front cover of The Construction of Gothic Cathedrals
The Construction of Gothic Cathedrals
A Study of Medieval Vault Erection
John Fitchen
University of Chicago Press, 1981
A classic account of the design and building of the great cathedrals of the Gothic era

In The Construction of Gothic Cathedrals, John Fitchen systematically walks readers through the process of erecting the great edifices of the Gothic era. He explains the building equipment and falsework needed, the actual operations undertaken, and the sequence of these operations as specifically as they can be deduced today. In the absence of contemporary accounts of the techniques used by medieval builders, Fitchen's study brilliantly pieces together clues from manuscript illuminations, pictorial representations, and the fabrics of the building themselves. The result is the clearest picture available of the innovations and techniques that enabled these buildings, which still generate awe today, to rise majestically above the low buildings of their surrounding towns. It's a book that will enthrall readers of history, and one that, as Progressive Architecture noted, "no student of architecture should miss."
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front cover of A Gazetteer of Buildings in Muslim Palestine
A Gazetteer of Buildings in Muslim Palestine
Andrew Petersen
Council for British Research in the Levant, 2001
The aim of the survey on which this book is based was to make a record of all buildings constructed in Palestine during the medieval and Ottoman periods. The survey area covers the modern state of Israel excluding West Jerusalem and Ramla (which are covered in separate publications). The West Bank and Gaza will be the subject of Volume II.


Library of Congress subject headings for this publication:
Architecture, Islamic -- Palestine -- Guidebooks.
Architecture, Ottoman -- Palestine -- Guidebooks.
Architecture, Medieval -- Palestine -- Guidebooks.
Historic buildings -- Palestine -- Guidebooks.
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front cover of The Medieval Art of Fear
The Medieval Art of Fear
Ravinder S. Binning
University of Chicago Press, 2026
A bold new approach to medieval art and architecture’s shaping of psychosomatic experience.
 
In the medieval world, experiences of fear attained a mystical significance: monks, urban publics, and even emperors pursued horror and grief to explore the limits of fantasy, sensation, and catharsis. In this book, Ravinder S. Binning examines an expansive archive ranging from poetry and scientific treatises to artistic works in ivory and crystal to recover an aesthetic tradition centered on optical tension, spatial suspense, and tactile experience.  

Moving between early monastic spaces in Egypt and major urban centers like Constantinople from the fourth through the thirteenth centuries, The Medieval Art of Fear shows how the psychosomatic experience of fear became the deliberate object of mystical practices, meditation, and other embodied techniques across the medieval world. The result is a powerful exploration of the aesthetic effects behind some of the medieval world’s most ambitious works, whose influence extends well beyond the Middle Ages.
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