Most early Western perceptions of the Holocaust were based on newsreels filmed during the Allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers, who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule.

Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939–1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War.

Jeremy Hicks recovers much of the major film work in Soviet depictions of the Holocaust and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, “Red funerals,” and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims.

Hicks examines correspondence, scripts, reviews, and compares edited with unedited film to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it’s in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.

Payoffs in the Cloakroom is a spellbinding follow-up to Rubenstein and Ziewacz's critically acclaimed Three Bullets Sealed His Lips. Three Bullets brought to life new evidence on the 1945 murder of Michigan Senator Warren Hooper. Payoffs in the Cloakroom takes up where Three Bullets left off, unraveling a complex web of political corruption and dirty state politics. In the process, the authors demonstrate that Senator Hooper was murdered to prevent his grand jury testimony against republican boss Frank McKay, who was facing bribery charges. 
     Making use of actual court proceeding, personal interviews, and newspaper accounts, and even a re-evaluation of police evidence, Rubenstein and Ziewacz tell a story that contains all the ingredients of first-class detective fiction—only in this instance, the story is based on fact. With chapter titles such as "Charlie and His Little Black Book," "I Never Dreamed Murder," and "Them Bones, Them Bones," the authors have, once again, provided a stimulating and absorbing account of one of the darker chapters of Michigan's political history.