The Sacred Door and Other Stories: Cameroon Folktales of the Beba offers readers a selection of folktales infused with riddles, proverbs, songs, myths, and legends, using various narrative techniques that capture the vibrancy of Beba oral traditions. Makuchi retells the stories that she heard at home when she was growing up in her native Cameroon. The collection of thirty-four folktales of the Beba showcases a wide variety of stories that capture the richness and complexities of an agrarian society’s oral literature and traditions. Revenge, greed, and deception are among the themes that frame the story lines in both new and familiar ways. In the title story, a poor man finds himself elevated to king. The condition for his continued success is that he not open the sacred door. This tale of temptation, similar to the story of Pandora’s box, concludes with the question, “What would you have done?” Makuchi relates the stories her mother told her so that readers can make connections between African and North American oral narrative traditions. These tales reinforce the commonalities of our human experiences without discounting our differences.

The reincarnation of a legendary nineteenth-century Caribbean emperor as a contemporary African leader is at the heart of this novel. Sacred River deals with the extraordinary lives, hopes, powerful myths, stories, and tragedies of the people of a modern West African nation. It is also the compelling love story of an idealistic philosophy professor and an ex-courtesan of incomparable beauty. Two hundred years after his death, the great Haitian emperor Henri Christophe miraculously appears in a dream to Tankor Satani, president of the fictional West African country of Kissi, with instructions for Tankor to continue Henri Christophe’s rule, which had been interrupted by “that damned Napoleon.” Ambitious in scope, Sacred River is a diaspora-inspired novel, in which Cheney-Coker has tackled the major themes of politics, social strife, crime and punishment, and human frailty and redemption in Malagueta, the fictional, magical town and its surroundings first created by the author in The Last Harmattan of Alusine Dunbar, for which he was awarded the coveted Commonwealth Writers’ Prize. Sacred River is equally about love and politics, and marks the return to fiction of one of Africa’s major writers.

Since 1999 and the death of King Hassan II, Morocco has experienced adramatic social transformation. Encouraged by the more openly democraticclimate fostered by young King Mohammed VI, filmmakers have begunto explore the sociocultural and political debates of their country whilealso seeking to document the untold stories of a dark past.Screening Morocco: Contemporary Film in a ChangingSociety focuses on Moroccan films produced and distributedfrom 1999 to the present. Moroccan cinema serves as an all-inclusive medium that providesa sounding board for a society that is remaking itself.Male and female directors present the face of an engaged,multiethnic and multilingual society. Their cinematographypromotes a country that is dynamic and connected to theglobal sociocultural economy of the twenty-first century. Atthe same time, they seek to represent the closed, obscurepast of a nation’s history that has rarely been told, drawingon themes such as human rights abuse, the former incarcerationof thousands during the Lead Years, women’semancipation, poverty, and claims for social justice. Screening Morocco will introduce American readers to therichness in theme and scope of the cinematic production ofMorocco.

A little over two decades ago, Zimbabwe undertook its Fast Track Land Reform Programme. Critics saw it as nothing more than an assault on human and property rights for political expedience by a ruling elite that was fast losing its power. In contrast, those sympathetic to the land reform program saw it as fundamental to the righting of colonialism’s historical wrongs. Yet, rural displacements at the hands of state actors, or of those closely connected to them, continue. As in the past, the continuing land conflicts are mostly understood as the result of the actions of an authoritarian state that exploits its control of land for the political and economic benefit of those who inhabit it. These explanations share one thing in common: each understands the country’s perpetual land questions in terms of the actions or inactions of the colonial or the postcolonial state. This book refocuses attention on how regimes of power rooted in kinship, gender, generation, and status have, individually and in combination, informed access to land in precolonial northeastern Zimbabwe. It then examines how these regimes of power interacted with colonial policies to inform the African experience in colonial Zimbabwe. Further, the book places land and the ability to ensure its fecundity at the center of the making and moderation of precolonial political power and how this power was impacted by the imposition of colonial rule. Tracing the dynamics of land and power from precolonial times, together with their entanglement with colonial policies, is important, for this relationship is almost always neglected by both scholars and policymakers drawn to the high drama of colonial and postcolonial politics of land. This oversight has real consequences on our understandings of landed inequalities and how they are addressed. When Zimbabwe’s postcolonial state focused on colonially induced racialized land inequalities, its land reform efforts left older forms of landed inequalities based on gender, generation, and ideas of belonging intact. The book, which details these inequalities, reminds Zimbabweans and others that if the quest for equity espoused in postcolonial land reforms is to be meaningful, it must be attentive to both colonially induced inequalities and those enduring disparities that predated, were deepened by, and outlived colonial rule. At the same time, Zimbabweans who now live with a postcolonial state that is increasingly centralizing power over land may well learn from past societies’ creative efforts to limit the authority of their leaders.

Staging the Amistad collects in print for the first time plays about the Amistad slave revolt by three of Sierra Leone’s most influential playwrights of the latter decades of the twentieth century: Charlie Haffner, Yulisa Amadu “Pat” Maddy, and Raymond E. D. de’Souza George. Until the late 1980s, when the first of these plays was performed, the 1839 shipboard slave rebellion and the return of its victors to their homes in what is modern-day Sierra Leone had been an unrecognized chapter in the country’s history. The plays recast the tale of heroism, survival, and resistance to tyranny as a distinctly Sierra Leonean story, emphasizing the agency of its African protagonists. For this reason, Haffner, Maddy, and de’Souza George counterbalance the better-known American representations of the rebellion, which center on American characters and American political and cultural concerns. The first public performances of these plays constituted a watershed moment. Written and staged immediately before and after the start of Sierra Leone’s decade-long conflict, they brought the Amistad rebellion to public consciousness. Furthermore, their turn to a uniquely Sierra Leonean history of heroic resistance to tyranny highlights the persistent faith in nation-state nationalism and the dreams of decolonization.

Africa supplies the majority of the world’s diamonds, yet consumers generally know little about the origins and history of these precious stones beyond sensationalized media accounts of so-called blood diamonds.

Stones of Contention explores the major developments in the remarkable history of Africa’s diamonds, from the earliest stirrings of international interest in the continent’s mineral wealth in the first millennium A.D. to the present day. In the European colonial period, the discovery of diamonds in South Africa ushered in an era of unprecedented greed during which monopolistic enterprises exploited both the mineral resources and the indigenous workforce. In the aftermath of World War II, the governments of newly independent African states, both democratic and despotic, joined industry giant De Beers and other corporations to oversee and profit from mining activity on the continent.

The book also considers the experiences of a wide array of Africans—from informal artisanal miners, company mineworkers, and indigenous authorities to armed rebels, mining executives, and premiers of mineral-rich states—and their relationships to the stones that have the power to bring both wealth and misery. With photos and maps, Stones of Contention illustrates the scope and complexity of the African diamond trade as well as its impact on individuals and societies.

The Struggle for Meaning is a landmark publication by one of African philosophy’s leading figures, Paulin J. Hountondji, best known for his critique of ethnophilosophy in the late 1960s and early 1970s. In this volume, he responds with autobiographical and philosophical reflection to the dialogue and controversy he has provoked. He discusses the ideas, rooted in the work of such thinkers as Husserl and Hountondji’s former teachers Derrida, Althusser, and Ricoeur, that helped shape his critique. Applying his philosophical ideas to the critical issues of democracy, culture, and development in Africa today, he addresses three crucial topics: the nexus between scientific extraversion and economic dependence; the nature of endogenous traditions of thought and their relationship with modern science; and the implications—for political pluralism and democracy—of the emergence of “philosophies of subject” in Africa. While the book’s immediate concern is with Africa, the densely theoretical nature of its analyses, and its bearing on current postmodern theories of the “other,” will make this timely and elegant translation of great interest to many disciplines, especially ethnic, gender, and multicultural studies.

This book examines the process through which the mantle of leadership passed from one leader to another in Botswana. It concerns the succession to high office in Botswana over the course of more than half a century from the colonial time to the present. Three case studies explore the relationship between the British colonial authorities and the tribal leaders in affirming the legitimacy of the tribal chiefs of the Bangwato tribe in the former Bechuanaland protectorate. The studies examine the succession crises of the Bangwato first in 1925 and again between 1948 to 1953 and the political changes from the Botswana National Archives contained in the appendices fully support the text.

Africa is a marriage of cultures: African and Asian, Islamic and Euro-Christian. Nowhere is this fusion more evident than in the formation of Swahili, Eastern Africa’s lingua franca, and its cultures. Swahili Beyond the Boundaries: Literature, Language, and Identity addresses the moving frontiers of Swahili literature under the impetus of new waves of globalization in the twentieth and twenty-first centuries. These momentous changes have generated much theoretical debate on several literary fronts, as Swahili literature continues to undergo transformation in the mill of human creativity.

Swahili literature is a hybrid that is being reconfigured by a conjuncture of global and local forces. As the interweaving of elements of the colonizer and the colonized, this hybrid formation provides a representation of cultural difference that is said to constitute a “third space,” blurring existing boundaries and calling into question established identitarian categorizations. This cultural dialectic is clearly evident in the Swahili literary experience as it has evolved in the crucible of the politics of African cultural production.

However, Swahili Beyond the Boundaries demonstrates that, from the point of view of Swahili literature, while hybridity evokes endless openness on questions of home and identity, it can simultaneously put closure on specific forms of subjectivity. In the process of this contestation, a new synthesis may be emerging that is poised to subject Swahili literature to new kinds of challenges in the politics of identity, compounded by the dynamics and counterdynamics of post–Cold War globalization.