front cover of Berlin for Jews
Berlin for Jews
A Twenty-First-Century Companion
Leonard Barkan
University of Chicago Press, 2016
What is it like to travel to Berlin today, particularly as a Jew, and bring with you the baggage of history? And what happens when an American Jew, raised by a secular family, falls in love with Berlin not in spite of his being a Jew but because of it?  The answer is Berlin for Jews. Part history and part travel companion, Leonard Barkan’s personal love letter to the city shows how its long Jewish heritage, despite the atrocities of the Nazi era, has left an inspiring imprint on the vibrant metropolis of today. 

Barkan, voraciously curious and witty, offers a self-deprecating guide to the history of Jewish life in Berlin, revealing how, beginning in the early nineteenth century, Jews became prominent in the arts, the sciences, and the city’s public life. With him, we tour the ivy-covered confines of the Schönhauser Allee cemetery, where many distinguished Jewish Berliners have been buried, and we stroll through Bayerisches Viertel, an elegant neighborhood created by a Jewish developer and that came to be called Berlin’s “Jewish Switzerland.”  We travel back to the early nineteenth century to the salon of Rahel Varnhagen, a Jewish society doyenne, who frequently hosted famous artists, writers, politicians, and the occasional royal. Barkan also introduces us to James Simon, a turn-of-the-century philanthropist and art collector, and we explore the life of Walter Benjamin, who wrote a memoir of his childhood in Berlin as a member of the assimilated Jewish upper-middle class.  Throughout, Barkan muses about his own Jewishness, while celebrating the rich Jewish culture on view in today’s Berlin. 

A winning, idiosyncratic travel companion, Berlin for Jews offers a way to engage with German history, to acknowledge the unspeakable while extolling the indelible influence of Jewish culture.
 
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front cover of Satyr Square
Satyr Square
A Year, a Life in Rome
Leonard Barkan
Northwestern University Press, 2008

Part memoir, part literary criticism, part culinary and aesthetic travelogue, this loving reflection is a poignant, funny narrative about an American professor spending a year in Rome. A scarred veteran of academic culture wars retreating to a cradle of culture, Barkan is at first hungry, lonely, and uncertain of his intellectual mission. But soon he is appointed unofficial mascot of an eccentric community of gastronomes, becomes virtually bilingual, and falls in love. As the year progresses, he finds his voice as a writer, loses his lover, and definitively returns to America with heart, mind, and body. His memoir is the celebration of a life lived in the uncanny spaces where art and real people intersect.

Barkan’s reminiscence is not just about the Renaissance and ancient statuary, or Shakespeare and Mozart, Charles Bukowski and Paul de Man, eggplant antipasto and Brunello di Montalcino, foot fetishism and sulfur baths. At the heart of the narrative—beneath that beguiling surface of irony, humor, and misdirection—is a man of genuine ardor, struggling with what it means to be a homosexual and a Jew, trying to rediscover or reinvent his own intellectual passions. Hilarious, erudite, and lusciously rendered, Satyr Square gives us the whole of a life made up from fragments of Italy, art, food, and longing.

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