers, Jr., Art Journal

"A valuable and interesting book that restores continuity and political context to the decades of depression and war."—Marlene Park, American Historical Review
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Concrete Futures
Technology and Decolonization in Modern Morocco
Daniel Williford
University of Chicago Press, 2026

Struggles over critical urban technologies during and after Morocco’s French Protectorate reveal a fundamental conflict over the nature of decolonization in the country.

Concrete Futures is a history of concrete that complicates our view of the building material, revealing it as a site of contestation over resources and authority in twentieth-century Morocco. Beginning with the French protectorate period between 1912 and 1956 and continuing into the post-independence era, Daniel Williford uses debates surrounding concrete building technologies as a conduit through which to explore struggles over colonization, modernization, and decolonization. The half-finished cinder block buildings found in cities all over Morocco, he shows, are a product of the system that colonial engineers and officials developed to deal with labor disputes, contests over knowledge, and anticolonial unrest.

By exploring concrete and its uses, Williford discloses how conflicts between experts, workers, and residents over construction and urban renewal—from the introduction of reinforced concrete to strategies of slum clearance—shaped the meaning and the trajectory of decolonization in Morocco.

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