front cover of Afro-American Literary Study in the 1990s
Afro-American Literary Study in the 1990s
Edited by Houston A. Baker Jr. and Patricia Redmond
University of Chicago Press, 1989
Featuring the work of the most distinguished scholars in the field, this volume assesses the state of Afro-American literary study and projects a vision of that study for the 1990s. "A rich and rewarding collection."—Choice.

"This diverse and inspired collection . . . testifies to the Afro-Am academy's extraordinary vitality."—Voice Literary Supplement
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front cover of Modernism and the Harlem Renaissance
Modernism and the Harlem Renaissance
Houston A. Baker Jr.
University of Chicago Press, 1989
"Mr. Baker perceives the harlem Renaissance as a crucial moment in a movement, predating the 1920's, when Afro-Americans embraced the task of self-determination and in so doing gave forth a distinctive form of expression that still echoes in a broad spectrum of 20th-century Afro-American arts. . . . Modernism and the Harlem Renaissance may well become Afro-America's 'studying manual.'"—Tonya Bolden, New York Times Book Review
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front cover of Witnessing Slavery
Witnessing Slavery
The Development Of Ante-Bellum Slave Narratives
Frances Smith Foster
University of Wisconsin Press, 1994
Frances Foster's classic study of pre-Civil War American slave autobiography is now issued in an accessible paperback edition. The first book to represent these slave narratives as literary in the complete sense of the word, and the first study to call attention to the significance of gender in the narratives, Witnessing Slavery will be welcomed by both general readers and students of the American south, slavery, the Civil War, and race issues.
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front cover of Workings of the Spirit
Workings of the Spirit
The Poetics of Afro-American Women's Writing
Houston A. Baker Jr.
University of Chicago Press, 1990
Turning on inspired interpretations of Zora Neale Hurston, Toni Morrison, and Ntozake Shange, Workings of the Spirit weighs current critical approaches to black women's writing against Baker's own explanation of the founding, theoretical state of Afro-American intellectual history.

"Brilliant, and tenderly riveted to gratitude as an indispensable facet of analysis, Houston Baker arrives, yet again, bearing the loveliest flowers of his devotion and delight: thank God he's here!"—June Jordan
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