Examines how images of accumulation help open up the climate to political mobilization

 

The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help open up the climate to cultural inquiry and political mobilization and have formed a cultural infrastructure focused on the relationships between humans, other species, and their environments.

The essays in Accumulation address this cultural infrastructure and the methodological challenges of its analysis. They offer a response to the relative invisibility of the climate now seen as material manifestations of social behavior. Contributors outline opportunities and ambitions of visual scholarship as a means to encounter the challenges emergent in the current moment: how can climate become visible, culturally and politically? Knowledge of climatic instability can change collective behavior and offer other trajectories, counteraccumulations that draw the present into a different, more livable, future.

Contributors: Emily Apter, New York U; Hans Baumann; Amanda Boeztkes, U of Guelph; Dominic Boyer, Rice U; Lindsay Bremner, U of Westminster; Nerea Calvillo, U of Warwick; Beth Cullen, U of Westminster; T. J. Demos, U of California, Santa Cruz; Jeff Diamanti, U of Amsterdam; Jennifer Ferng, U of Sydney; Jennifer Gabrys, U of Cambridge; Ian Gray, U of California, Los Angeles; Gökçe Günel, Rice U; Orit Halpern, Concordia U; Gabrielle Hecht, Stanford U; Cymene Howe, Rice U; Wendy Hui Kyong Chun, Simon Fraser U; Robin Kelsey, Harvard U; Bruno Latour, Sciences Po, Paris; Hannah le Roux, U of the Witwatersrand, Johannesburg; Stephanie LeMenager, U of Oregon; Nashin Mahtani; Kiel Moe, McGill U; Karen Pinkus, Cornell U; Stephanie Wakefield, Life U; McKenzie Wark, The New School; Kathryn Yusoff, Queen Mary U of London. 

In Architecture and the Right to Heal, Esra Akcan calls for architecture to take an active role in healing communities affected by socioeconomic, political, and environmental disasters. Akcan frames these processes by discussing buildings and spaces in relation to climate change mitigation and transitional justice. Focusing on lands held by the former Ottoman Empire, Akcan highlights the ongoing struggle to heal after internal social, state, and business-led violence ranging from forced disappearance to mass extinction. Putting forth the concept of resettler nationalism as a source of displacement and partition, she argues that while architecture and urban planning have been weaponized to segregate and subjugate minorities throughout history, they could instead confront systemic violence and make accountability and reparations possible. For Akcan, healing constitutes a matter of rights as well as a holistic notion of justice that addresses the intersections of social, global, and environmental issues and one can be achieved through architecture. By locating spaces of political and ecological harm, Akcan advocates for healing on individual, communal, and planetary levels.