BiblioVault - Books about America's War

America's War

Talking about the Civil War and Emancipation on Their 150th Anniversaries

American Library Association

American Library Association, 2012

The Battle for the Fourteenth Colony

America’s War of Liberation in Canada, 1774–1776

Mark R. Anderson

University Press of New England, 2013

In this dramatic retelling of one of history’s great “what-ifs,” Mark R. Anderson examines the American colonies’ campaign to bring Quebec into the Continental confederation and free the Canadians from British “tyranny.” This significant reassessment of a little-studied campaign examines developments on both sides of the border that rapidly proceeded from peaceful diplomatic overtures to a sizable armed intervention. The military narrative encompasses Richard Montgomery’s plodding initial operations, Canadian partisan cooperation with officers like Ethan Allen, and the harrowing experiences of Benedict Arnold’s Kennebec expedition, as well as the sudden collapse of British defenses that secured the bulk of the province for the rebel cause. The book provides new insight into both Montgomery’s tragic Québec City defeat and a small but highly significant loyalist uprising in the rural northern parishes that was suppressed by Arnold and his Canadian patriot allies. Anderson closely examines the evolving relationships between occupiers and occupied, showing how rapidly changing circumstances variously fostered cooperation and encouraged resistance among different Canadian elements. The book homes in on the key political and military factors that ultimately doomed America’s first foreign war of liberation and resulted in the Continental Army’s decisive expulsion from Canada on the eve of the Declaration of Independence. The first full treatment of this fascinating chapter in Revolutionary War history in over a century, Anderson’s account is especially revealing in its presentation of contentious British rule in Quebec, and of Continental beliefs that Canadiens would greet the soldiers as liberators and allies in a common fight against the British yoke. This thoroughly researched and action-packed history will appeal to American and Canadian history buffs and military experts alike.

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The Dark Sahara

America's War on Terror in Africa

Jeremy Keenan

Pluto Press, 2009

The US is keen to build a substantial military presence in Africa, citing the need to combat the growth of Al-Qaeda in Somalia, Algeria and other countries on the continent. This book reveals the secret US agenda behind the 'war on terror' in Africa and the shocking methods used to perpetuate the myth that the region is a hot-bed of Islamic terrorism.

Africa expert Jeremy Keenan points to overwhelming evidence suggesting that, from 2003, the Bush administration and Algerian government were responsible for hostage takings blamed on Islamic militants. This created a permissive public attitude, allowing the US to establish military bases in the region and pursue multiple imperial objectives in the name of security.

The shocking revelations in this book seriously undermine the mainstream view of Africa as a legitimate 'second front' in the 'war on terror'.

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Narcomedia

Latinidad, Popular Culture, and America's War on Drugs

Jason Ruiz

University of Texas Press, 2023

Exploring representations of Latinx people from Scarface to Narcos, this book examines how pop culture has framed Latin America as the villain in America’s long and ineffectual War on Drugs.

If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs.

Even as the focus of drug anxiety has shifted over the years from cocaine to crack and from methamphetamines to opioids, and even as significant strides have been made in representational politics in many areas of pop culture, Latinx people remain an unshakeable fixture in stories narrating the production, distribution, and sale of narcotics. Narcomedia argues that such representations of Latinx people, regardless of the intentions of their creators, are best understood as a cultural front in the War on Drugs. Latinos and Latin Americans are not actually America’s drug problem, yet many Americans think otherwise—and that is in no small part because popular culture has largely refused to imagine the drug trade any other way.

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