The line between punishment and torture can be razor-thin—yet the entire world agreed that it was definitively crossed at Abu Ghraib. Or perhaps not. George W. Bush won a second term in office only months after the Abu Ghraib scandal was uncovered, and only the lowest-ranking U.S. soldiers involved in the scandal have been prosecuted. Where was the public outcry? Stephen Eisenman offers here an unsettling explanation that exposes our darkest inclinations in the face of all-too-human brutality.
Eisenman characterizes Americans’ willful dismissal of the images as “the Abu Ghraib effect,” rooted in the ways that the images of tortured Abu Ghraib prisoners tapped into a reactionary sentiment of imperialist self-justification and power. The complex elements in the images fit the “pathos formula,” he argues, an enduring artistic motif in which victims are depicted as taking pleasure in their own extreme pain. Meanwhile, the explicitly sexual nature of the Abu Ghraib tortures allowed Americans to rationalize the deeds away as voluntary pleasure acts by the prisoners—a delusional reaction, but, The Abu Ghraib Effect reveals, one with historical precedence. From Greek sculptures to Goya paintings, Eisenman deftly connects such works and their disturbing pathos motif to the Abu Ghraib images.
Skillfully weaving together visual theory, history, philosophy, and current events, Eisenman peels back the political obfuscation to probe the Abu Ghraib images themselves, contending that Americans can only begin to grapple with the ramifications of torture when the moral detachment of the “Abu Ghraib effect” breaks down and the familiar is revealed to be horribly unfamiliar.
Prescient in its analysis and rich in detail, The Mark of Slavery is a powerful addition to the intertwined histories of disability, slavery, and race.
The American presidency has long tested the capacity of the system of checks and balances to constrain executive power, especially in times of war. While scholars have examined presidents starting military conflicts without congressional authorization or infringing on civil liberties in the name of national security, Stuart Streichler focuses on the conduct of hostilities. Using the treatment of war-on-terror detainees under President George W. Bush as a case study, he integrates international humanitarian law into a constitutional analysis of the repercussions of presidential war powers for human rights around the world.
Putting President Bush’s actions in a wider context, Presidential Accountability in Wartime begins with a historical survey of the laws of war, with particular emphasis on the 1949 Geneva Conventions and the Nuremberg Tribunal. Streichler then reconstructs the decision-making process that led to the president’s approval of interrogation methods that violated Geneva’s mandate to treat wartime captives humanely. While taking note of various accountability options—from within the executive branch to the International Criminal Court—the book illustrates the challenge in holding presidents personally responsible for violating the laws of war through an in-depth analysis of the actions taken by Congress, the Supreme Court, and the public in response. In doing so, this book not only raises questions about whether international humanitarian law can moderate wartime presidential behavior but also about the character of the presidency and the American constitutional system of government.
Christin L. Hancock looks through the lens of feminist disability to examine the popular but ethically suspect treatment and its consequences. As Hancock shows, the treatment’s purported success rate relied on the disabled minds and bodies of people incarcerated in mental hospitals. The backgrounds and identities of these patients reflected and perpetuated attitudes around poverty, gender, race, and disability while betraying authorities’ desire to protect the public from women and men perceived as abnormal, sexually tainted, and unworthy of community life.
Paying special attention to the patients’ voices and experiences, Unmentionable Madness offers a disability history that confronts the ethics of experimentation.
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