BiblioVault - Books about Barletta, Vincent

Covert Gestures

Crypto-Islamic Literature as Cultural Practice in Early Modern Spain

Vincent Barletta

University of Minnesota Press, 2005

Forcibly expelled from Spain in the early seventeenth century, the substantial Muslim community known as the moriscos left behind them a hidden yet extremely rich corpus of manuscripts. Copied out in Arabic script and concealed in walls, false floors, and remote caves, these little-known texts now offer modern readers an absorbing look into the cultural life of the moriscos during the hundred years between their forced conversion to Christianity and their eventual expulsion. Covert Gestures reveals how the traditional Islamic narratives of the moriscos both shaped and encoded a wide range of covert social activity characterized by a profound and persistent concern with time and temporality. Using a unique blend of literary analysis, linguistic anthropology, and phenomenological philosophy, Barletta explores the narratives as testimonials of past human experiences and discovers in them evidence of community resistance. In its interdisciplinary approach, Vincent Barletta's work is nothing less than a rewriting of the cultural history of Muslim Spain, as well as a replotting of the future course of medieval and early modern literary studies.

[more]

Death in Babylon

Alexander the Great and Iberian Empire in the Muslim Orient

Vincent Barletta

University of Chicago Press, 2010

Though Alexander the Great lived more than seventeen centuries before the onset of Iberian expansion into Muslim Africa and Asia, he loomed large in the literature of late medieval and early modern Portugal and Spain. Exploring little-studied chronicles, chivalric romances, novels, travelogues, and crypto-Muslim texts, Vincent Barletta shows that the story of Alexander not only sowed the seeds of Iberian empire but foreshadowed the decline of Portuguese and Spanish influence in the centuries to come.

Death in Babylon depicts Alexander as a complex symbol of Western domination, immortality, dissolution, heroism, villainy, and death. But Barletta also shows that texts ostensibly celebrating the conqueror were haunted by failure. Examining literary and historical works in Aljamiado, Castilian, Catalan, Greek, Latin, and Portuguese, Death in Babylon develops a view of empire and modernity informed by the ethical metaphysics of French phenomenologist Emmanuel Levinas. A novel contribution to the literature of empire building, Death in Babylon provides a frame for the deep mortal anxiety that has infused and given shape to the spread of imperial Europe from its very beginning.

[more]

Dreams of Waking

An Anthology of Iberian Lyric Poetry, 1400-1700

Edited and Translated by Vincent Barletta, Mark L. Bajus, and Cici Malik

University of Chicago Press, 2013

In this anthology, Vincent Barletta, Mark L. Bajus, and Cici Malik treat the Iberian lyric in the late Middle Ages and early modernity as a deeply multilingual, transnational genre that needs to break away from the old essentialist ideas about language, geography, and identity in order to be understood properly. More and more, scholars and students are recognizing the limitations of single-language, nationalist, and period-bound canons and are looking for different ways to approach the study of literature. The Iberian Peninsula is an excellent site for this approach, where the history and politics of the region, along with its creative literature, need to be read and studied together with the way the works were composed by poets and eventually consumed by readers.

With a generous selection of more than one hundred poems from thirty-three poets, Dreams of Waking is unique in its coverage of the three main languages—Catalan, Portuguese, and Spanish—and lyrical styles employed by peninsular poets. It contains new translations of canonical poems but also translations of many poems that have never before been edited or translated. Brief headnotes provide essential details of the poets’ lives, and a general introduction by the volume editors shows how the poems and languages fruitfully intersect. With helpful annotations to the poetry, as well as a selected bibliography containing the most important editions and translations from all three of the main Iberian languages, this volume will be an indispensable tool for both specialists and students in comparative literature.

[more]

A Memorandum for the President of the Royal Audiencia and Chancery Court of the City and Kingdom of Granada

Francisco Núñez Muley

University of Chicago Press, 2007

Conquered in 1492 and colonized by invading Castilians, the city and kingdom of Granada faced radical changes imposed by its occupiers throughout the first half of the sixteenth century—including the forced conversion of its native Muslim population. Written by Francisco Núñez Muley, one of many coerced Christian converts, this extraordinary letter lodges a clear-sighted, impassioned protest against the unreasonable and strongly assimilationist laws that required all converted Muslims in Granada to dress, speak, eat, marry, celebrate festivals, and be buried exactly as the Castilian settler population did.

Now available in its first English translation, Núñez Muley’s account is an invaluable example of how Spain’s former Muslims made active use of the written word to challenge and openly resist the progressively intolerant policies of the Spanish Crown. Timely and resonant—given current debates concerning Islam, minorities, and cultural and linguistic assimilation—this edition provides scholars in a range of fields with a vivid and early example of resistance in the face of oppression.

[more]

Rhythm

Form and Dispossession

Vincent Barletta

University of Chicago Press, 2020

More than the persistent beat of a song or the structural frame of poetry, rhythm is a deeply imbedded force that drives our world and is also a central component of the condition of human existence. It’s the pulse of the body, a power that orders matter, a strange and natural force that flows through us. Virginia Woolf describes it as a “wave in the mind” that carries us, something we can no more escape than we could stop our hearts from beating.

Vincent Barletta explores rhythm through three historical moments, each addressing it as a phenomenon that transcends poetry, aesthetics, and even temporality. He reveals rhythm to be a power that holds us in place, dispossesses us, and shapes the foundations of our world. In these moments, Barletta encounters rhythm as a primordial and physical binding force that establishes order and form in the ancient world, as the anatomy of lived experience in early modern Europe, and as a subject of aesthetic and ethical questioning in the twentieth century.

A wide-ranging book covering a period spanning two millennia and texts from over ten languages, Rhythm will expand the conversation around this complex and powerful phenomenon.

[more]