front cover of Flagrant, Self-Destructive Gestures
Flagrant, Self-Destructive Gestures
A Biography of Denis Johnson
Ted Geltner
University of Iowa Press, 2025

The year was 1988, and Denis Johnson was at a low point. He caught malaria on a reporting trip into the jungles of the Philippines and was nearly pronounced dead. The disease left him unable to write. His second wife left him. He didn’t have enough money to pay his taxes. His publisher was waiting for a book that he hadn’t started. But in the life of Denis Johnson, when things were at their bleakest, something good was usually waiting around the next corner. This time, what emerged from the chaos was his masterpiece Jesus’ Son, a book that would tap into the zeitgeist of the 1990s and become a bible for Generation X and an American classic.

Flagrant, Self-Destructive Gestures tells the complete story of Johnson’s fascinating life, his thrill-seeking trips into war zones as a magazine correspondent, his battles with addiction, his live-it-before-you-write-it style of fiction. It follows the arc of his tremendous body of work as a novelist, journalist, poet, and playwright, and in the process recovers the true stories from the hazy myths that one of our most beloved, yet enigmatic, writers left behind.

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front cover of Returning to My Father's Kitchen
Returning to My Father's Kitchen
Essays
Monica Macansantos
Northwestern University Press, 2025
A young Filipino writer’s odyssey toward home, in the wake of the loss of her poet father
 
Feeling untethered after her beloved poet father passes away while she is living abroad, Monica Macansantos decides to return to the Philippines to regain her bearings. But with her father gone and her adult life rooted in the United States and New Zealand, can the land of her birth still serve as a place of healing?
 
In fifteen richly felt essays, Macansantos considers her family’s history in the Philippines, her own experiences as an exile, and the parent who was the heart of her family’s kitchen, whether standing at the stove to prepare dinner or sitting at the table to scribble in his notebook. Macansantos finds herself remaking her father’s chicken adobo, but also closely rereading his poems. As she reckons with his identity as an artist, she also comes into her own as a writer, and she invites us to consider whether it is possible to carry our homes with us wherever we go.
 
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