front cover of Dude Lit
Dude Lit
Mexican Men Writing and Performing Competence, 1955–2012
Emily Hind
University of Arizona Press, 2019
How did men become the stars of the Mexican intellectual scene? Dude Lit examines the tricks of the trade and reveals that sometimes literary genius rests on privileges that men extend one another and that women permit.

The makings of the “best” writers have to do with superficial aspects, like conformist wardrobes and unsmiling expressions, and more complex techniques, such as friendship networks, prizewinners who become judges, dropouts who become teachers, and the key tactic of being allowed to shift roles from rule maker (the civilizado) to rule breaker (the bárbaro). Certain writing habits also predict success, with the “high and hard” category reserved for men’s writing and even film directing. In both film and literature, critically respected artwork by men tends to rely on obscenity interpreted as originality, negative topics viewed as serious, and coolly inarticulate narratives about bullying understood as maximum literary achievement.

To build the case regarding “rebellion as conformity,” Dude Lit contemplates a wide set of examples while always returning to three figures, each born some two decades apart from the immediate predecessor: Juan Rulfo (with Pedro Páramo), José Emilio Pacheco (with Las batallas en el desierto), and Guillermo Fadanelli (with Mis mujeres muertas, as well as the range of his publications). Why do we believe Mexican men are competent performers of the role of intellectual? Dude Lit answers this question through a creative intersection of sources. Drawing on interviews, archival materials, and critical readings, this provocative book changes the conversation on literature and gendered performance.
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front cover of Helen Andelin and the Fascinating Womanhood Movement
Helen Andelin and the Fascinating Womanhood Movement
Julie Debra Neuffer
University of Utah Press, 2014
In 1961, Helen Andelin, housewife and mother of eight, languished in a lackluster, twenty-year-old marriage. A religious woman, she fasted and prayed for help. As she studied a set of women’s advice booklets from the 1920s, Andelin had an epiphany that not only changed her life but also affected the lives of millions of American women. She applied the principles from the booklets and found that her disinterested husband became loving and attentive. He bought her gifts and hurried home from work to be with her. Andelin took her new-found happiness as a sign that it was her religious duty to share these principles with other women. She began leading small discussion groups for women at her church. The results were dramatic. In 1963, at the urging of her followers, Andelin wrote and self-published Fascinating Womanhood. The book, which borrowed heavily from those 1920s advice booklets, the Bible, and classical literature, eventually sold over three million copies and launched a nationwide organization of classes and seminars led by thousands of volunteer teachers.

Countering second-wave feminists in the 1960s, Andelin preached family values and urged women not to have careers, but to become good wives, mothers, and homemakers instead. A woman’s true happiness, taught Andelin, could only be realized if she admired, cared for, and obeyed her husband. As Andelin’s notoriety grew, so did the backlash from her critics. Undeterred, she became a national celebrity, who was interviewed extensively and appeared in sold-out speaking engagements.

Andelin’s message calling for the return to traditional roles appealed to many in a time of uncertainty and radical social change. This study provides an evenhanded and important look at a crucial, but often overlooked cross section of American women as they navigated their way through the turbulent decades following the post-war calm of the 1950s.

Winner of the Mormon History Association's Best Biography Award.
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front cover of UN-AMERICAN WOMAN
UN-AMERICAN WOMAN
ANTI-RACISM, ANTI-FEMINISM, AND THE FIRST RED SCARE
KIM NIELSEN
The Ohio State University Press, 2001
Un-American Womanhood studies the Red Scare of the 1920s through the lens of gender. Kim Nielsen describes the methods antifeminists used to subdue feminism and other movements they viewed as radical. By tapping into widespread anxieties about Bolshevism and the expansion of the state, antifeminist women fought against certain social welfare programs such as the Sheppard-Towner Act and the Children’s Bureau and resisted efforts to legitimize the female citizen as an autonomous political figure. The book also considers the seeming contradictions of outspoken antifeminists who broke with traditional gender norms to assume forceful and public roles in their efforts to denounce feminism.
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