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Fannie Barrier Williams
Crossing the Borders of Region and Race
Wanda A. Hendricks
University of Illinois Press, 2014
Born shortly before the Civil War, activist and reformer Fannie Barrier Williams (1855-1944) became one of the most prominent educated African American women of her generation. Hendricks shows how Williams became "raced" for the first time in early adulthood, when she became a teacher in Missouri and Washington, D.C., and faced the injustices of racism and the stark contrast between the lives of freed slaves and her own privileged upbringing in a western New York village.
 
She carried this new awareness to Chicago, where she joined forces with black and predominantly white women's clubs, the Unitarian church, and various other interracial social justice organizations to become a prominent spokesperson for Progressive economic, racial, and gender reforms during the transformative period of industrialization. By highlighting how Williams experienced a set of freedoms in the North that were not imaginable in the South, this clearly-written, widely accessible biography expands how we understand intellectual possibilities, economic success, and social mobility in post-Reconstruction America.

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Far from Home
Memories of World War II and Afterward
Mary Herring Wright
Gallaudet University Press, 2005

“She’s got no more business there than a pig has with a Bible.” That’s what her father said when Mary Herring announced that she would be moving to Washington, DC, in late 1942. Recently graduated from the North Carolina School for Black Deaf and Blind Students, Mary had been invited to the nation’s capital by a cousin to see a specialist about her hearing loss. Though nothing could be done about her deafness, Mary quickly proved her father wrong by passing the civil service examination with high marks. Far from Home: Memories of World War II and Afterward, the second installment of her autobiography, describes her life from her move to Washington to the present.

Mary soon became a valued employee for the Navy, maintaining rosters for the many servicemen in war theaters worldwide. Her remarkable gift for detail depicts Washington in meticulous layers, a sleepy Southern town force-grown into a dynamic geopolitical hub. Life as a young woman amid the capital’s Black middle class could be warm and fun, filled with visits from family and friends, and trips home to Iron Mine for tearful, joyous reunions. But the reality of the times was never far off. On many an idyllic afternoon, she and her friends found somber peace in Arlington Cemetery, next to the grave of the sole Unknown Soldier at that time. During an evening spent at the U.S.O., one hearing woman asked how people like her could dance, and Mary answered, “With our feet.” She became a pen pal to several young servicemen, but did not want to know why some of them suddenly stopped writing.

Despite the close friends and good job that she had in Washington, the emotional toll caused Mary to return to her family home in Iron Mine, NC. There, she rejoined her family and resumed her country life. She married and raised four daughters, and recounts the joys and sorrows she experienced through the years, particularly the loss of her parents. Her blend of the gradual transformation of Southern rural life with momentous events such as Hurricane Hazel creates an extraordinary narrative history. The constant in Far from Home remains the steady confidence that Mary Herring Wright has in herself, making her new memoir a perfect companion to her first.

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Fighting Words
Black Women and the Search for Justice
Patricia Hill Collins
University of Minnesota Press, 1998
When Black Feminist Thought by Patricia Hill Collins was published in 1990, reviewers called it "remarkable," "rich and valuable," and proclaimed, "with the publication of this book, Black feminism has moved to a new level." Now, in Fighting Words, Collins expands and extends the discussion of the "outsider within" presented in her earlier work, investigating how effectively Black feminist thought confronts the injustices African American women currently face. Collins takes on a broad range of issues-poverty, mothering, white supremacy and Afrocentrism, the resegregation of American society by race and class, the ideas of Sojourner Truth and how they can serve as a springboard for more liberating social theory. Contrasting social theories that support unjust power relations of race, class, gender, and nation with those that challenge inequalities, Collins investigates why some ideas are granted the status of "theory" while others remain "thought." "It is not that elites produce theory while everyone else produces mere thought," she writes. "Rather, elites possess the power to legitimate the knowledge that they define as theory as being universal, normative, and ideal." Collins argues that because African American women and other historically oppressed groups seek economic and social justice, their social theories may emphasize themes and work from assumptions that are different from those of mainstream American society, generating new angles of vision on injustice. Collins also puts such oppositional social theory to the test: while the words of these theories may challenge injustice, do the ideas make a difference in the lives of the people they claim to represent? Throughout, Collins provides an essential understanding of how "outsiders" resist mainstream perspectives, and what the mainstream can learn from such "outsiders." Historically situated yet transcending the specific, Fighting Words provides a new interpretive framework for both thinking through and overcoming social injustice. "In her perceptive book, Fighting Words, Patricia Hill Collins, a leading scholar in critical theory, argues that intellectuals who break with conventional wisdom are more of a threat to the establishment than their numbers might suggest." Joe R. Feagin in The Chronicle of Higher Education "Fighting Words is a treatise, if you will, encouraging all black women to engage in dialogue and to reach out to each other, regardless of education, income, or class. Fighting Words is an amazing work in the way it seamlessly combines the histories of black women and feminism. Even more impressive is the way Collins blends her personal experiences as a black woman, educator, and sociologist. Collins is all about telling the truth, now. That is probably why Fighting Words is such a revelation." Black Issues Book Review "Fighting Words ably demonstrates that Collins is still our leading theorist. Those who understand black women in terms of reductionist categories and who need to read this book probably won't. But it gives the rest of us another sharp implement with which to saw at the ropes." Women's Review of Books "Collins argues that the political gains of black women's 'talking back' now must be measured against changes brought on by the postmodern criticism of social science and Afrocentricism. Collins calls for a critical social theory that not only encourages black women's full participation in social life but actually grounds its own authority in its ability to enable black women's full participation." American Journal of Sociology "Collins' exploration of the question, 'What is knowledge?' demonstrates the value of a perspective that brings together the complex interrelationships of race, gender and social ranking. The text is both counter-theoretical and practical­­a readable, persuasive and important source. Highly recommended." The Diversity Factor "Advances a much needed discussion, beyond feminism and identity politics for black women and, presumably, for women of color generally." National Women's Studies Association Journal "Hill Collins provides a refreshing new look at theory that is not mired in obscure language but purposely written in multiple languages to welcome a broader audience. By using accessible/inclusive language and drawing on many schools of intellectual thought, she informs and educates across disciplines ­ a unique characteristic in academia. She delivers a critical and passionate work that is inspiring to a new generation of scholars and renews the spirit of existing scholars." Gender and Society "Collins has offered an excellent text that helps us understand not only Black feminist thought and its relationship to Black women's experiences, but also how it may help those of us truly working for social justice." Feminist Collections "This book has many suggestive ideas and well-thought-through social theoretical analyses. In line with her earlier work, Collins continues to argue that group positions generate epistemological standpoints from which people ask and answer questions of social knowledge in different ways. She considers whether recent theories of Black women as having 'intersectional' positions is a better conceptualization of the specific standpoint of Black women. Collins's book offers much to think about and to discuss for those involved in struggles generated by encounters and events beyond theory." Hypatia "This is a work that is both theoretically rich and yet deeply personal in its expressive voice. Collins points us toward the construction of new critical theoretical approaches that can effectively advance the struggles for social justice. Fighting Words is a powerful and passionate work." --Manning Marable Patricia Hill Collins is Charles Phelps Taft Professor of Sociology in the Department of African American Studies at the University of Cincinnati.
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Forsaking All Others
A True Story of Interracial Sex and Revenge in the 1880s South
Charles F. Robinson
University of Tennessee Press, 2010

An intensely dramatic true story, Forsaking All Others recounts the fascinating case of an interracial couple who attempted, in defiance of
society’s laws and conventions, to formalize their relationship in the post-Reconstruction South. It was an affair with tragic consequences, one that entangled the protagonists in a miscegenation trial and, ultimately, a desperate act of revenge.

From the mid-1870s to the early 1880s, Isaac Bankston was the proud sheriff of Desha County, Arkansas, a man so prominent and popular that he won five consecutive terms in office. Although he was married with two children, around 1881 he entered into a relationship with Missouri Bradford, an African American woman who bore his child. Some two years later, Missouri and Isaac absconded
to Memphis, hoping to begin a new life there together. Although Tennessee lawmakers had made miscegenation a felony, Isaac’s dark complexion enabled the couple to apply successfully for a marriage license and take their vows. Word of the marriage quickly spread, however, and Missouri and Isaac were charged with unlawful cohabitation. An attorney from Desha County, James Coates, came to Memphis to act as special prosecutor in the case. Events then took a surprising turn as Isaac chose to deny his white heritage in order to escape conviction. Despite this victory in court, however, Isaac had been publicly disgraced, and his sense of honor propelled him into a violent confrontation with Coates, the man he considered most responsible for his downfall. Charles F. Robinson uses Missouri and Isaac’s story to examine key aspects of post-Reconstruction society, from the rise of miscegenation laws and the particular burdens they placed on anyone who chose to circumvent them, to the southern codes of honor that governed both social and individual behavior, especially among white men. But most of all, the book offers a compelling personal narrative with important implications for our supposedly more
tolerant times.

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The Freedom to Remember
Narrative, Slavery, and Gender in Contemporary Black Women's Fiction
Mitchell, Angelyn
Rutgers University Press, 2002

The Freedom to Remember examines contemporary literary revisions of slavery in the United States by black women writers. The narratives at the center of this book include: Octavia E. Butler’s Kindred, Sherley Anne Williams’s Dessa Rose, Toni Morrison’s Beloved, J. California Cooper’s Family, and Lorene Cary’s The Price of a Child.

Recent studies have investigated these works only from the standpoint of victimization. Angelyn Mitchell changes the conceptualization of these narratives, focusing on the theme of freedom, not slavery, defining these works as “liberatory narratives.” These works create a space to problematize the slavery/freedom dichotomy from which contemporary black women writers have the “safe” vantage point to reveal aspects of enslavement that their ancestors could not examine. The nineteenth-century female emancipatory narrative, by contrast, was written to aid the cause of abolition by revealing the unspeakable realitiesof slavery. Mitchell shows how the liberatory narrative functions to emancipate its readers from the legacies of slavery in American society: by facilitating a deeper discussion of the issues and by making them new through illumination and interrogation.

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front cover of From Black Power to Hip Hop
From Black Power to Hip Hop
Racism, Nationalism, and Feminism
Patricia Hill Collins
Temple University Press, 2006
Despite legislation designed to eliminate unfair racial practices, the United States continues to struggle with a race problem. Some thinkers label this a "new" racism and call for new political responses to it. Using the experiences of African American women and men as a touchstone for analysis, Patricia Hill Collins examines new forms of racism as well as political responses to it.In this incisive and stimulating book, renowned social theorist Patricia Hill Collins investigates how nationalism has operated and re-emerged in the wake of contemporary globalization and offers an interpretation of how black nationalism works today in the wake of changing black youth identity. Hers is the first study to analyze the interplay of racism, nationalism, and feminism in the context of twenty-first century black America.From Black Power to Hip Hop covers a wide range of topics including the significance of race and ethnicity to the American national identity; how ideas about motherhood affect population policies; African American use of black nationalism ideologies as anti-racist practice; and the relationship between black nationalism, feminism and women in the hip-hop generation.
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From Slave Cabins to the White House
Homemade Citizenship in African American Culture
Koritha Mitchell
University of Illinois Press, 2021

Koritha Mitchell analyzes canonical texts by and about African American women to lay bare the hostility these women face as they invest in traditional domesticity. Instead of the respectability and safety granted white homemakers, black women endure pejorative labels, racist governmental policies, attacks on their citizenship, and aggression meant to keep them in "their place."

Tracing how African Americans define and redefine success in a nation determined to deprive them of it, Mitchell plumbs the works of Frances Harper, Zora Neale Hurston, Lorraine Hansberry, Toni Morrison, Michelle Obama, and others. These artists honor black homes from slavery and post-emancipation through the Civil Rights era to "post-racial" America. Mitchell follows black families asserting their citizenship in domestic settings while the larger society and culture marginalize and attack them, not because they are deviants or failures but because they meet American standards.

Powerful and provocative, From Slave Cabins to the White House illuminates the links between African American women's homemaking and citizenship in history and across literature.

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front cover of Further To Fly
Further To Fly
Black Women and the Politics of Empowerment
Sheila Radford-Hill
University of Minnesota Press, 2000


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