Reimagining the elusive American dream
 
In The Kitchen of Small Hours, Derek N. Otsuji embraces the fragility and endurance of a family of immigrants from two prefectures in Japan: Kagoshima in the south and Okinawa, an island more than four hundred miles from the mainland. In these poems, five generations sing, save, scold, bury, and cook against the culture and history that emerged from the pineapple and sugar cane plantations of mid-nineteenth-century Hawaii, from the bomb-scapes and hatreds of World War II, and from the canning and tourism industry of the twentieth century. Otsuji writes of how his family used stories and rugged cheer to fill the spaces apart from the cane fields and the canning factory. Their recipes, rituals, celebrations, songs, dances, myths, and family stories passed from grandmother to father to son, who folds them into lyrics. 
 
Here too are whispers, failures, and traceable absences: a face removed from photos, a love silenced to be acceptable, a dead firstborn housed in an urn. There are things that no one intended to give. Otsuji’s language hungers for them anyway. The haunting reunions between author and ancestor sink just as deep as roots and hold just as fast. The cooking pot, the family photo, the moon recur as images that feed and comfort. Lyrical and warm, Otsuji’s voice sounds out a sinew of words that make the remnants of heritage and home durable. In these poems each new generation seeks to reimagine for itself the elusive American Dream

A powerful debut novel about war, immigration, and home

Celebrating the power of literature to rescue a life from despair, Koan Khmer is the story of Samnang Sok, an orphaned child survivor of the Cambodian genocide who sets out to make a new life in America alongside his extended family. Struggling to cope with the traumas of his past, Samnang feels alienated from his American peers at school and disconnected from his aunts, uncles, and cousins at home. Inspired by the books he discovers along the way, Samnang begins piecing together information about the past through stories told by elders, family photographs, and his own memories and dreams. Based loosely on Tuon’s life, the novel traces Samnang’s difficult journey toward an answer to the question, How does one rebuild a life after genocide and displacement and create a home?

Koan Khmer gives an unflinching voice to a distinctly Cambodian American sensibility. Tuon creates a refugee space that all Americans can visit in this bildungsroman that breathes life into cultural knowledge disrupted by loss and grief.