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A Check List of North American Amphibians and Reptiles
Fourth Edition
Leonhard Stejneger and Thomas Barbour
Harvard University Press
In this fourth edition of the well-known Check-List of Stejneger and Barbour, the information has been thoroughly revised and brought up to date. The value and usefulness of the work are well attested by continued demands for it and the consequent necessity of this new edition.
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The Lamarck Manuscripts at Harvard
William M. Wheeler
Harvard University Press
This volume contains a transcript of the original French text and an English translation of the six manuscripts of Lamarck in the library of the Museum of Comparative Zoology. The first manuscript, a lecture on Gall’s conception of the human brain, is of unusual interest because so little is known concerning Lamarck’s medical education. The sixth manuscript contains an account of an eighteenth century botanical excursion. A few of the drawings which accompany the text of one of the manuscripts are reproduced, and a general account of the various manuscripts, with Crookshank’s comparison of the life-plans of Lamarck and Darwin, is given in the Introduction.
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A Naturalist's Scrapbook
Thomas Barbour
Harvard University Press

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Reading the Shape of Nature
Comparative Zoology at the Agassiz Museum
Mary P. Winsor
University of Chicago Press, 1991
Reading the Shape of Nature vividly recounts the turbulent early history of the Museum of Comparative Zoology at Harvard and the contrasting careers of its founder Louis Agassiz and his son Alexander. Through the story of this institution and the individuals who formed it, Mary P. Winsor explores the conflicting forces that shaped systematics in the second half of the nineteenth century. Debates over the philosophical foundations of classification, details of taxonomic research, the young institution's financial struggles, and the personalities of the men most deeply involved are all brought to life.

In 1859, Louis Agassiz established the Museum of Comparative Zoology to house research on the ideal types that he believed were embodied in all living forms. Agassiz's vision arose from his insistence that the order inherent in the diversity of life reflected divine creation, not organic evolution. But the mortar of the new museum had scarcely dried when Darwin's Origin was published. By Louis Agassiz's death in 1873, even his former students, including his son Alexander, had defected to the evolutionist camp. Alexander, a self-made millionaire, succeeded his father as director and introduced a significantly different agenda for the museum.

To trace Louis and Alexander's arguments and the style of science they established at the museum, Winsor uses many fascinating examples that even zoologists may find unfamiliar. The locus of all this activity, the museum building itself, tells its own story through a wonderful series of archival photographs.
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