Essays on Scandinavian History examines important aspects of the history of Sweden and its Nordic neighbors between the later eighteenth and the beginning of the twenty-first century. Historian H. Arnold Barton has selected thirteen of the numerous essays he has published over the past forty years on the history of Scandinavia.

This is a companion volume to Barton's The Old Country and the New, an essay collection on Swedish emigration and the Swedes in America. Included here are studies of the special significance of the eighteenth century in Sweden's history and culture, the relationship of King Gustaf III to the eighteenth-century Enlightenment, the impact of the American Revolution in Sweden, and Gustaf III's ambitions in the East Baltic region. Also detailed are the king's early reaction to the French Revolution and his efforts to organize a European coalition to crush it, a reassessment of the reign and internal reforms of Gustaf IV Adolf, and the Swedish succession crises of 1809 and 1810.

In addition, Barton examines the increasing tension between the Pan-Scandinavian movement and the rising Finnish national movement. He deals with the historians of the Danish Agrarian Reforms of 1784-1814, parallel developments in Finland and Norway between 1808 and 1917, the discovery of Norway abroad, Swedish national romanticism, and Sweden's transition from a warfare state to a welfare state, now exemplifying the rational and humane ideals of the twentieth century.

Essays on Scandinavian History highlights important topics in the history of the Scandinavian region, which has remained all too little known outside the Nordic lands themselves, while also offering broader perspectives on Europe since the mid-eighteenth century. Twelve keyed-to-text illustrations, a bibliography of Barton's publications on Scandinavian history, essay endnotes, and an index augment this work.

The first scholar to examine as a whole the travel literature dealing with Denmark, Schleswig-Holstein, Norway, Sweden, Finland, Iceland, and the Færø Islands, H. Arnold Barton discusses accounts left by both the celebrated and the obscure. Well-known travelers include Vittorio Alfieri, Francisco de Miranda, Mary Wollstonecraft, Thomas Malthus, and Aaron Burr. Literary travelers of the day included Nathanael Wraxall, William Coxe, Charles Gottlob Küttner, Edward Daniel Clarke, and John Carr.

Northern Arcadia brings out contrasts: among the various Nordic lands and regions; among the reactions of travelers of differing nationality; between the earlier as opposed to the later travelers of the time; between native Scandinavian and foreign perceptions of the North; between conditions in Scandinavia and those in other parts of the Western world; between then and now. It incorporates continuity and change, reality and mentality.

Documenting a rich Scandinavian American culture and ethnic perspective

This notable collection of seventeen essays and six editorials by renowned Swedish American historian H. Arnold Barton was compiled from writings published between 1974 and 2005. The result of three decades of extensive research in the United States and Sweden, The Old Country and the New: Essays on Swedes and America, covers Swedish emigration to North America as well as the history and culture of Swedes in their new country.

In this rich mosaic of American ethnicity and cultural history, Barton analyzes the multifaceted Swedish emigration/immigration story. Essays include a survey of the historiography of emigration from the Scandinavian countries and the Scandinavian immigration to North America, Swedish emigration before 1846, and the Eric-Janssonist religious sect and its colony at Bishop Hill, Illinois.

Because Swedish immigrants were highly literate people, they wrote numerous letters describing their experiences to relatives and friends at home. What these letters related—or omitted—is the subject of another essay. Barton discusses Swedish immigrants who returned permanently to their homeland, affecting both the old country and the new. He also traces relations between the United States and Sweden, post—World War II Swedish immigration, and genealogy as history.

Offering a broad Scandinavian American ethnic perspective, The Old Country and the New appeals to both scholars and lay readers. Sixteen illustrations and a complete bibliography of Barton’s publications on Swedish American history and culture enhance the volume.

H. Arnold Barton investigates Norwegian political and cultural influences in Sweden during the period of the Swedish-Norwegian dynastic union from 1814 to 1905.

Although closely related in origins, indigenous culture, language, and religion, Sweden and Norway had very different histories, resulting in strongly contrasting societies and forms of government before 1814. After a proud medieval past, Norway had come under the Danish crown in the fourteenth century and had been reduced to virtually a Danish province by the sixteenth.

In 1814, as a spin-off of the Napoleonic Wars, Denmark relinquished Norway, which became a separate kingdom, dynastically united with Sweden with its own government under a constitution independently framed that year. Disputes during the next ninety-one years caused Norway unilaterally to dissolve the tie.

Seeing the union a failure, most historians have concentrated on its conflicts. Barton, however, examines the impact of the union on internal developments, particularly in Sweden. Prior to 1814, Norway, unlike Sweden, had no constitution and only the rudiments of higher culture, yet paradoxically, Norway exerted a greater direct influence on Sweden than vice versa.

Reflecting a society lacking a native nobility, Norway’s 1814 constitution was—with the exception of that of the United States—the most democratic in the world. It became the guiding star of Swedish liberals and radicals striving to reform the antiquated system of representation in their parliament. Norway’s cultural void was filled with a stellar array of artists, writers, and musicians, led by Bjørnsjerne Børnson, Henrik Ibsen, and Edvard Grieg. From the 1850s through the late 1880s, this wave of Norwegian creativity had an immense impact on literature, art, and music in Sweden. By the 1880s, however, August Strindberg led a revolt against an exaggerated “Norvegomania” in Sweden. Barton sees this reaction as a fundamental inspiration to Sweden’s intense search for its own cultural character in the highly creative Swedish National Romanticism of the 1890s and early twentieth century.

Thirty-three illustrations of art and architecture enhance Sweden and Visions of Norway.