front cover of The Constructed Mennonite
The Constructed Mennonite
History, Memory, and the Second World War
Hans Werner
University of Manitoba Press, 2013

front cover of Contesting Childhood
Contesting Childhood
Autobiography, Trauma, and Memory
Douglas, Kate
Rutgers University Press, 2010
The late 1990s and early 2000s witnessed a surge in the publication and popularity of autobiographical writings about childhood. Linking literary and cultural studies, Contesting Childhood draws on a varied selection of works from a diverse range of authorsùfrom first-time to experienced writers. Kate Douglas explores Australian accounts of the Stolen Generation, contemporary American and British narratives of abuse, the bestselling memoirs of Andrea Ashworth, Augusten Burroughs, Robert Drewe, Mary Karr, Frank McCourt, Dave Pelzer, and Lorna Sage, among many others.

Drawing on trauma and memory studies and theories of authorship and readership, Contesting Childhood offers commentary on the triumphs, trials, and tribulations that have shaped this genre. Douglas examines the content of the narratives and the limits of their representations, as well as some of the ways in which autobiographies of youth have become politically important and influential. This study enables readers to discover how stories configure childhood within cultural memory and the public sphere.

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front cover of Don't Look Now
Don't Look Now
Things We Wish We Hadn't Seen
Edited by Kristen Iversen and David Lazar
The Ohio State University Press, 2020
Would that our memories were self-selecting. But often what we remember most, and most vividly, are those moments that caught us unawares: the things we wish we hadn’t seen and have never been able to shake. This group of prominent American writers tries to come to grips with obsessive memory, the uncanny, and the bad dreams that accompany the moments in our lives when we wish we’d looked away, the places we wish we’d never been, and the scenes we wish we’d never stumbled upon.
Featuring essays by Jericho Parms, XU XI, Jerald Walker, José Orduña, Kristen Iversen, Nicole Walker, Mary Cappello, Lina Ferreira, Colleen O’Connor, Sonya Huber, Paul Crenshaw, Alyce Miller, Patrick Madden, Amelia María de la Luz Montes, Yalie Kamara, Emily Heiden, Lee Martin, and David Lazar,
this collection bares all. The authors invite readers into a dream that resurrects a departed mother each night, only to lose her again each morning upon waking; the post-mortem newspaper photos of a former student; kaleidoscope childhood memories of the mundane mixed up together with the traumatic; an unplanned pregnancy; a bullfight and a spouse’s mortality; a teen witnessing the suicide of her father; a parent trying to shield his children from witnessing a violent death. What these writers are after, though, is not the melancholic/grotesque/violent moment itself, but the process of remembering—and trying to forget. They examine the way these memories take hold, resurface, and never leave, and what it means for a life lived long after these moments have passed. These scenes, slowly enfolding us like bad dreams or flying by like trains on elevated platforms, demand we reach some kind of accommodation with them—make peace or make sense or make amends. The one thing they insist with certainty is this: they cannot—will not—be unseen.
 
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front cover of Fragments of a Mortal Mind
Fragments of a Mortal Mind
A Nonfiction Novel
Donald Anderson
University of Nevada Press, 2021
We are where we’ve been and what we’ve read, aren’t we? Where else do we get the experience we need to evocatively live?

At once a memoir, a reading journal, and a novel, Fragments of a Mortal Mind is a daring, contemporary commonplace book. Donald Anderson, critically acclaimed author of Gathering Noise from My Life and Below Freezing, shows us how the disparate elements of our lives collect to construct our deepest selves and help us to make sense of it all. Anderson layers his personal experiences and reflections with those of others who have wrestled with inner and outer social, cultural, and political memories that are not as accurate as history might suggest but that each of us believe nonetheless. He challenges the reader’s sense of memory and fact, downplaying the latter in explaining how each of us crafts our own personal histories.

As Anderson weaves his voice among numerous other voices and ideas that rest upon other ideas, we are faced with larger issues of human existence: war, memory, trauma, mortality, religion, fear, joy, ugliness, and occasional beauty. What we have here is a meditation on living in America. We are shown how the world we consume becomes us as we metabolize it. How we, as humans, through our own fragments of memories, influences, and experiences become our true selves. By charting fragments of thoughts over a lifetime, Anderson exposes a way of thinking and perceiving the world that is refreshingly intuitive and desperately needed. Fragments of a Mortal Mind is a powerful masterpiece that closely resembles our lived experiences and is a vivid reflection of our time.
 
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front cover of Generations and Collective Memory
Generations and Collective Memory
Amy Corning and Howard Schuman
University of Chicago Press, 2015
When discussing large social trends or experiences, we tend to group people into generations. But what does it mean to be part of a generation, and what gives that group meaning and coherence? It's collective memory, say Amy Corning and Howard Schuman, and in Generations and Collective Memory, they draw on an impressive range of research to show how generations share memories of formative experiences, and how understanding the way those memories form and change can help us understand society and history.

Their key finding—built on historical research and interviews in the United States and seven other countries (including China, Japan, Germany, Lithuania, Russia, Israel, and Ukraine)—is that our most powerful generational memories are of shared experiences in adolescence and early adulthood, like the 1963 Kennedy assassination for those born in the 1950s or the fall of the Berlin Wall for young people in 1989. But there are exceptions to that rule, and they're significant: Corning and Schuman find that epochal events in a country, like revolutions, override the expected effects of age, affecting citizens of all ages with a similar power and lasting intensity.

The picture Corning and Schuman paint of collective memory and its formation is fascinating on its face, but it also offers intriguing new ways to think about the rise and fall of historical reputations and attitudes toward political issues.
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front cover of Memory and Narrative
Memory and Narrative
The Weave of Life-Writing
James Olney
University of Chicago Press, 1998
Memory and Narrative presents an elegant, authoritative account of how life-writing has changed over time to arrive at its present form. James Olney, one of the most distinguished scholars of autobiography, tells the story of an evolving literary form that originated in the autobiographical writings of St. Augustine, underwent profound changes in Jean-Jacques Rousseau's life-writing trilogy, and found a momentary conclusion in the work of Samuel Beckett.

"This is an elegant work of scholarship." —Jason Berry, Chicago Tribune

"Examines how the fascinating, reciprocal relationship between memory and narrative has evolved over the course of 17 centuries. . . . Olney's work is a valuable companion to his subjects' primary texts." —Booklist
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front cover of Pillar of Salt
Pillar of Salt
Gender, Memory, and the Perils of Looking Back
Haaken, Janice
Rutgers University Press, 1998
 Pillar of Salt introduces the controversy over recollections of childhood sexual abuse as the window onto a much broader field of ideas concerning memory, storytelling, and the psychology of women. The book moves beyond the poles of “true” and “false” memories to show how women’s stories reveal layers of gendered and ambiguous meanings, spanning a wide historical, cultural, literary, and clinical landscape. The author offers the concept of transformative remembering as an alternative framework for looking back, one that makes use of fantasy in understanding the narrative truth of childhood recollections.Haaken provides an alternative reading of clinical material, showing how sexual storytelling transcends the symbolic and the “real” and how cultural repression of desire remains as problematic for women as the psychological legacy of trauma.
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front cover of Remembering Pinochet's Chile
Remembering Pinochet's Chile
On the Eve of London 1998
Steve J. Stern
Duke University Press, 2004
During the two years just before the 1998 arrest in London of General Augusto Pinochet, the historian Steve J. Stern had been in Chile collecting oral histories of life under Pinochet as part of an investigation into the form and meaning of memories of state-sponsored atrocities. In this compelling work, Stern shares the recollections of individual Chileans and draws on their stories to provide a framework for understanding memory struggles in history.


“A thoughtful, nuanced study of how Chileans remember the traumatic 1973 coup by Augusto Pinochet against Salvador Allende and the nearly two decades of military government that followed. . . . In light of the recent revelations of American human rights abuses of Iraqi prisoners, [Stern’s] insights into the legacies of torture and abuse in the Chilean prisons of the 1970s certainly have contemporary significance for any society that undergoes a national trauma.”—Publishers Weekly

“This outstanding work of scholarship sets a benchmark in the history of state terror, trauma, and memory in Latin America.”—Thomas Miller Klubock, American Historical Review

“This is a book of uncommon depth and introspection. . . . Steve J. Stern has not only advanced the memory of the horrors of the military dictatorship; he has assured the place of Pinochet’s legacy of atrocity in our collective conscience.”—Peter Kornbluh, author of The Pinochet File: A Declassified Dossier on Atrocity and Accountability

“Steve J. Stern’s book elegantly recounts the conflicted recent history of Chile. He has found a deft solution to the knotty problem of evenhandedness in representing points of view so divergent they defy even the most careful attempts to portray the facts of the Pinochet period. He weaves a tapestry of memory in which narratives of horror and rupture commingle with the sincere perceptions of Chileans who remember Pinochet’s rule as salvation. The facts are there, but more important is the understanding we gain by knowing how ordinary Chileans—Pinochet’s supporters and his victims—work through their unresolved past.”—John Dinges, author of The Condor Years: How Pinochet and His Allies Brought Terrorism to Three Continents

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front cover of A Round of Golf with My Father
A Round of Golf with My Father
The New Psychology of Exploring Your Past to Make Peace with Your Present
Damon, William
Templeton Press, 2021

Viewing our past through the eyes of maturity can reveal insights that our younger selves could not see. Lessons that eluded us become apparent. Encounters that once felt like misfortunes now become understood as valued parts of who we are. We realize what we’ve learned and what we have to teach. And we’re encouraged to chart a future that is rich with purpose. 

In A Round of Golf with My Father, William Damon introduces us to the “life review.” This is a process of looking with clarity and curiosity at the paths we’ve traveled, examining our pasts in a frank yet positive manner, and using what we’ve learned to write purposeful next chapters for our lives.

For Damon, that process began by uncovering the mysterious life of his father, whom he never met and never gave much thought to. What he discovered surprised him so greatly that he was moved to reassess the events of his own life, including the choices he made, the relationships he forged, and the career he pursued.

Early in his life, Damon was led to believe that his father had been killed in World War II. But the man survived and went on to live a second life abroad. He married a French ballerina, started a new family, and forged a significant Foreign Service career. He also was an excellent golfer, a bittersweet revelation for Damon, who wishes that his father had been around to teach him the game. 

We follow Damon as he struggles to make sense of his father’s contradictions and how his father, even though living a world apart, influenced Damon’s own development in crucial ways. In his life review, Damon uses what he learned about his father to enhance his own newly emerging self-knowledge. 

Readers of this book may come away inspired to conduct informal life reviews for themselves. By uncovering and assembling the often overlooked puzzle pieces of their pasts, readers can seek present-day contentment and look with growing optimism to the years ahead.

 
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