In this third edition of East Africa: An Introductory History, Robert M. Maxon revisits the diverse eastern region of Africa, including the modern nations of Kenya, Tanzania, and Uganda. With revised sections and a new preface, this comprehensive text surveys East Africa’s political, economic, and social history from pre-colonial to modern times. Maxon reveals the physical movement and societal development of and between ethnic groups before the 1890s; the capitalistic impact of European colonialism in the early nineteenth century; and the achievement and aftermath of independence in East Africa during the later part of this century.

East Africa: An Introductory History, 3rd and Revised Edition offers the student and scholar:

• the only revision of this title in over a decade
• a complete index and glossary of African terms that promote an effortless navigation of the complex history of this region
• over twenty maps and diagrams that provide visual depictions of the development of eastern Africa
• detailed geographical and topographical analysis that supplement the historical scope and investigation of this region
East Africa: An Introductory History documents the transformation of East Africa from the Stone Age to the first decade of the twenty-first century. The book is ideal for any reader interested in unraveling the intricate history of this East Africa, and especially for students coming to the study of this region for the first time.

Christianity has been spread in Africa by Africans. It is the story of peoples seizing control of their own spiritual destinies—rather than the commonplace notion that the continent’s Christian churches represent colonial and capitalist powers that helped subdue Africans to European domination. In short, once introduced, Christianity took on a powerful life of its own and spun out of the control of those who would retain ownership of doctrine and practice. East African Expressions of Christianity examines the experiences of African Christians as they explored the new faith, interpreted it in the context of their own values, appropriated it for themselves, and forged their own distinctive churches. Prominent Tanzanian and American historians, anthropologists, political scientists, and church people examine the translation of religious meanings across cultural boundaries; the religious and social appeal of the new faith; and the vital roles played by African evangelists, teachers, and translators in the spread of Christianity and the development of an African church.

In this book, Mwenda Ntarangwi analyzes how young hip hop artists in the East African nations of Kenya, Uganda, and Tanzania showcase the opportunities and challenges brought by the globalization of music. Combining local popular music traditions with American and Jamaican styles of rap, East African hip hop culture reflects the difficulty of creating commercially accessible music while honoring tradition and East African culture. Ntarangwi pays special attention to growing cross-border exchanges within East African hip hop, collaborations in recording music and performances, and themes and messages that transcend local geographic boundaries.

In using hip hop as a medium for discussing changes in East African political, economic, and social conditions, artists vocalize their concerns about economic policies, African identity, and political establishments, as well as important issues of health (such as HIV/AIDS), education, and poverty. Through three years of fieldwork, rich interviews with artists, and analysis of live performances and more than 140 songs, Ntarangwi finds that hip hop provides youth an important platform for social commentary and cultural critique and calls attention to the liberating youth music culture in East Africa.

This pioneering book was one of the first to place the history of East Africa within the context of the environment. It has been used continuously for student teaching. It is now reissued with an introduction placing it within the debate that has developed on the subject; there is also an updated bibliography.

The book puts people at the centre of events. It thus serves as a modification to nationalist history with its emphasis on leaders. It presents environmental factors that had been underestimated; for instance, it points to the critical importance of the rinderpest outbreak.

Helge Kjekshus provides evidence to suggest that the nineteenth century was a period of relative prosperity with well-developed trade. He questions the view that warfare was pervasive and that the slave trade led to depopulation. He points to a balance between man and the environment.

This book is reissued at the same time as the first publication of Custodians of the Land: Ecology and Culture in the History of Tanzania edited by Gregory Maddox, James I. Giblin and Isaria N. Kimambo. The footnotes in that book point to the importance of the work of Helge Kjekshus.

This volume explores how the people of littoral East Africa imagined and reimagined their communities over two millennia of engagement with Indian Ocean transformations—from the settlement of Bantu speakers near the coast around the first century CE to their participation in transoceanic commerce, imperial rivalries, colonial projects, and decolonization movements in the mid-twentieth century. Like other histories of the Indian Ocean, it emphasizes the circulation of people and ideas, but its cis-oceanic approach demonstrates how these littoral communities continued to integrate strategies from those in Africa’s interior as well as from people who traveled the ocean. The book also clarifies the precise relationship between ethnicity and other kinds of identities by expanding the conventional focus on Swahili people to speakers of Sabaki Bantu languages, as well as to Mijikenda, Pokomo, and Elwana communities, whom Indian Ocean scholars often overlook. By examining all these groups’ shared linguistic heritage, the book outlines their forebears’ innovation and transformation of lineages, clans, confederations, councils, title societies, age sets, moieties, religious sects, and tribes. Drawing together evidence from linguistics, archaeology, ethnography, oral traditions, travelers’ accounts, and colonial records, the book explores how the speakers of Sabaki languages continuously reconceptualized their identities in littoral East Africa as the political topography of the Indian Ocean world changed around them. Moving seamlessly across multiple precolonial and colonial eras and beyond, this deep history of collaboration and political imagination leads readers through the transitions of identity that mattered to littoral East Africans. The book fills the need for an updated synthesis of East Africans’ engagements with diasporic communities in Indian Ocean and world history courses. In addition, since most African history publications for classroom use in recent years have focused exclusively on modern times, it satisfies the demand for works that span the early and modern eras. Beyond the classroom, the book will interest specialists in the history of the Indian Ocean, Africa, Islam, imperialism, and ethnohistory. A major contribution of this multidisciplinary work is to present the research of archaeologists, anthropologists, linguists, and historians to one another in an accessible, jargon-free manner. While Africanists will appreciate how the book expands the boundaries of the Indian Ocean to include oft-ignored communities, Indian Ocean specialists will find models for investigating the construction of ethnicity and other collective identities across multiple centuries.

Craig Packer takes us into Africa for a journey of fifty-two days in the fall of 1991. But this is more than a tour of magnificent animals in an exotic, faraway place. A field biologist since 1972, Packer began his work studying primates at Gombe and then the lions of the Serengeti and the Ngorongoro Crater with his wife and colleague Anne Pusey. Here, he introduces us to the real world of fieldwork—initiating assistants to lion research in the Serengeti, helping a doctoral student collect data, collaborating with Jane Goodall on primate research.

As in the works of George Schaller and Cynthia Moss, Packer transports us to life in the field. He is addicted to this land—to the beauty of a male lion striding across the Serengeti plains, to the calls of a baboon troop through the rain forests of Gombe—and to understanding the animals that inhabit it. Through his vivid narration, we feel the dust and the bumps of the Arusha Road, smell the rosemary in the air at lunchtime on a Serengeti verandah, and hear the lyrics of the Grateful Dead playing off bootlegged tapes.

Into Africa also explores the social lives of the animals and the threats to their survival. Packer grapples with questions he has passionately tried to answer for more than two decades. Why do female lions raise their young in crèches? Why do male baboons move from troop to troop while male chimps band together? How can humans and animals continue to coexist in a world of diminishing resources? Immediate demands—logistical nightmares, political upheavals, physical exhaustion—yield to the larger inescapable issues of the interdependence of the land, the animals, and the people who inhabit it.

This intellectual history of Standard Swahili explores the long-term, intertwined processes of standard making and community creation in the historical, political, and cultural contexts of East Africa and beyond.

Morgan J. Robinson argues that the portability of Standard Swahili has contributed to its wide use not only across the African continent but also around the globe. The book pivots on the question of whether standardized versions of African languages have empowered or oppressed. It is inevitable that the selection and promotion of one version of a language as standard—a move typically associated with missionaries and colonial regimes—negatively affected those whose language was suddenly deemed nonstandard. Before reconciling the consequences of codification, however, Robinson argues that one must seek to understand the process itself. The history of Standard Swahili demonstrates how events, people, and ideas move rapidly and sometimes surprisingly between linguistic, political, social, or temporal categories.

Robinson conducted her research in Zanzibar, mainland Tanzania, and the United Kingdom. Organized around periods of conversation, translation, and codification from 1864 to 1964, the book focuses on the intellectual history of Swahili’s standardization. The story begins in mid-nineteenth-century Zanzibar, home of missionaries, formerly enslaved students, and a printing press, and concludes on the mainland in the mid-twentieth century, as nationalist movements added Standard Swahili to their anticolonial and nation-building toolkits. This outcome was not predetermined, however, and Robinson offers a new context for the strong emotions that the language continues to evoke in East Africa.

The history of Standard Swahili is not one story, but rather the connected stories of multiple communities contributing to the production of knowledge. The book reflects this multiplicity by including the narratives of colonial officials and anticolonial nationalists; East African clerks, students, newspaper editors, editorialists, and their readers; and library patrons, academic linguists, formerly enslaved children, and missionary preachers. The book reconstructs these stories on their own terms and reintegrates them into a new composite that demonstrates the central place of language in the history of East Africa and beyond.

A little known backwater of the history of the Great War is vividly rendered by a great story-teller - the central characters and events of this book are based on fact, but their surroundings and experiences are richly drawn from the author's imagination and detailed research.

In the fictional East African Kwatee Republic of the 1990s, the dictatorship is about to fall, and the nation’s exiles are preparing to return. One of these exiles, a young man named Kalumba, is a graduate student in the United States, where he encounters Mrs. Shaw, a professor emerita and former British settler who fled Kwatee’s postcolonial political and social turmoil. Kalumba’s girlfriend, too, is an exile: a Puerto Rican nationalist like her imprisoned father, she is an outcast from the island. Brought together by a history of violence and betrayals, all three are seeking a way of regaining their humanity, connecting with each other, and learning to make a life in a new land. Kalumba and Mrs. Shaw, in particular, are linked by a past rooted in colonial and postcolonial violence, yet they are separated by their differing accounts of what really happened. The memory of each is subject to certain lapses, whether selective or genuine. Even when they agree on the facts—be they acts of love, of betrayal, or of violence—each narrator shapes the story in his or her own way, by what is left in and what is left out, by what is remembered and what is forgotten.

Eastern African pastoralists often present themselves as being egalitarian, equating cattle ownership with wealth. By this definition “the poor are not us”, poverty is confined to non-pastoralist, socially excluded persons and groups.

Exploring this notion means discovering something about self-perceptions and community consciousness, how pastoralist identity has been made in opposition to other modes of production, how pastoralists want others to see them and how they see themselves.

This collection rejects the premise of pastoral egalitarianism and poses questions about the gradual creep of poverty, changing patterns of wealth and accumulation, the impact of diminishing resources on pastoral communities and the impact of external values of land, labor, and livestock.

This book examines the richly textured histories of prophets and prophecies within East Africa. It gives an analytical account of the significantly different forms prophecy has taken over the past century across the country.

Each of the chapters takes a new look at the active dialogue between prophets and the communities whom they addressed. This dialogue continues today as the politicians and activists throughout the region still look to prophetic traditions, garnering interpretations of the past in order to provide the validation of prophetic wisdom and heroes for the present.

In this pioneering study, historian Andreana Prichard presents an intimate history of a single mission organization, the Universities’ Mission to Central Africa (UMCA), told through the rich personal stories of a group of female African lay evangelists. Founded by British Anglican missionaries in the 1860s, the UMCA worked among refugees from the Indian Ocean slave trade on Zanzibar and among disparate communities on the adjacent Tanzanian mainland. Prichard illustrates how the mission’s unique theology and the demographics of its adherents produced cohorts of African Christian women who, in the face of linguistic and cultural dissimilarity, used the daily performance of a certain set of “civilized” Christian values and affective relationships to evangelize to new inquirers. The UMCA’s “sisters in spirit” ultimately forged a united spiritual community that spanned discontiguous mission stations across Tanzania and Zanzibar, incorporated diverse ethnolinguistic communities, and transcended generations. Focusing on the emotional and personal dimensions of their lives and on the relationships of affective spirituality that grew up among them, Prichard tells stories that are vital to our understanding of Tanzanian history, the history of religion and Christian missions in Africa, the development of cultural nationalisms, and the intellectual histories of African women.
 

Slavery in the Great Lakes Region of East Africa is a collection of ten studies by the most prominent historians of the region. Slavery was more important in the Great Lakes region of Eastern Africa than often has been assumed, and Africans from the interior played a more complex role than was previously recognized. The essays in this collection reveal the connections between the peoples of the region as well as their encounters with the conquering Europeans. The contributors challenge the assertion that domestic slavery increased in Africa as a result of the international trade. Slavery in this region was not a uniform phenomenon and the line between enslaved and non-slave labor was fine. Kinship ties could mark the difference between free and unfree labor. Social categories were not always clear-cut and the status of a slave could change within a lifetime.

Contents:
- Introduction by Henri Médard
- Language Evidence of Slavery to the Eighteenth Century by David Schoenbrun
- The Rise of Slavery & Social Change in Unyamwezi 1860–1900 by Jan-Georg Deutsch
- Slavery & Forced Labour in the Eastern Congo 1850–1910 by David Northrup
- Legacies of Slavery in North West Uganda ‘The One-Elevens’ by Mark Leopold
- Human Booty in Buganda: The Seizure of People in War, c.1700–c.1900 by Richard Reid
- Stolen People & Autonomous Chiefs in Nineteenth-Century Buganda by Holly Hanson
- Women’s Experiences of Slavery in Late Nineteenth- & Early Twentieth-Century Uganda by Michael W. Tuck
- Slavery & Social Oppression in Ankole 1890–1940 by Edward I. Steinhart
- The Slave Trade in Burundi & Rwanda at the Beginning of German Colonisation 1890–1906 by Jean-Pierre Chretien
- Bunyoro & the Demography of Slavery Debate by Shane Doyle

Africa is a marriage of cultures: African and Asian, Islamic and Euro-Christian. Nowhere is this fusion more evident than in the formation of Swahili, Eastern Africa’s lingua franca, and its cultures. Swahili beyond the Boundaries: Literature, Language, and Identity addresses the moving frontiers of Swahili literature under the impetus of new waves of globalization in the twentieth and twenty-first centuries. These momentous changes have generated much theoretical debate on several literary fronts, as Swahili literature continues to undergo transformation in the mill of human creativity. Swahili literature is a hybrid that is being reconfigured by a conjuncture of global and local forces. As the interweaving of elements of the colonizer and the colonized, this hybrid formation provides a representation of cultural difference that is said to constitute a “third space,” blurring existing boundaries and calling into question established identitarian categorizations. This cultural dialectic is clearly evident in the Swahili literary experience as it has evolved in the crucible of the politics of African cultural production. However, Swahili beyond the Boundaries demonstrates that, from the point of view of Swahili literature, while hybridity evokes endless openness on questions of home and identity, it can simultaneously put closure on specific forms of subjectivity. In the process of this contestation, a new synthesis may be emerging that is poised to subject Swahili literature to new kinds of challenges in the politics of identity, compounded by the dynamics and counterdynamics of post–Cold War globalization.

The askari, African soldiers recruited in the 1890s to fill the ranks of the German East African colonial army, occupy a unique space at the intersection of East African history, German colonial history, and military history.

Lauded by Germans for their loyalty during the East Africa campaign of World War I, but reviled by Tanzanians for the violence they committed during the making of the colonial state between 1890 and 1918, the askari have been poorly understood as historical agents. Violent Intermediaries situates them in their everyday household, community, military, and constabulary roles, as men who helped make colonialism in German East Africa.

By linking microhistories with wider nineteenth-century African historical processes, Michelle Moyd shows how as soldiers and colonial intermediaries, the askari built the colonial state while simultaneously carving out paths to respectability, becoming men of influence within their local contexts.

Through its focus on the making of empire from the ground up, Violent Intermediaries offers a fresh perspective on African colonial troops as state-making agents and critiques the mythologies surrounding the askari by focusing on the nature of colonial violence.