front cover of American Cinema of the 2000s
American Cinema of the 2000s
Themes and Variations
Corrigan, Timothy
Rutgers University Press, 2012

The decade from 2000 to 2009 is framed, at one end, by the traumatic catastrophe of the 9/11 attacks on the World Trade Center and, at the other, by the election of the first African American president of the United States. In between, the United States and the world witnessed the rapid expansion of new media and the Internet, such natural disasters as Hurricane Katrina, political uprisings around the world, and a massive meltdown of world economies.

Amid these crises and revolutions, American films responded in multiple ways, sometimes directly reflecting these turbulent times, and sometimes indirectly couching history in traditional genres and stories. In American Cinema of the 2000s, essays from ten top film scholars examine such popular series as the groundbreaking Matrix films and the gripping adventures of former CIA covert operative Jason Bourne; new, offbeat films like Juno; and the resurgence of documentaries like Michael Moore’s Fahrenheit 9/11.  Each essay demonstrates the complex ways in which American culture and American cinema are bound together in subtle and challenging ways.

[more]

logo for Pluto Press
First the Transition, then the Crash
Eastern Europe in the 2000s
Edited by Gareth Dale
Pluto Press, 2011

The 1989-91 upheavals in Eastern Europe sparked a turbulent process of social and economic transition. Two decades on, with the global economic crisis of 2008-10, a new phase has begun.

This book explores the scale and trajectory of the crisis through case studies of the Czech Republic, Hungary, Latvia, Poland, Russia, Ukraine and the former Yugoslavia. The contributors focus upon the relationships between geopolitics, the world economy and class restructuring.

The book covers the changing relationship between business and states; foreign capital flows; financialisation and asset price bubbles; austerity and privatisation; and societal responses, in the form of reactionary populism and progressive social movements.

Challenging neoliberal interpretations that envisage the transition as a process of unfolding liberty, the dialectic charted in these pages reveals uneven development, attenuated freedoms and social polarisation.

[more]

front cover of Shining in Shadows
Shining in Shadows
Movie Stars of the 2000s
Pomerance, Murray
Rutgers University Press, 2012

In the 2000s, new technologies transformed the experiences of movie-going and movie-making, giving us the first generation of stars to be just as famous on the computer screen as on the silver screen.

Shining in Shadows examines a wide range of Hollywood icons from a turbulent decade for the film industry and for America itself. Perhaps reflecting our own cultural fragmentation and uncertainty, Hollywood’s star personas sent mixed messages about Americans’ identities and ideals. Disheveled men-children like Will Ferrell and Jack Black shared the multiplex with debonair old-Hollywood standbys like George Clooney and Morgan Freeman. Iconic roles for women ranged from Renee Zellweger’s dithering romantics to Tina Fey’s neurotic professionals to Hilary Swank’s vulnerable boyish characters. And in this age of reality TV and TMZ, stars like Jennifer Aniston and “Brangelina” became more famous for their real-life romantic dramas—at the same time that former tabloid fixtures like Johnny Depp and Robert Downey Jr. reinvented themselves as dependable leading men. With a multigenerational, international cast of stars, this collection presents a fascinating composite portrait of Hollywood stardom today.

[more]


Send via email Share on Facebook Share on Twitter