Engaging Modernity is the definitive history of Asante royal regalia and music ensembles. This second edition includes an ethnographical account of the 2014 Asanteman Grand Adae festival that prominently features the complex heritage of the visual and the performing arts in motion. Ampene’s contextual account illuminates the historical narratives the regalia objects render as they move through space and time, as well as the metalanguage embodied in the objects and the symbolic language they convey in Akanland. The book combines text with over three hundred color photographs to construct subtle and nuanced views of the material culture associated with Asante royal court in the twenty-first century. Engaging Modernity is an essential and a vast transdisciplinary resource for the humanities and beyond.
Forests of Gold is a collection of essays on the peoples of Ghana with particular reference to the most powerful of all their kingdoms: Asante. Beginning with the global and local conditions under which Akan society assumed its historic form between the fifteenth and seventeenth centuries, these essays go on to explore various aspects of Asante culture: conceptions of wealth, of time and motion, and the relationship between the unborn, the living, and the dead. The final section is focused upon individuals and includes studies of generals, of civil administrators, and of one remarkable woman who, in 1831, successfully negotiated peace treaties with the British and the Danes on the Gold Coast. The author argues that contemporary developments can only be fully understood against the background of long-term trajectories of change in Ghana.
Bearing the historic symbol of the Asante nation, the porcupine, the National Liberation Movement (NLM) stormed onto the Gold Coast’s political stage in 1954, mounting one of the first and most significant campaigns to decentralize political power in decolonizing Africa.
Ghana (formerly the Gold Coast) was the first colony in sub-Saharan Africa to secure political independence from Britain. The struggle for full self-government was led by Kwame Nkrumah, the leading advocate of African nationalism and Pan-African unity in the post-World War II era. The NLM threatened the stability of Nkrumah’s preindependence government and destroyed prospects for a smooth transition to full self-rule. Though NLM demands for Asante autonomy mobilized thousands of members, marchers, and voters, the NLM was unable to forestall plans for a unitary government in a new nation. Under Nkrumah, Ghana became independent in 1957.
Marginalized politically by 1958, the NLM has at times been marginalized by scholars as well. Cast into the shadows of academic inquiry where history’s losers often dwell, the NLM came to be characterized as a tribalist ghost of the past whose foreordained defeat was worthy of some attention, but whose spectacular rise was not.
Today, when it is far harder to dismiss decentralizing movements and alternative nationalisms as things of the past, Jean Marie Allman’s brilliant The Quills of the Porcupine recovers the history of the NLM as a popular movement whose achievements and defeats were rooted in Asante’s history and in the social conflicts of the period. Allman draws skillfully on her extensive interviews with NLM activists, on a variety of published and archival sources in Ghana, and on British colonial records—many of them recently declassified—to provide rich narrative detail.
Sophisticated in its analysis of the NLM’s ideology and of the appeals of the movement to various strata within Asante society, The Quills of the Porcupine is a pioneering case study in the social history of African politics. An exciting story firmly situated within the context of the large theoretical and historical literature on class, ethnicity, and nationalism, its significance reaches far past the borders of Asante, and of Ghana.