front cover of Among Women
Among Women
From the Homosocial to the Homoerotic in the Ancient World
Edited by Nancy Sorkin Rabinowitz and Lisa Auanger
University of Texas Press, 2002

Women's and men's worlds were largely separate in ancient Mediterranean societies, and, in consequence, many women's deepest personal relationships were with other women. Yet relatively little scholarly or popular attention has focused on women's relationships in antiquity, in contrast to recent interest in the relationships between men in ancient Greece and Rome. The essays in this book seek to close this gap by exploring a wide variety of textual and archaeological evidence for women's homosocial and homoerotic relationships from prehistoric Greece to fifth-century CE Egypt.

Drawing on developments in feminist theory, gay and lesbian studies, and queer theory, as well as traditional textual and art historical methods, the contributors to this volume examine representations of women's lives with other women, their friendships, and sexual subjectivity. They present new interpretations of the evidence offered by the literary works of Sappho, Ovid, and Lucian; Bronze Age frescoes and Greek vase painting, funerary reliefs, and other artistic representations; and Egyptian legal documents.

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front cover of Periklean Athens and Its Legacy
Periklean Athens and Its Legacy
Problems and Perspectives
Edited by Judith M. Barringer and Jeffrey M. Hurwit
University of Texas Press, 2005

The late fifth century BC was the golden age of ancient Athens. Under the leadership of the renowned soldier-statesman Perikles, Athenians began rebuilding the Akropolis, where they created the still awe-inspiring Parthenon. Athenians also reached a zenith of artistic achievement in sculpture, vase painting, and architecture, which provided continuing inspiration for many succeeding generations.

The specially commissioned essays in this volume offer a fresh, innovative panorama of the art, architecture, history, culture, and influence of Periklean Athens. Written by leading experts in the field, the articles cover a wide range of topics, including:

  • An evaluation of Perikles' military leadership during the early stages of the Peloponnesian War.
  • Iconographical and iconological studies of vase paintings, wall paintings, and sculpture.
  • Explorations of the Parthenon and other monuments of the Athenian Akropolis.
  • The legacy of Periklean Athens and its influence upon later art.
  • Assessments of the modern reception of the Akropolis.

As a whole, this collection of essays proves that even a well-explored field such as Periklean Athens can yield new treasures when mined by perceptive and seasoned investigators.

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front cover of The Public in the Picture
The Public in the Picture
Involving the Beholder in Antique, Islamic, Byzantine, Western Medieval and Renaissance Art
Edited by Beate Fricke and Urte Krass
Diaphanes, 2015
The act of including bystanders within the scene of an artwork has marked an important shift in the ways artists addressed the beholder, as well as a significant transformation of the relationship between images and their viewership. In such works, the “public” in the picture could be seen as a mediating between different times, people, and contents.

With The Public in the Picture, contributors describe this shift, with each essay focusing on a specific group of works created at a different moment in history. Together, the contributions explore the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation. Contributors to The Public in the Picture include Andrew Griebler, Annette Haug, Henrike Haug, Christiane Hille, Christopher Lakey, Andrea Lermer, Cornelia Logemann, Anja Rathmann-Lutz, Alberto Saviello, and Daniela Wagner.
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