This collection brings together the experiences and voices of anthropologists whose engaged work with im/migrant communities pushes the boundaries of ethnography toward a feminist, care-based, decolonial mode of ethnographic engagement called “accompaniment.”

Accompaniment as anthropological research and praxis troubles the boundaries of researcher-participant, scholar-activist, and academic-community to explicitly address issues of power, inequality, and the broader social purpose of the work. More than two dozen contributors show how accompaniment is not merely a mode of knowledge production but an ethical commitment that calls researchers to action in solidarity with those whose lives we seek to understand. The volume stands as a collective conversation about possibilities for caring and decolonial forms of ethnographic engagement with im/migrant communities.

This volume is ideal for scholars, students, immigrant activists, instructors, and those interested in social justice work.

Contributors
Carolina Alonso Bejarano
Anna Aziza Grewe
Alaska Burdette
Whitney L. Duncan
Carlos Escalante Villagran
Christina M. Getrich
Tobin Hansen
Lauren Heidbrink
Dan Heiman
Josiah Heyman
Sarah Horton
Nolan Kline
Alana M. W. LeBrón
Lupe López
William D. Lopez
Aida López Huinil
Mirian A. Mijangos García
Nicole L. Novak
Mariela Nuñez-Janes
Ana Ortez-Rivera
Juan Edwin Pacay Mendoza
Salvador Brandon Pacay Mendoza
María Engracia Robles Robles
Delmis Umanzor
Erika Vargas Reyes
Kristin E. Yarris

Arijana Lekić-Fridrih: All Art is a Political Statement introduces audiences to the work of Croatian artist Arijana Lekić-Fridrih and, in particular, to her Silent Mass, a performance resisting the “Be Manly” movement, a series of mass prayer events held in Croatian public squares by a battalion of men who pray for the abolition of women’s rights, for women’s “chastity,” and for men’s “masculine authority.” All Art is a Political Statement links the erosion of women’s rights across intercontinental boundaries and offers Lekić-Fridrih’s multimedia art as a guide for activism against retrograde restrictions on the freedom of women.

Arijana Lekić-Fridrih: Svaka umjetnost je politička izjava upoznaje publiku s radom hrvatske umjetnice Arijane Lekić-Fridrih, a posebno s njezinom Tihom misom, performansom otpora pokretu “Budi muško”, nizu masovnih molitvenih događanja koje na hrvatskim javnim trgovima održava bataljun muškaraca moleći za ukidanje ženskih prava, za žensku “čednost”, a za muškarce “muški autoritet”. Svaka umjetnost je politička izjava spaja eroziju ženskih prava preko interkontinentalnih granica i nudi multimedijsku umjetnost Lekić-Fridrih kao vodič za aktivizam protiv nazadnih ograničenja slobode žena.

War, defeat, and the collapse of empire in 1945 touched every aspect of postwar Japanese society, profoundly shaping how the Japanese would reconstruct national identity and reengage with the peoples of Asia. While “America” offered a vision of re-genesis after cataclysmic ruin, “Asia” exposed the traumata of perpetration and the torment of ethnic responsibility. Obscured in the shadows of a resurgent postwar Japan lurked a postimperial specter whose haunting presence both complicated and confounded the spiritual rehabilitation of the nation.

Asia and Postwar Japan examines Japanese deimperialization from 1945 until the early twenty-first century. It focuses on the thought and activism of progressive activists and intellectuals as they struggled to overcome rigid preconceptions about “Asia,” as they grappled with the implications of postimperial responsibility, and as they forged new regional solidarities and Asian imaginaries. Simon Avenell reveals the critical importance of Asia in postwar Japanese thought, activism, and politics—Asia as a symbolic geography, Asia as a space for grassroots engagement, and ultimately, Asia as an aporia of identity and the source of a new politics of hope.