front cover of Becoming Beautiful
Becoming Beautiful
Ballroom Dance in the American Heartland
Joanna Bosse
University of Illinois Press, 2015
In Becoming Beautiful, Joanna Bosse explores the transformations undergone by the residents of a Midwestern town when they step out on the dance floor for the very first time.
 
Bosse uses sensitive fieldwork as well as her own immersion in ballroom culture to lead readers into a community that springs up around ballroom dance. The result is a portrait of the real people who connect with others, change themselves, and join a world that foxtrots to its own rules, conventions, and rewards. Bosse's eye for revealing, humorous detail adds warmth and depth to discussions around critical perspectives on the experiences the dance hall provides, the nature of partnership and connection, and the notion of how dancing allows anyone to become beautiful.
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front cover of Manhood on the Line
Manhood on the Line
Working-Class Masculinities in the American Heartland
Stephen Meyer
University of Illinois Press, 2016
Stephen Meyer charts the complex vagaries of men reinventing manhood in twentieth century America. Their ideas of masculinity destroyed by principles of mass production, workers created a white-dominated culture that defended its turf against other racial groups and revived a crude, hypersexualized treatment of women that went far beyond the shop floor. At the same time, they recast unionization battles as manly struggles against a system killing their very selves. Drawing on a wealth of archival material, Meyer recreates a social milieu in stunning detail--the mean labor and stolen pleasures, the battles on the street and in the soul, and a masculinity that expressed itself in violence and sexism but also as a wellspring of the fortitude necessary to maintain one's dignity while doing hard work in hard world.
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front cover of The Midwestern Pastoral
The Midwestern Pastoral
Place and Landscape in Literature of the American Heartland
William Barillas
Ohio University Press, 2006
The midwestern pastoral is a literary tradition of place and rural experience that celebrates an attachment to land that is mystical as well as practical, based on historical and scientific knowledge as well as personal experience. It is exemplified in the poetry, fiction, and essays of writers who express an informed love of the nature and regional landscapes of the Midwest. Drawing on recent studies in cultural geography, environmental history, and mythology, as well as literary criticism, The Midwestern Pastoral: Place and Landscape in Literature of the American Heartland relates Midwestern pastoral writers to their local geographies and explains their approaches. William Barillas treats five important Midwestern pastoralists—Willa Cather, Aldo Leopold, Theodore Roethke, James Wright, and Jim Harrison—in separate chapters. He also discusses Jane Smiley, U.S. Poet Laureate Ted Kooser, Paul Gruchow, and others. For these writers, the aim of writing is not merely intellectual and aesthetic, but democratic and ecological. In depicting and promoting commitment to local communities, human and natural, they express their love for, their understanding of, and their sense of place in the American Midwest. Students and serious readers, as well as scholars in the growing field of literature and the environment, will appreciate this study of writers who counter alienation and materialism in modern society.
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front cover of The Missile Next Door
The Missile Next Door
The Minuteman in the American Heartland
Gretchen Heefner
Harvard University Press, 2012

Between 1961 and 1967 the United States Air Force buried 1,000 Minuteman Intercontinental Ballistic Missiles in pastures across the Great Plains. The Missile Next Door tells the story of how rural Americans of all political stripes were drafted to fight the Cold War by living with nuclear missiles in their backyards—and what that story tells us about enduring political divides and the persistence of defense spending.

By scattering the missiles in out-of-the-way places, the Defense Department kept the chilling calculus of Cold War nuclear strategy out of view. This subterfuge was necessary, Gretchen Heefner argues, in order for Americans to accept a costly nuclear buildup and the resulting threat of Armageddon. As for the ranchers, farmers, and other civilians in the Plains states who were first seduced by the economics of war and then forced to live in the Soviet crosshairs, their sense of citizenship was forever changed. Some were stirred to dissent. Others consented but found their proud Plains individualism giving way to a growing dependence on the military-industrial complex. Even today, some communities express reluctance to let the Minutemen go, though the Air Force no longer wants them buried in the heartland.

Complicating a red state/blue state reading of American politics, Heefner’s account helps to explain the deep distrust of government found in many western regions, and also an addiction to defense spending which, for many local economies, seems inescapable.

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front cover of Punks in Peoria
Punks in Peoria
Making a Scene in the American Heartland
Jonathan Wright and Dawson Barrett
University of Illinois Press, 2021
Punk rock culture in a preeminently average town

Synonymous with American mediocrity, Peoria was fertile ground for the boredom- and anger-fueled fury of punk rock. Jonathan Wright and Dawson Barrett explore the do-it-yourself scene built by Peoria punks, performers, and scenesters in the 1980s and 1990s. From fanzines to indie record shops to renting the VFW hall for an all-ages show, Peoria's punk culture reflected the movement elsewhere, but the city's conservatism and industrial decline offered a richer-than-usual target environment for rebellion. Eyewitness accounts take readers into hangouts and long-lost venues, while interviews with the people who were there trace the ever-changing scene and varied fortunes of local legends like Caustic Defiance, Dollface, and Planes Mistaken for Stars. What emerges is a sympathetic portrait of a youth culture in search of entertainment but just as hungry for community—the shared sense of otherness that, even for one night only, could unite outsiders and discontents under the banner of music.

A raucous look at a small-city underground, Punks in Peoria takes readers off the beaten track to reveal the punk rock life as lived in Anytown, U.S.A.

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